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Margaret (2011), Kenneth Lonergan's second and unfortunately probably career killing film after the long battle with the producers delayed its release for 4-5 years.
![[image loading]](http://4.bp.blogspot.com/-uFs4sHS6_WY/T_r4vzSCwUI/AAAAAAAAB6s/6uWL5AIjeUE/s640/margaret-paquin-damon-movie-poster-2011.jpg)
Emotional, messy, cynical, hopeful, frustrating and cathartic. Most people find movies like this annoying or grating because the lack of a relatable or "likable" character, but I find them passionate and real. It's by far Anna Paquin's best performance and it is her performance that holds the film together. Not to mention the last scene is the best ending I've seen in sometime, showing the beauty and power art can have. The scene is edited and acted to perfection.
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just finish Cloud Atlas. It's no Magnolia but still a phenomenal movie. The philosophy dose may be a tad too much for my taste but overall well-handled complex multiplots (yeah six stories), great acting and especially well-paced for a 3 hours feature of this kind. I think many posters above have well pointed out how good CA is.
Yeah I dont know why people praise gay corny shit like Life of Pi over the like of Cloud Atlas. Maybe most kids cant handle the first 15 mins and give up on it or something?
8.7/10
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Disagree on The Illusionist, the ending is quite in line with the entire theme of the movie, think about it, + Show Spoiler +we are right there with his audiences, we are drawn into an illusion spun by the movie over its whole course, and it does need to have a big head-turning reveal or else we never get to appreciate the illusion . It's not saying big things about anything, but I think it's a great movie in the movie magic tradition.
Just watched Anna Karenina (2012)
![[image loading]](http://i.imgur.com/zFsTeuV.jpg)
I respect this adaptation hugely. It actually goes for something that's not just a costume drama like 95% of classic novel adaptations. It's bold, using the actual visual power of film to flush things out, frame it in a way that makes you think a bit, and take you further into the essential feeling of the piece. Don't have many quibbles with it at all, and in some instances I felt it even enhanced the power of the book. It's so lively too. Bravo I say, one of my favorite adaptations I've seen.
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![[image loading]](http://pixarplanet.com/blog/images/1218.jpg) Monsters inc 9/10 One of the few Pixar films I missed when released. Probably up there as one of my favorites along with Toy Story and Finding Nemo. Really creative plot premise and overall, great writing. The ending was unexpected and heartwarming, and I liked the overall resolution for the energy issue. And Billy Crystal, John Goodman and Steve Buscemi were all perfect for their parts.
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The Bad and the Beautiful (Vincente Minnelli, 1952) The portrait of an imaginary Hollywood producer, Jonathan Shields (Douglas Kirk) through the eyes of his first director, the actress he revealed and his scenarist. Simply brilliant. Entertaining, smart, brilliant, funny, exceptionnally played (wot Kirk Douglas). Tons of aspect of movie making are here, thoughts on screenplay, directing, acting, money... There's even an obvious allusion to Cat People. Contrary to what might be feared (and to The Social Network, which has some common points with him), this is not a negative portrait of Shields, who, despite his betrayal, his smart, charming, knows he has weaknesses and needs to rely on others... Well, simply a near perfect movie, a showing of what Hollywood could do at the time at its best. 10/10
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Not that this will ever in a million years happen, but it would be cool if with this Anna Karenina they did another movie that's a companion that focuses on Levin's journey as the main drive and then had Anna's story pop in and out (sort of an inverted version). I feel like that would be an unbelievably cool way to tell the whole book. Unfortunately the general audience isn't there for that.
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The Hobbit now that a BlueRayRip is out. What should I say. First, this comes not even close to one of the LotR Movies. It feels like a Movie with way too much stupid scenes no one needs. What the fuck did they think when writing the Troll-Scene? WTF? Half of the scenes feel like they are only there to stretch out the Story so they can make more than one movie out of it. I was bored to hell with this Movie.
4/10
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![[image loading]](http://tbreak.com/movies/files/2012/12/image001.jpg)
Typical Jackie Chan film. Terrible script. Lousy acting. Okay story. Corny as hell.
But his amazing stunts make up for all of the other shortcomings for the movie.
4/10 if you're a storyline/acting person, 6.5/10 if you're a Jackie Chan fan.
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Tarantino classic Great movie 9/10
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Recently I've stopped smoking weed, I've stopped watching both TV and movies unfortunately because of quitting the habit. I'm a much more boring person until I move to another state where I don't have to worry about the law. I can't stand Pennsylvania anymore... Way too conservative for my taste.
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Oz the Great and Powerful Fantasy - Rewritten Tale
imdb link
Director: Sam Raimi Music: Danny Elfman Casts: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bruce Campbell, Tony Cox and more.
The cast may sound a little cliche'ish, but they've done their jobs pretty good! Screenplay, sound, storytelling and acting create a great immerison together. Well, the acting lacks here and there, but the visual effects can catch up for that. It's a bit kitschy for my taste, but if you can enjoy a movie despite its little flaws, you should give this one a try! 
