[Movie] Wall-E - Page 5
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{CC}StealthBlue
United States41117 Posts
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XaI)CyRiC
United States4471 Posts
On July 02 2008 03:41 {CC}StealthBlue wrote: http://www.youtube.com/watch?v=TCQxbx30TI0 Haha! One of my favorite parts of the movie ![]() | ||
funkie
Venezuela9374 Posts
I'm going to watch wall-E ![]() Thanks a lot for all the people who has been giving their comments and stuff, it really helps someone to finally decide to watch or to not to watch a certain movie. thanks a lot to everyone. ![]() | ||
VIB
Brazil3567 Posts
On July 02 2008 07:57 funkie wrote: Tell us what you think when you're done ^^ok, you guys got me. I'm going to watch wall-E ![]() Thanks a lot for all the people who has been giving their comments and stuff, it really helps someone to finally decide to watch or to not to watch a certain movie. thanks a lot to everyone. ![]() | ||
Mora
Canada5235 Posts
On June 28 2008 16:59 VIB wrote: I don't usually like talking about movies. I hate 90% of them all because I'm too restrictive. But this one deserves the exception. I went to watch Wall-E by Pixar Studios thinking it would be yet another kid animation with some fun jokes to giggle at. But it amazed and impressed me more at each minute. At the end the best word to describe it in my head was GENIUS. Whoever wrote that is a fucking GENIUS. They managed to put together the fine brilliancy and sentiment of the old silent movies, well-thought jokes of Shrek, outstanding graphics of a last-gen scifi animation plus well-tuned political messages! While I usually don't like movies where space-ships makes sound on vacuum, this one justifies it by reaching their target audience right on spot. 10/10 Watch it! ![]() absolutely. i read down further and found similar sentiments to the one posted above, and was going to quote that one too. and then i found another. and another. so instead of a string of quotes i will just simply re-iterate: this moving was amazing. 10/10 | ||
iNcontroL
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USA29055 Posts
Pretty funny, completely cute and worth a watch. | ||
Vin{MBL}
5185 Posts
it was very cute i recommend it 9/10 | ||
MeriaDoKk
Chile1726 Posts
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iNcontroL
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USA29055 Posts
On July 03 2008 13:09 MeriaDoKk wrote: is this a good movie to watch whit a girl? Absolutely not. Ignore all the comments saying it's cute or even the posts relating directly to what you said... | ||
Queasy
United States48 Posts
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Superiorwolf
United States5509 Posts
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Hurricane
United States3939 Posts
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EGoldman
United States110 Posts
The hilarious part is that the movie is couched in this faux-indie style panoramic/minimal dialog delivery, yet the actual characterization in the story is pure cliche. Wow, boy meets girl, boy likes girl, world gets in the way, boy saves the day. The only fucking thing different in this equation is boy happens to be semi-retarded, speaks as if he has Turrett's syndrome, and wears a robot suit. I thought this movie was terrible. I really didn't want it to be, but it was. The "political" message was pathetic. Americans are fat, the world has too much trash, and consumer culture makes us lazy. No shit? Sorry, that message has been harped on since the 60's. Nothing new here, nothing even innovative, or slightly provocative. Look at how the movie is positioned. It's not a literary movie. It's not a movie with texture. Lilo and Stitch was a much better movie that dealt with much more complex and intriguing character conflicts than this movie. This movie had none. There was a vague, ambiguous evil force that held Wall-E back. Not only is the "bad guy" in the movie ill-defined, it's inconsistent with the plot. The girl in the story is practically devoid of all character. What is she other than an I-pod style diva robot girl that is destructive and conservative? Sorry, walking cliche here. She doesn't seem to have any character conflict outside of following her programming and trying to help Wall-E escape. While there could be great conflict within that, it ended up being crap. Typical scenes of her hiding him from her boss, trying to get him into a jump pod, and some space version of an ice-skate romance scene. This movie was made to sell kids meal toys and give the plebians sound bytes they can feel good about. And shame on everyone who is wowed by eye-candy, bad to nonexistent dialogue, and cliched modes of symbolism. Iron Man was a better movie than this, and even managed to titillate better in a blockbuster-ish kind of way. They didn't capture the sentimentality of the old silent films. What they captured is the absolute hokeyness of silent film's cultural mores. There's a reason we don't live in the hidebound Pleasantville of Americana past. (Hint: That time