The Upbeats - Nobody's Out There
The Upbeats are my favourite Drum n' Bass artists, so it's a surprise I didn't cover these guys sooner, especially since DnB is quite often my background music. Why I love The Upbeats, though, is that they're the only DnB producers to make an album I've sat-down and listened to for the art of it alone. You don't often get conceptual albums out of this genre, and though it's not too emphatic, it's still quite apparent on Nobody's Out There.
The 2007 album sets a mood like few other albums in it's sect, an eerie, almost creeping sense that there's not much right in this world they've opened the door to. Everything about the album is fantastical, from the stage-setting Intro to the following Will Shatner, the ominous Thinking Cap, the foreboding evil of Grains, or the dream-scape of Girl Gone -- one of my personal favourite DnB songs of all time. The only songs that don't quite meet this fantasy are the bonus tracks included with the deluxe edition of the album.
Some of the most creative Drum n' Bass you'll here that sticks to the core structure and tenets of the genre, this is definitely worth checking-out. Enjoy.
Thinking Cap, one of the more conventional songs of the album, but also one of the best.
+ Show Spoiler [Week Five] +
Ametsub - The Nothings of the North
Glitch-IDM is often over-bearing, with an emphasis on the glitch all too prevalent in these kinds of works, but Ametsub likes to keep things clean and simple... well, as clean and simple as one's forays in to this genre can be. Most songs are based around simple piano melodies, which he then cuts, pitches, reverses and switches to sate the term "IDM," without grating on your ears like nails across a chalkboard. Ambiance is the mold from which Ametsub forms and cuts his art, upping the tempo in some works, but staying true to the easy-listening -- intricate and busy in many cases, but surprisingly un-intrusive as your background.
Nothings of the North is a nice, casual listen, whether you're a pensive, looking to sit-down for some one-on-one time with an album, or need some background music while you work.
A nice taste of the album as a whole (minus the piano I emphasize )
Glitch-IDM is often over-bearing, with an emphasis on the glitch all too prevalent in these kinds of works, but Ametsub likes to keep things clean and simple... well, as clean and simple as one's forays in to this genre can be. Most songs are based around simple piano melodies, which he then cuts, pitches, reverses and switches to sate the term "IDM," without grating on your ears like nails across a chalkboard. Ambiance is the mold from which Ametsub forms and cuts his art, upping the tempo in some works, but staying true to the easy-listening -- intricate and busy in many cases, but surprisingly un-intrusive as your background.
Nothings of the North is a nice, casual listen, whether you're a pensive, looking to sit-down for some one-on-one time with an album, or need some background music while you work.
A nice taste of the album as a whole (minus the piano I emphasize )
+ Show Spoiler [Week Four] +
Reso - Temjin EP
At face value, when you think of Reso, you think of dubstep that'll punch your fucking lights out and hate-fuck your girlfriend, but everyone familiar with the artist knows he's much more than that. His albums encompass all electronic genres -- dubstep simply being his guiding genre -- and mixes them so well they feel as though they exist as their own established sect, so refined is his style. Temjin EP is the perfect example of his genre-blending, technical approach to electronic music, starting with grimy, heavy-hitting dub-breaks of Armored Core, slowing things down a little with the jazzy Channel Pressure to ease you in to the down-tempo Hemisphere. Reso kicks the tempo up again with the electro-styled Hyperglide to prep you for the intricate breakcore of Mind Games, a song for the introspective, and ends it all with a bang: Otacon, easily one of the most epic dubstep songs produced.
PS -- he's got a new album out as of last month, named Valken EP, so check it out if you like this one. War Machine might destroy you, though.
Steeped in nerd culture for the average nerd here.
At face value, when you think of Reso, you think of dubstep that'll punch your fucking lights out and hate-fuck your girlfriend, but everyone familiar with the artist knows he's much more than that. His albums encompass all electronic genres -- dubstep simply being his guiding genre -- and mixes them so well they feel as though they exist as their own established sect, so refined is his style. Temjin EP is the perfect example of his genre-blending, technical approach to electronic music, starting with grimy, heavy-hitting dub-breaks of Armored Core, slowing things down a little with the jazzy Channel Pressure to ease you in to the down-tempo Hemisphere. Reso kicks the tempo up again with the electro-styled Hyperglide to prep you for the intricate breakcore of Mind Games, a song for the introspective, and ends it all with a bang: Otacon, easily one of the most epic dubstep songs produced.
PS -- he's got a new album out as of last month, named Valken EP, so check it out if you like this one. War Machine might destroy you, though.
Steeped in nerd culture for the average nerd here.
+ Show Spoiler [Week Three] +
Trentemøller - The Last Resort
Whoa, guys, chill. Chill, ok? Can you guys just chill?
