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[Movie] Inception - Page 18

Forum Index > Media & Entertainment
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Kingsp4de20
Profile Blog Joined February 2007
United States716 Posts
July 19 2010 19:42 GMT
#341
Gonna finally go see this movie tonight, I cant wait! I love Leonardo Dicaprio's acting.
ShoCkeyy
Profile Blog Joined July 2008
7815 Posts
July 19 2010 20:03 GMT
#342
On July 20 2010 02:33 Xeris wrote:
Here's another weird plot hole I noticed when watching a second time...

+ Show Spoiler +

They go into the "4th level" (I'm assuming this is limbo?) , Mal dies, they save Fischer, and then Cobb stays to "find Saito" since Saito is in limbo (somehow they know Saito died). Is there just one general limbo, or are people's limbos different? How would Saito be in the limbo of Cobb (since they went into Cobb's dream, ended up in his world, etc) ... how was he there??

He wakes up on the shore (AGAIN), suggesting that he went into ANOTHER dream (a 5th level?) , how else would he have gotten from the house with Mal to the shore of a beach where Saito was. Wouldn't he have had to go into Saito's dream to be in his limbo?

And when Cobb finds Saito in limbo, why is only Saito old?


+ Show Spoiler +
You have to remember, they were all connected through the same dream machine, so once they fall into the "Limbo" they all share the same limbo. Also the reason as to why Saito is old is because he thinks of the limbo as Reality so he grows old in the limbo, but cobb knew it was a limbo and that's why he never grew old.
Life?
iNdEMAND
Profile Joined July 2010
130 Posts
Last Edited: 2010-07-19 20:31:09
July 19 2010 20:30 GMT
#343
On July 20 2010 02:33 Xeris wrote:
Here's another weird plot hole I noticed when watching a second time...

+ Show Spoiler +

They go into the "4th level" (I'm assuming this is limbo?) , Mal dies, they save Fischer, and then Cobb stays to "find Saito" since Saito is in limbo (somehow they know Saito died). Is there just one general limbo, or are people's limbos different? How would Saito be in the limbo of Cobb (since they went into Cobb's dream, ended up in his world, etc) ... how was he there??

He wakes up on the shore (AGAIN), suggesting that he went into ANOTHER dream (a 5th level?) , how else would he have gotten from the house with Mal to the shore of a beach where Saito was. Wouldn't he have had to go into Saito's dream to be in his limbo?

And when Cobb finds Saito in limbo, why is only Saito old?


+ Show Spoiler +

Limbo is the same becuase they are sharing the same dream just like how Mal and Cobb went into limbo together. They also stated in the movie that limbo would be the place of the previous person who has been there which is why the team said that they would need revert to Cobb if they ever got stuck there because he created it with Mal.

Saito dies early than Cobb which is why he is older.
Bibdy
Profile Joined March 2010
United States3481 Posts
July 19 2010 21:07 GMT
#344
On July 20 2010 05:30 iNdEMAND wrote:
Show nested quote +
On July 20 2010 02:33 Xeris wrote:
Here's another weird plot hole I noticed when watching a second time...

+ Show Spoiler +

They go into the "4th level" (I'm assuming this is limbo?) , Mal dies, they save Fischer, and then Cobb stays to "find Saito" since Saito is in limbo (somehow they know Saito died). Is there just one general limbo, or are people's limbos different? How would Saito be in the limbo of Cobb (since they went into Cobb's dream, ended up in his world, etc) ... how was he there??

He wakes up on the shore (AGAIN), suggesting that he went into ANOTHER dream (a 5th level?) , how else would he have gotten from the house with Mal to the shore of a beach where Saito was. Wouldn't he have had to go into Saito's dream to be in his limbo?

And when Cobb finds Saito in limbo, why is only Saito old?


+ Show Spoiler +

Limbo is the same becuase they are sharing the same dream just like how Mal and Cobb went into limbo together. They also stated in the movie that limbo would be the place of the previous person who has been there which is why the team said that they would need revert to Cobb if they ever got stuck there because he created it with Mal.

Saito dies early than Cobb which is why he is older.


+ Show Spoiler +

Yeah, that's the reason, I think. Saito dies several minutes before Cobb, which turns into years for Saito in limbo before Cobb dies and shows up on the shore.