sucked!) This film rests firmly on the crutch of using cute robots to sell itself. Without the animation and the robots this would be a hollow fucking shell of a movie. Just replace the setting and the animation with real characters in a modern setting and over half the audience would gag. The other half would enjoy it because that's just the proportion that will always have bad taste. Too bad this is why so many good films get put aside for cheap comedies churned by the barrel and weak animated films that play on the same formula of small, slightly vulnerable, curious, and naive characters which translates into everyone's head as "cute" because it resembles some kind of prey animal in the archaic wetware known as our brain. Real science fiction deserves better than this. Asimov's puking in his grave. | ||
InfeSteD
United States4658 Posts
LOVE IT, BUT GOTTA SAY THat I watched it right after I watched WANTED... and boy wanted kept me so hyped up zomg | ||
Mora
Canada5235 Posts
On July 04 2008 07:15 EGoldman wrote: I thought the movie was awful. And this is coming from a guy who writes movie scripts and novels for a living. Sorry, but this is more of the marketing high concept kind of tripe that the masses just seem to guzzle endlessly. The hilarious part is that the movie is couched in this faux-indie style panoramic/minimal dialog delivery, yet the actual characterization in the story is pure cliche. Wow, boy meets girl, boy likes girl, world gets in the way, boy saves the day. The only fucking thing different in this equation is boy happens to be semi-retarded, speaks as if he has Turrett's syndrome, and wears a robot suit. I thought this movie was terrible. I really didn't want it to be, but it was. The "political" message was pathetic. Americans are fat, the world has too much trash, and consumer culture makes us lazy. No shit? Sorry, that message has been harped on since the 60's. Nothing new here, nothing even innovative, or slightly provocative. Look at how the movie is positioned. It's not a literary movie. It's not a movie with texture. Lilo and Stitch was a much better movie that dealt with much more complex and intriguing character conflicts than this movie. This movie had none. There was a vague, ambiguous evil force that held Wall-E back. Not only is the "bad guy" in the movie ill-defined, it's inconsistent with the plot. The girl in the story is practically devoid of all character. What is she other than an I-pod style diva robot girl that is destructive and conservative? Sorry, walking cliche here. She doesn't seem to have any character conflict outside of following her programming and trying to help Wall-E escape. While there could be great conflict within that, it ended up being crap. Typical scenes of her hiding him from her boss, trying to get him into a jump pod, and some space version of an ice-skate romance scene. This movie was made to sell kids meal toys and give the plebians sound bytes they can feel good about. And shame on everyone who is wowed by eye-candy, bad to nonexistent dialogue, and cliched modes of symbolism. Iron Man was a better movie than this, and even managed to titillate better in a blockbuster-ish kind of way. They didn't capture the sentimentality of the old silent films. What they captured is the absolute hokeyness of silent film's cultural mores. There's a reason we don't live in the hidebound Pleasantville of Americana past. (Hint: That time sucked!) This film rests firmly on the crutch of using cute robots to sell itself. Without the animation and the robots this would be a hollow fucking shell of a movie. Just replace the setting and the animation with real characters in a modern setting and over half the audience would gag. The other half would enjoy it because that's just the proportion that will always have bad taste. Too bad this is why so many good films get put aside for cheap comedies churned by the barrel and weak animated films that play on the same formula of small, slightly vulnerable, curious, and naive characters which translates into everyone's head as "cute" because it resembles some kind of prey animal in the archaic wetware known as our brain. Real science fiction deserves better than this. Asimov's puking in his grave. hilarity. | ||
funkie
Venezuela9374 Posts
![]() crap. ![]() | ||
Tal
United Kingdom1013 Posts