'Cause Trentemøller can. Minimal and Ambiance are the basis for The Last Resort, touched throughout with the familiar sounds of Electro-House for the mainstream. Anders -- our dear Trentemøller -- has an affinity for the Mood, and sets them well, with an emphasis on the down-tempo, down-time. The only thing I can say against this album is his attempt at balancing the pulse-like sedatives with a more climactic, formulaic song. Thankfully, the latter doesn't really compromise the former, the album flowing and cohesive. To that end... just listen to it... I'm so chill right now, guys...
I was initially going to choose something a bit more up-beat for this week, but I've had Snowflake caressing my mind four the last couple of days since we found-out Trentemøller will be in-town in a month. I just had to share the album.
Sorry for the cut beginning and the shoddy quality. Best I could find on Youtube.
Whoa, guys, chill. Chill, ok? Can you guys just chill?
'Cause Trentemøller can. Minimal and Ambiance are the basis for The Last Resort, touched throughout with the familiar sounds of Electro-House for the mainstream. Anders -- our dear Trentemøller -- has an affinity for the Mood, and sets them well, with an emphasis on the down-tempo, down-time. The only thing I can say against this album is his attempt at balancing the pulse-like sedatives with a more climactic, formulaic song. Thankfully, the latter doesn't really compromise the former, the album flowing and cohesive. To that end... just listen to it... I'm so chill right now, guys...
I was initially going to choose something a bit more up-beat for this week, but I've had Snowflake caressing my mind four the last couple of days since we found-out Trentemøller will be in-town in a month. I just had to share the album.
Sorry for the cut beginning and the shoddy quality. Best I could find on Youtube.
+ Show Spoiler [Week Two] +
Flying Lotus - Cosmogramma
One of 2010's best albums that you bastards haven't even heard of, 'cause you're all wrapped-up in your MTV Top-40 Kanyes and yer' Gagas. Cosmogramma sets the benchmark for modern-day Trip-Hop, bringing a completeness to the genre that no other artist has yet touched on. It feels like all of his previous works have been iterations to refine Steven Ellison's sound and finally take-on the challenge of incorporating decades of musical culture not only of African-American background, but all backgrounds -- even Thom Yorke got in on this album -- and mark his own time in our history. Rich, layered, diverse sounds, amazing production value, diversity from song to song, and one of the best album closers I can think of off the top of my head makes this worth the purchase.
I'll warn you now that, though they're good one-offs, the arrangement and flow of the first three songs is kind of awkward, but the pacing of the album steadies itself with the fourth. Best listened to when under influence.
I feel bad choosing just one song to give you an idea of the album, as it has so many different elements and influences throughout. For that reason, I'm going with something more traditionally trip-hop and conventional, rather than sticking on one of his more funk-, jazz- or soul-oriented tracks. Note: this isn't the Thom Yorke song, despite him being sampled in it.
One of 2010's best albums that you bastards haven't even heard of, 'cause you're all wrapped-up in your MTV Top-40 Kanyes and yer' Gagas. Cosmogramma sets the benchmark for modern-day Trip-Hop, bringing a completeness to the genre that no other artist has yet touched on. It feels like all of his previous works have been iterations to refine Steven Ellison's sound and finally take-on the challenge of incorporating decades of musical culture not only of African-American background, but all backgrounds -- even Thom Yorke got in on this album -- and mark his own time in our history. Rich, layered, diverse sounds, amazing production value, diversity from song to song, and one of the best album closers I can think of off the top of my head makes this worth the purchase.
I'll warn you now that, though they're good one-offs, the arrangement and flow of the first three songs is kind of awkward, but the pacing of the album steadies itself with the fourth. Best listened to when under influence.
I feel bad choosing just one song to give you an idea of the album, as it has so many different elements and influences throughout. For that reason, I'm going with something more traditionally trip-hop and conventional, rather than sticking on one of his more funk-, jazz- or soul-oriented tracks. Note: this isn't the Thom Yorke song, despite him being sampled in it.
+ Show Spoiler [Week One] +
Telefon Tel Aviv - Map of What is Effortless
I'll start you guys off with an album touting a more conventional sound in many of it's songs. Most of this album is comprised of chill, down-tempo IDM with pop'ish vocals, both female and male singers. Personally this is a once-in-a-while mood album, but a good listen nevertheless.
Also, since I'm awesome, this is the Japanese release with two extra songs, one of which is one of the best of it's year in my opinion. Excuse the file size, but I prefer to listen and deliver the highest quality I can.
One of the slower songs.
I'll start you guys off with an album touting a more conventional sound in many of it's songs. Most of this album is comprised of chill, down-tempo IDM with pop'ish vocals, both female and male singers. Personally this is a once-in-a-while mood album, but a good listen nevertheless.
Also, since I'm awesome, this is the Japanese release with two extra songs, one of which is one of the best of it's year in my opinion. Excuse the file size, but I prefer to listen and deliver the highest quality I can.
One of the slower songs.