Great movie, all-in-all. Definitely an awesome idea and plenty of opportunity for expansion. Let's just hope they don't fuck the whole thing up like they did with the Matrix.
fbs
Profile Joined February 2003
United Kingdom2476 Posts
July 19 2010 21:13 GMT
#345
I just booked tickets to go see this again at the biggest screen in Europe, deserves a second viewing!
Nal_rAwr
Profile Blog Joined July 2009
United States2611 Posts
Last Edited: 2010-07-19 22:49:26
July 19 2010 22:48 GMT
#346
found this on the second page of the 24 Hours of digg
might go up as the day and week progresses
incase you guys miss it: here it is
http://www.cinemablend.com/new/An-Illustrated-Guide-To-The-5-Levels-Of-Inception-19643.html
the website it actually annoying, so i will spoiler the picture here:
+ Show Spoiler +

[image loading]


i have some specific questions and i don't really remember the movie well :d
1. if people (cobb, mal, saito, cobb again) kill themselves in LIMBO to get out, where do they go? do they go back to the previous dream? like "Level 4" in the picture? if its bad to go into limbo, why can't you just kill yourself whenever to come back?
2. how did cobb go into limbo to save saito again? did he kill himself? idr. so when he kills himself again in limbo to get out of limbo, where does he go if he's dead in the previous "level?"
3. cobb and mal put themselves in limbo to "stay together?" iirc they did it in purpose?
so say they have a companion, who followed them until they died and went to limbo. isn't there two ways to get out of limbo? cobb and mal kill themselves immediately, or wait a few seconds for the companion to react and give them the KICK (wait does a KICK send people out of limbo?)

i dont really remember/understand the whole limbo deal
can someone help ;d
thx
Nony is Bonjwa
OhThatDang
Profile Joined August 2004
United States4685 Posts
July 19 2010 23:02 GMT
#347
On July 20 2010 05:03 ShoCkeyy wrote:
Show nested quote +
On July 20 2010 02:33 Xeris wrote:
Here's another weird plot hole I noticed when watching a second time...

+ Show Spoiler +

They go into the "4th level" (I'm assuming this is limbo?) , Mal dies, they save Fischer, and then Cobb stays to "find Saito" since Saito is in limbo (somehow they know Saito died). Is there just one general limbo, or are people's limbos different? How would Saito be in the limbo of Cobb (since they went into Cobb's dream, ended up in his world, etc) ... how was he there??

He wakes up on the shore (AGAIN), suggesting that he went into ANOTHER dream (a 5th level?) , how else would he have gotten from the house with Mal to the shore of a beach where Saito was. Wouldn't he have had to go into Saito's dream to be in his limbo?

And when Cobb finds Saito in limbo, why is only Saito old?


+ Show Spoiler +
You have to remember, they were all connected through the same dream machine, so once they fall into the "Limbo" they all share the same limbo. Also the reason as to why Saito is old is because he thinks of the limbo as Reality so he grows old in the limbo, but cobb knew it was a limbo and that's why he never grew old.


+ Show Spoiler +
Actually, Since Cobb didnt know what he was doing in Saito's place anyways it means that he forgot this is all a dream and has been searching for Saito, but he lost what he was doing so he thinks its reality. Cobb actually does age in Limbo only because he came minutes after Saito dies. They know Saito die and thus thats why they go into Limbo (to try to find him and fishcher). Anyways!!! They are not in two levels of limbo or whatever, imagine limbo as being fucking huuuuuuuuuuuge and a strip of the beach.

Add to that Cobb has been searching for some time maybe years to be fair, he ends ujp on the beach again only after searching relentlessly and is tired so saito after many years losing touch on reality finds him and thats where we get the meet up. Also, thats where saito sees Cobbs totem the SECOND time around and recognizes him and what this is since he spins it. Cobb sees it spinning and they both realize they are dreammmmmmmin
troi oi thang map nai!!!
goswser
Profile Blog Joined May 2009
United States3546 Posts
July 19 2010 23:17 GMT
#348
On July 17 2010 14:59 Newguy wrote:
Seeing it in 9 hours! Can't wait any longer, after seeing one trailer a few months ago it hooked me and I've been waiting for this to come out ever since.