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Jacques Rivette's Le Pont du Nord (1981)
![[image loading]](http://bombsite.com/images/attachments/0016/2318/le-pont-du-nord-12_body.jpg?1364231617)
A whimsical mystery involving conspiracies centered around a rebellious young woman who fights a "dragon", which is a hilarious scene, and an older woman just released from prison trying to decode the weird contents of a briefcase. It gets a little too convoluted and the ending is too random and abrupt even for me. It's an solid movie with a few great scenes, but it pales in comparison to Rivette's previous film Duelle (une quarantaine) and his most famous movie Celine and Julie Go Boating.
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Recently watched:
Cashback (2006)
![[image loading]](http://upload.wikimedia.org/wikipedia/en/thumb/7/78/Cashback.jpg/220px-Cashback.jpg) Average romcom with premise of male artist being enthralled by naked female form. Some cute cinematography in parts. Average - 5/10
Pi (1998)
![[image loading]](http://upload.wikimedia.org/wikipedia/en/thumb/5/5a/Piposter.jpg/215px-Piposter.jpg) Somewhat disturbing low-budget psychological thriller from Darren Aronofsky. Not quite what I expected but effective in its portrayal of paranoia through fast cuts, FPV and sound effects. Good - 7/10
A History of Violence (2005)
![[image loading]](http://upload.wikimedia.org/wikipedia/en/thumb/b/bf/History_of_violence.jpg/220px-History_of_violence.jpg) An 'empty' film with not great acting, several pointless scenes and an uninspired plot (imo). The best part was the graphic violence. I'm never overly impressed by Cronenberg and this is no different. Average - 5/10
Rashomon (1950)
![[image loading]](https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcQoubX-d0rOwNOxPpBVw7f5ceUr7WgJSOTxa6tJ-V-RzznnDyaDwQ) While not my favourite Kurosawa, this was a good film with an incredible twist which spawned the movie cliche of an ambiguous ending. Excellent - 9/10
49 Up (2005)
Continuation of the groundbreaking documentary covering the lives of Britons from different castes. Great - 8/10
The Perks of Being a Wallflower (2012)
A good insight into American teen culture and reasonably original (if predictable) material. Good - 7/10
Eagle vs Shark (2007)
![[image loading]](http://t3.gstatic.com/images?q=tbn:ANd9GcQCVWGR0k6CBGZxMUlOdGPw2ftsqCa9Qf6QKV4TqiM4_M6GpM7_) Awkward lovestory following two imperfect individuals. The script is filled with that dry Kiwi humour (think Napolean Dynamite but in a rural NZ setting) but I wanted a bit more from everything else. Average - 5/10
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![[image loading]](http://www.movieguide.org/wp-content/uploads/2012/08/7010.jpg)
I was on a cruise and turned on the movie channel and so happened to have scarlett so i kept watching. actually turns out to be pretty heartwarming and makes you think if something like having a boss that's half your age would ever happen.
somewhat realistic story, good humor, and heartwarming 8.0/10
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On April 08 2013 13:54 ThunderGod wrote:A History of Violence (2005) + Show Spoiler +An 'empty' film with not great acting, several pointless scenes and an uninspired plot (imo). The best part was the graphic violence. I'm never overly impressed by Cronenberg and this is no different. Average - 5/10
Some would argue that the emptiness is part of its point as Cronenberg is and always has been a conservative moralist with respect to sex and violence. I actually only like the film a little more than you, but those two contrasting sex scenes are incredibly well done. Those two scenes were just on another level. I hope those scenes weren't the pointless ones to which you were referring!
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Good Will Hunting
8,5/10
Very good movie with Ben Affleck, Matt Damon and Robin Williams.
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Hitman Contract Killer with Jet Li.
Standard 90s karate movie. It's fun.
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Diary of a Country Priest (Robert Bresson, 1951) A young and sick priest arrives in his new parish, where he's not welcome. I think here, Bresson's style is almost fully formed, which means for those who don't know him a very simple, bare style, elegant directing, and a unique style of acting, cold and mechanical. I have little to no complain on the movie itself, I think it's absolutely brilliantly done, but here I'm torn between my great admiration for Pickocket and A Man Escaped and my unability to understand Au hasard Balthazar. The film really worked emotionnally for me only during two scenes, the confrontation with the Countess and the ending, which are both superb moment of cinema. Hence "only" 8.5/10, I'll have to come back to it I think.
Detour (Edgar J. Ulmer, 1945) It's very dangerous to hitchhike, and I'm now forever afraid of women. An excellent B-movie, film noir. It was filmed in a week, with a minimal budget, and it shows a bit, but it's still perfectly watchable. The movie shines by a few great originality in its scenario (I had to rewind a scene because of how wtfed I was), its ability to make bad luck palpable, and motherfucking Ann Savage, which is the most incredibly unbearable women in film noir history, in a good way. 7.5/10
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