Didn't actually see it, I was on-call for work (horrible system imo), but am seeing it in 1 hour 15 minutes!
say you were born into a jungle indian tribe where food was scarce...would you run around from teepee to teepee stealing meat scraps after a day lazying around doing nothing except warming urself by a fire that you didn't even make yourself? -rekrul
iNdEMAND
Profile Joined July 2010
130 Posts
July 19 2010 23:21 GMT
#349
On July 20 2010 07:48 Nal_rAwr wrote:
found this on the second page of the 24 Hours of digg
might go up as the day and week progresses
incase you guys miss it: here it is
http://www.cinemablend.com/new/An-Illustrated-Guide-To-The-5-Levels-Of-Inception-19643.html
the website it actually annoying, so i will spoiler the picture here:
+ Show Spoiler +

[image loading]


+ Show Spoiler +
i have some specific questions and i don't really remember the movie well :d
1. if people (cobb, mal, saito, cobb again) kill themselves in LIMBO to get out, where do they go? do they go back to the previous dream? like "Level 4" in the picture? if its bad to go into limbo, why can't you just kill yourself whenever to come back?
2. how did cobb go into limbo to save saito again? did he kill himself? idr. so when he kills himself again in limbo to get out of limbo, where does he go if he's dead in the previous "level?"
3. cobb and mal put themselves in limbo to "stay together?" iirc they did it in purpose?
so say they have a companion, who followed them until they died and went to limbo. isn't there two ways to get out of limbo? cobb and mal kill themselves immediately, or wait a few seconds for the companion to react and give them the KICK (wait does a KICK send people out of limbo?)

i dont really remember/understand the whole limbo deal
can someone help ;d
thx


answers
+ Show Spoiler +


1. I believe they go back to the dream level before it. Because Mal and Cobb went so deep within their dream, (dream within a dream within a dream, etc) I assume they would have had to kill themselves multiple times. And if you add to that the fact that Cobb planted the idea that Mal's world was never real and that to get back to reality she needed to kill herself like she did many times before Cobb unintentionally made her commit suicide.

2. Cobb drowned from the van crashing into the river.

3. Nope. Cobb and Mal did it by accident by going to far within their dreams. I personally believe that one could get "kicked" out of limbo but we don't know for sure. Because Cobb and Mal went into limbo by accident they had no one in the dream world above them to kick them so they had to kill themselves to wake up.
cava
Profile Blog Joined November 2002
United States1035 Posts
July 19 2010 23:32 GMT
#350
Here is a theory that throws the conventional 5 level thinking as shown above me out the window.

http://www.imdb.com/title/tt1375666/board/nest/167024711?p=1
cava!
Bibdy
Profile Joined March 2010
United States3481 Posts
July 19 2010 23:49 GMT
#351
On July 20 2010 08:32 cava wrote:
Here is a theory that throws the conventional 5 level thinking as shown above me out the window.

http://www.imdb.com/title/tt1375666/board/nest/167024711?p=1


+ Show Spoiler +

I like this theory. It explains all of the seemingly silly coincidences, things that nag you in the back of your mind when you watch the movie and especially the opening scenes. Very cunning of them to put them so early in the movie when you don't know what it means. Then, when you watch it again, and the ideas put forth in Inception (remember what they said about ideas?) take root and you unravel the greater mystery.
DarthThienAn
Profile Blog Joined July 2009
United States2734 Posts
Last Edited: 2010-07-20 00:23:42
July 20 2010 00:17 GMT
#352
On July 19 2010 16:42 Endymion wrote:
Edit:Response to DarthThienAn

Show nested quote +
On July 19 2010 16:42 DarthThienAn wrote:
On July 19 2010 14:59 Endymion wrote:
Just saw this movie, and honestly didn't like it very much. The film felt so conflicted about what it wanted to be, and it ruined it for me. I'll spoiler the rest so that if you haven't seen it then it doesn't have to be ruined for you.

Movie spoilers
+ Show Spoiler +

First off, the motive for the whole movie taking place. The inception of the idea into the corporate heir's mind. The protagonists have no motive for this other than greed, and in Cobb's case, the need for his children. They literally explain the whole preface of the movie in a minute, saying that Saito's company can no longer compete with Fischer's company, so instead of using ethical corporate means they just decide to rub out a multi-billion dollar company. Such a potentially powerful plot piece goes to waste (justifying this rash movement by Saito, or at least a conversation between Saito and Fischer Jr.), as Saito's character isn't developed and this plot string shreads.

The arguably main story of the film, Cobb's story about losing his grasp on what was reality and what wasn't. If his mind was so compromised, why would Ariadne let him come? She knew full well how dangerous his subconscious was when Mal stabbed her in her second dream, as well as when she invaded Cobb's dream. You could say that she was ignorant to a point, but give me a break. She was an american student studying architecture in Paris from a British professor who thought highly of her, she wasn't exactly stupid in any regard.

Besides Ariadne, why would Cobb enter the multi-level dream if he knew exactly just how dangerous it would be for everyone involved. It wasn't his accomplices were just accomplices, they all knew his story, and were probably his only close friends. Is he really so selfish to endanger everyone around him just to get half of his life back? He could have just assembled the team, and then told Saito that he was a liability, and that he knew the rest of the team could do it. I assume he was just extremely selfish from everything that had happened to him before the film even started, which makes me care so much less for the scenes between him and Mal.

The Ending.
This isn't really a complaint as the ending didn't really make or break the movie, but really? They are going to leave the top teetering? To be honest, I thought his dad would have came and pushed it over while Cobb was running out the children. I was literally thinking "I'll have so much more respect for this film if he knocks it over, because then it could mean A. It was reality and Cobb's father just wanted to reassure Cobb, or B. that it was a dream and Cobb's subconscious just wanted to be done with the whole situation and just be happy." I was really disappointed, but it doesn't really matter.

What is this movie trying to be?
Was it trying to be a romance, an action movie, or just a thriller? I couldn't pin it on one of the three, and to be honest neither of the three genres prevailed in the end. Oh, it's listed as a drama, but there wasn't really anything dramatic in the movie, everything felt so understated to me in the end.

Final Thoughts
I know it's just a movie, I just into it with super high hopes i guess. With high recommendations from friends as well as movie critics, and tl.net I thought that inception was unstoppable, and that it could even topple Vanilla Sky as my favorite movie.
[image loading]
Unfortunately, it didn't come close. Inception's lack of an identity completely turned me off, and was the complete opposite of Vanilla Sky's direct shot of sadness and despair straight into my heart. While I have seen Vanilla Sky 40+ times, I'm afraid I will only see Inception once more just to make sure I didn't miss anything.



3.5/5





+ Show Spoiler +
1) It's also about being a part of something great. What is our purpose in life? Some people live for money. Some people live for their family/friends. Some people live for achievements and passing some bar or goal that they have set for themselves. Most people mix these around, but a lot of people, at the core, live for one of these things, at least in my opinion. There's probably other things that people live for, but these are the main things, I think. So the whole "motive" is that, you're doing something that has never been done before. You're accomplishing something that is great, and you're making a step toward advancement. So the protagonists DO have a reason to be involved in the plan (other than pay) - it's the awe and the rush they get from being a part of something that big. You see a bit of this in Saito - he's not along "for the ride" or anything. He wants to be a part of it. Same with Arthur - though he's not completely convinced, he's not going to sit it out. And same with the chemist guy - Yusuf? - he had no problem with joining the crew because he's already in that mindset, that he wants to live life and do whatever is exciting. The concrete reasons given could be better, but ultimately, I don't have a problem with it.

Ariadne was new. She may have been extremely brilliant, but she wasn't about to stop the leader from going on his own mission. Also, she probably wanted to help him more than anything. She went in to protect the others, but also to help him, as she does in the end. As for Cobb, how often do you see someone pull themselves out of their only chance of returning home? Yes, he's extremely selfish in that he wants to return home and that is the reason why he's doing all of this. But I mean, would you expect him to be completely selfless? Toward the end, we start to see his confusion between dreams and reality - he himself is not sure of what is real (Mal is the voice of his doubts) and he believes that going home and seeing his children will help him grasp reality.

3) I mean, the way I think about the ending is that, it really was reality. But at the same time, the director couldn't have really done anything else if he wanted to express that we're not supposed to know. If he cuts the movie before if starts slowing down, everyone would think that it was all a dream. If he lets it slow down a bit, there's the possibility (and most likely) that it is reality. By physics, you could argue that it had to be reality, and so the director was silly by leaving it up. It they just let it fall, it would have been much better, because it would be absolute. So yea, I sort of agree with you, but I think the director wanted to leave the "possibility" to the die-hard people that it was a dream.

4) ? It wasn't a romance at all. lol, have you ever seen a romance? It was definitely a drama/thriller. Of that I have no question. Action is more like Transformers/Ironman/Predators, which like, there's a plot, but really it's just about the explosions and stuff. This is very obviously a drama/thriller, with an intense plot and all that. Shutter Island is very similar (I saw it recently) I think, in terms of genre.

5) Eh, I disagree with you. I'd give it at least a 4.5/5. And to be honest, I never go into movies with any expectations at all. That way I can judge more accurately and I can never get disappointed.


On July 19 2010 15:36 Loser777 wrote:
I don't understand why some of the effects are transitive between dreams while others are not.
Saito is shot in the first dream.
He remains evidently ill throughout all of the subsequent dreams.

The water from the van that splashes onto them results in the turbulent and strange weather of the subsequent dreams, and so forth.

But when the "kick" is delivered, and the van is falling, gravity does seem to disappear in the Hotel, but not for any of the others in the snow... even though their actual bodies are in free fall?



I think it's more that Saito was in danger of dying. A pretty obvious wound, whereas the others all remained unharmed. It's pretty lol that no one else ever gets shot when they're fighting the security on the other levels but w/e.

The difference is that one is affecting the environment, and one is affecting the actual person I guess. Outside-in vs. inside-out?



+ Show Spoiler +

1. I never thought of it that way, that the protagonists were in it for the thrill of the adventure. I have never met anyone who would risk everything they have just for an adrenaline rush, but I guess that could have been because from being able to access dreams whenever they want, so nothing else is exciting. I guess it just feels completely irrational to me that someone would live and behave in such a destructive manner for the thrills. I mean, they weren't only going into the dream and destroying projections, they were destroying millions of jobs and commerce. Irrational in my opinion, but understandable.

As for Cobb, do you sympathize for him? His hell is self created after all, yet he still risks everyone around him to escape. You could actually see him as the antagonist and Mal as the protagonist if you really looked deep into it, it's not just mere selfishness. He gave up eternity with his wife for "real life," and then he realized it was a mistake, and Mal died in the process. She died out of her love for the fake world of their's, while he lived for the real world which neither of them could really belong to. Personally, I think I would have chosen the dream as Mal did, even if she only did it subconsciously.

3. Well no I understand the ending, I was just unsatisfied with it. I think it would have been more definitively ambiguous had Cobb's father knocked it over while the camera panned to it, instead of leaving sides of people saying that it looked like it was going to fall or that it wasn't.

4. It was most definitely partially a romance, half of the story was about the love between Cobb and Mal. It may not be The Notebook incarnate, but neither is Vanilla Sky and I still view that as a romance. It's just the story of how love ripped them apart in the end instead of brining them together, which I think is more emotionally effective than The Notebook or most other traditional American romances. I guess thats what a drama would be though, because it's not very "romantic," but what ever, it's really just cutting hairs. The point I was trying to make is that I couldn't find a central point of the movie to focus on, while there were three (in my opinion romance, thriller, action) presented. Romance being the love between Mal and Cobb, thriller being the thrill of being in a dream/the idea of the movie as a whole, and action of course being all of the gunfire and explosions.

5. I should really take up your advice on not having expectations, but it's difficult when I surround myself with such trustworthy and competent people ^.^


+ Show Spoiler +
1. Eh, I think I would group people who work in the technology field in the same category. The desire to "discover" something new.

2. I don't really sympathize for Cobb, but I understand how he could do what he did. If someone's in hell, they aren't going to be thinking about other people, they're going to be thinking about how to get themselves out of that hell. Even Cobb's "selfless" move to stay behind and rescue Saito might be seen as selfish because he needs Saito, but still, it's a very plausible character to me.

He didn't give up eternity with his wife did he? He said so himself that the reason why he used inception on her in the first place was because she was in misery. She was tired of being in that world, even if she was with him. And then there's that "riddle" - they didn't want to be there anymore. They were ready to get out. The fact that the idea - "the world isn't reality and death is the only escape" carried over into real life was a mistake, and it was too late for him to fix it. She died because he put that idea into her head and it stayed in her subconscious - when she got back to reality, she wasn't sure whether or not it was reality; she became convinced that it was a dream and that death was the only escape. Mal didn't choose the dream world... she was actually trying to get back to reality, but didn't realize she was already there. Because of Cobb's planting that idea in her subconscious, no matter where she was, she would always question whether or not she was in reality or in a dream.

3. Eh, yea, to some extent, the ending was meh to me as well. True, Cobb's father could have knocked it over, but that so inelegant in comparison . I suppose it would have done the job though. Maybe the director didn't think of that lol.

4. The fact that part of the movie was about Cobb and Mal's relationship doesn't make it a romance. The focus on their relationship was more about Cobb's personal struggles with inception/dream sharing than the romance. A romance would have the relationship struggle, not a member of the relationship struggle. Not to mention that Mal's technically dead for the entire movie. I'm not saying it has to be The Notebook to be a romance either, but I just feel like the focus on Cobb and Mal was never about their love (other than they loved each other a lot), and was more about Cobb accepting Mal's death and confronting his own guilt/responsibility.

Ah, well, to each his own I guess. I still see the drama/thriller aspect surpassing the other two by far. Regarding action, the focus was never really on the killing/shooting/sniping, etc. Especially toward the end, I could definitely feel like the "main" story was following Cobb/Fischer rather than Eames or Arthur or Yusuf. And the latter group was definitely more "action-y" than the former group.

5. I mean, I heard it was good too. It's just easy for me to forget what people say when the movie starts, lol.


For Xeris:

On July 20 2010 02:33 Xeris wrote:
Here's another weird plot hole I noticed when watching a second time...

+ Show Spoiler +

They go into the "4th level" (I'm assuming this is limbo?) , Mal dies, they save Fischer, and then Cobb stays to "find Saito" since Saito is in limbo (somehow they know Saito died). Is there just one general limbo, or are people's limbos different? How would Saito be in the limbo of Cobb (since they went into Cobb's dream, ended up in his world, etc) ... how was he there??

He wakes up on the shore (AGAIN), suggesting that he went into ANOTHER dream (a 5th level?) , how else would he have gotten from the house with Mal to the shore of a beach where Saito was. Wouldn't he have had to go into Saito's dream to be in his limbo?

And when Cobb finds Saito in limbo, why is only Saito old?


+ Show Spoiler +
Well, the "4th level" for Cobb wasn't really limbo. He and Ariadne never actually died, they used the dream-machine again in the snow fortress to go into Cobb's subconscious, where he battled Mal. Mal came from Cobb's subconscious. Take her out of it, and I guess her actions are undone in a way / she "allows" Fischer to be revived.

Saito, on the other hand, went into limbo. Cobb arrived there a little bit after Saito did (I think Cobb died in the 4th level, didn't he? He got knifed, so he would have died eventually if he didn't kill himself), which you could attribute the age difference to. So I'm going to go with the idea that there is a general limbo for everyone.

So technically, Cobb goes through 5 levels total, though I think the last one is limbo, or Saito's limbo.

My take anyway.
www.cstarleague.com | Love is like playing the piano. First you must learn to play by the rules, then you must forget the rules and play from your heart.
DarthThienAn
Profile Blog Joined July 2009
United States2734 Posts
July 20 2010 00:31 GMT
#353
On July 20 2010 08:32 cava wrote:
Here is a theory that throws the conventional 5 level thinking as shown above me out the window.

http://www.imdb.com/title/tt1375666/board/nest/167024711?p=1


That is an awesome perspective.
www.cstarleague.com | Love is like playing the piano. First you must learn to play by the rules, then you must forget the rules and play from your heart.
Pinkie
Profile Joined May 2010
United States145 Posts
July 20 2010 03:22 GMT
#354
On July 20 2010 09:31 DarthThienAn wrote:
Show nested quote +
On July 20 2010 08:32 cava wrote:
Here is a theory that throws the conventional 5 level thinking as shown above me out the window.

http://www.imdb.com/title/tt1375666/board/nest/167024711?p=1


That is an awesome perspective.

This idea blew my mind just as much as the movie. I think the way the movie was made was so that it doesn't have any seemingly correct ending, and we never truly know just what may have happened throughout the whole ordeal.
The Difference between Stupidity and Genius, is that genius has its limits
chaoser
Profile Blog Joined November 2008
United States5541 Posts
Last Edited: 2010-07-20 03:33:17
July 20 2010 03:32 GMT
#355
+ Show Spoiler +
The movie starts in media res with Cobb being washed up and dragged over to old Saito, who clearly can't recall who Cobb was. He equates him to someone from a half-forgotten dream. We don't know who these people are or how they got there.
And then begins the remembering process, starting off with how Cobb met Saito.
During the extraction, when the second level begins to crumble, Saito is neither killed or kicked. He merely wakes up. This shows that neither two options are actually necessary to get out of a dream, but they just accelerate the process.
Then, when Cobb brings Ariadne to the dream for the first time, she is interrupted midsentence during the dream before she involuntarily wakes up. The dreamshare device was set to turn off at 5 minutes, showing that when the device turns off, the subjects in the dream are ejected out of it. It also has an automatic timer.
Cut back to the scene before we go back to limbo. Cobb is drowning in level 1, but everybody else seems to be just fine, and sitting around doing much of nothing. However, according to their calculations, they still had several weeks to go through (10 hr flight) and a whole bunch of defenders out to eliminate them. Why are they so calm?
Now, we go back to limbo, and Saito has remembered what he was doing, and his deal with Cobb. Cobb passes over the gun, and his job is now finally done. The screen goes black.
So, there are three options that could get anyone out of a dream. A kick, a death, or a device shutdown. There can't be a kick, since there's no way to kick them out in their current state. A death might do it, but that wouldn't explain the attitudes of the rest of the team.
The final option, and the most likely explanation that makes everything so much simpler, is that the device timed out automatically, the team returned back to their own selves, and everything was just jolly. Saito doesn't go insane from living his entire life in only a flash, Fischer resolves his issues with his dad, Cobb gets to go home, and everybody else gets paid.
This actually makes sense; also, by the same logic, Cobb and Mal killing themselves by freight train didn't bring them back to reality, the timer just ran out.


-From TvTropes

This actually makes a lot of sense cause it explains the problem with getting out of Limbo perfectly. There are 2 conditions to get out of Limbo:

1) the timer runs out (meaning all top levels are gone)
2) you kill yourself (get pushed straight out to reality)

The problem with Limbo is that you're in there for so long cause of time dilution that you forget you're in a dream and so you never think about killing yourself
Haven't you heard? I'm not an ex-progamer. I'm not a poker player. I'm not an admin of the site. I'm mother fucking Rekrul.
OhThatDang
Profile Joined August 2004
United States4685 Posts
July 20 2010 04:42 GMT
#356
On July 20 2010 12:22 Pinkie wrote:
Show nested quote +
On July 20 2010 09:31 DarthThienAn wrote:
On July 20 2010 08:32 cava wrote:
Here is a theory that throws the conventional 5 level thinking as shown above me out the window.

http://www.imdb.com/title/tt1375666/board/nest/167024711?p=1


That is an awesome perspective.

This idea blew my mind just as much as the movie. I think the way the movie was made was so that it doesn't have any seemingly correct ending, and we never truly know just what may have happened throughout the whole ordeal.


+ Show Spoiler +
ehe I read through this and other threads on that and........I have come to the conclusion that I believe hes awake.

When explaining the difference between ariadne at the cafe, Cobb states that you never know how you got from one place to another etc etc. However, near the end of the film Nolan lets us know that hes on a plane and its just landed. Saito has called and we get to see him at the airport. He then proceeds to walk pass and get through to America, picks up his shit and sees his dad. Then hes at home. You see the difference between this and the dreams is this is how it happened and its a sequence, we know how he got there and we know he got home cause his dad drove him. Another thing that i found thats convincing is a ring.

Why is this?? Well some guy and others have pointed out that COBB has a ring on when hes in the dreams whereas he has no ring on when hes awake and in reality.

On top of that, throughout the movie the reason why saito interrupts Cobb when he tests out the totem after being sedated underground the first time was to show that.........SAITO would recognize Cobbs totem at the end where hes in LIMBO. Basically that scene just shows that saito has seen the totem before and would serve as a piece to remember that this is all a dream and they need to get out of limbo. So it hadnt anything to do with cobb being in a dream and everyones an illusion.



troi oi thang map nai!!!
Malgrif
Profile Blog Joined March 2010
Canada1095 Posts
July 20 2010 05:59 GMT
#357
i just saw this movie tonight, and it was one of the best i've ever seen 10/10
for there to be pro there has to be noob.
Ideas
Profile Blog Joined April 2008
United States8108 Posts
July 20 2010 07:06 GMT
#358
i really liked the movie. awesome twists, characters and plot ideas just like in all of nolan's other ideas. i like the open-endedness of the ending. the only real fault i have with the movie is that the action scenes sorta sucked (at least all the gun-battles), and as shown in the batman movies nolan sorta sucks at gun-fights in movies. to be fair the weird-ass gravity fight scene was fucking awesome, and the action is such a small part of the movie that it doesnt really matter at all (just like in dark knight). i really hope nolan learns how do to action scenes better though, it's really the only thing this film was missing to be 100% instead of just 95%.
Free Palestine
Nal_rAwr
Profile Blog Joined July 2009
United States2611 Posts
July 20 2010 10:59 GMT
#359
okay so cobb and mal didn't know they were in limbo?
so they lived on?
what about spinning the totem to find out
what about realizing it was an impossible world? i guess they didn't have sense enough in limbo?

gah
Nony is Bonjwa
chaoser
Profile Blog Joined November 2008
United States5541 Posts
Last Edited: 2010-07-20 14:12:18
July 20 2010 14:12 GMT
#360
On July 20 2010 13:42 OhThatDang wrote:
Show nested quote +
On July 20 2010 12:22 Pinkie wrote:
On July 20 2010 09:31 DarthThienAn wrote:
On July 20 2010 08:32 cava wrote:
Here is a theory that throws the conventional 5 level thinking as shown above me out the window.

http://www.imdb.com/title/tt1375666/board/nest/167024711?p=1


That is an awesome perspective.

This idea blew my mind just as much as the movie. I think the way the movie was made was so that it doesn't have any seemingly correct ending, and we never truly know just what may have happened throughout the whole ordeal.


+ Show Spoiler +
ehe I read through this and other threads on that and........I have come to the conclusion that I believe hes awake.

When explaining the difference between ariadne at the cafe, Cobb states that you never know how you got from one place to another etc etc. However, near the end of the film Nolan lets us know that hes on a plane and its just landed. Saito has called and we get to see him at the airport. He then proceeds to walk pass and get through to America, picks up his shit and sees his dad. Then hes at home. You see the difference between this and the dreams is this is how it happened and its a sequence, we know how he got there and we know he got home cause his dad drove him. Another thing that i found thats convincing is a ring.

Why is this?? Well some guy and others have pointed out that COBB has a ring on when hes in the dreams whereas he has no ring on when hes awake and in reality.

On top of that, throughout the movie the reason why saito interrupts Cobb when he tests out the totem after being sedated underground the first time was to show that.........SAITO would recognize Cobbs totem at the end where hes in LIMBO. Basically that scene just shows that saito has seen the totem before and would serve as a piece to remember that this is all a dream and they need to get out of limbo. So it hadnt anything to do with cobb being in a dream and everyones an illusion.





Yo, I totally agreed with this until I thought about it and we really DON'T know how he got there. In limbo Saito's hand reaches for the gun and then it goes to black. Next thing we know we're in the plane again. We don't know what happened to get them out of limbo.
Haven't you heard? I'm not an ex-progamer. I'm not a poker player. I'm not an admin of the site. I'm mother fucking Rekrul.
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