On July 04 2008 07:15 EGoldman wrote: I thought the movie was awful. And this is coming from a guy who writes movie scripts and novels for a living. Sorry, but this is more of the marketing high concept kind of tripe that the masses just seem to guzzle endlessly. The hilarious part is that the movie is couched in this faux-indie style panoramic/minimal dialog delivery, yet the actual characterization in the story is pure cliche. tent dialogue, and cliched modes of symbolism. Iron Man was a better movie than this, and even managed to titillate better in a blockbuster-ish kind of way. I guess you haven't learned much about scripts or novels then. The whole point of wall-e is that it is putting a great spin on the cliched boy meets girl story - by portraying it through two robots. With barely any words except each others names, they managed to convey the essence of the typical love story. Thats something which is really fucking hard to do. You try writing a script which can do that with no dialogue, while simultaneously being cute and interesting. The criticisms you make could be directed at pretty much any love story. Would you say Amelie is a bad film? Even the anti-consumerist stuff was tasteful - instead of the people being fat idiots, they were made to seem slightly misguided, and basically jolly people. I can understand criticizing stuff aimed at the masses, but I don't think wall-e is like that. I went expecting it to be ok, and came out thinking it was brilliant. Blending mass appeal and artistry is the challenge most artists miss I think. | ||
d.arkive
United States843 Posts
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Tsagacity
United States2124 Posts
On July 04 2008 13:29 d.arkive wrote: Out of curiosity, Goldman, what scripts and novels have you contributed to? I bet it's nothing you've ever heard of. Based on the attitude of his post, he probably writes complete crap. Then he calls the masses uneducated and tasteless when he finds out everyone hates it. | ||
EGoldman
United States110 Posts
On July 04 2008 13:21 Tal wrote: I guess you haven't learned much about scripts or novels then. The whole point of wall-e is that it is putting a great spin on the cliched boy meets girl story - by portraying it through two robots. With barely any words except each others names, they managed to convey the essence of the typical love story. Thats something which is really fucking hard to do. You try writing a script which can do that with no dialogue, while simultaneously being cute and interesting. The criticisms you make could be directed at pretty much any love story. Would you say Amelie is a bad film? Even the anti-consumerist stuff was tasteful - instead of the people being fat idiots, they were made to seem slightly misguided, and basically jolly people. I can understand criticizing stuff aimed at the masses, but I don't think wall-e is like that. I went expecting it to be ok, and came out thinking it was brilliant. Blending mass appeal and artistry is the challenge most artists miss I think. No, I guess you don't know what constitutes a good script/novel. The whole point of why Wall-E fails is because the story is not portrayed through two robots. Both of the "robots" in the film are anthropomorphized to a ridiculous degree. There isn't even the slightest semblance of robot to them. They act like humans wearing robo-costumes. That's what annoys me. It would have been a GREAT movie if they pulled off what you were talking about. They didn't. The point of a script with no dialogue that's simultaneously cute and interesting, is an oxymoron to me. Think about it. What are scripts composed of? Only two things. Action and Dialogue. Nearly everything in a story is conveyed either through visuals, sounds, or dialogue. You chop the dialogue. What are you left with? Visuals. Sorry, maybe I'm just not a very visually inclined person, but I think it's a rubbish way of doing movies. I hate panorama scenes in indie films, where you're supposed to draw some kind of deep inner meaning from watching the landscape rush by or a sunset come up. That kind of stuff feels like emo bs to me. Wall-E had stuff like that. Like when they go whizzing around in space with a fire extinguisher? I didn't like that. When you talk about "cute and interesting" that translates to me as hackneyed cliche and scenes that make me groan. Inching over to touch her hand is one of those for me. Her shutting down and him dragging her around by a rope is another one. I mean, what was their actual relationship?? EVA was sleek looking so he thought she was pretty? He was alone for 700 years so he bonded to the first thing he actually saw? I just don't sympathize with a character like that. I wonder why he hasn't gone insane. And then I wonder how he has human-like mannerisms, or even how he has a brain?? Oh wait. That's right. It's the future, so somehow he must have a completely functional brain. And that AI is couched in a gfx card that malfunctions when scorched. Oh and of course he knows what romance is. He has old black and white films he can watch. And the movies are salvaged from old VHS tapes that somehow route through an Ipod Nano (cue the product placement gag), and then plays on an old CRT TV. NICE! I AM ENRAPTURED BY THIS STORY. On top of that, their actual relationship is built on what? Wall-E dragging her around by a cord to show her the splendors of wasteland Earth? Not only does the entire sequence feel like a queer emo date-rape, it makes no sense. What, EVA accesses her shutdown memory and then the flood of emotions overtakes her? From then on we just accept EVA and Wall-E are in love and watch the hijinks ensue? The entire plot is ill-conceived. The entire "conspiracy" of the President not allowing people back is ill-conceived. It's not a well-thought out movie. I'm fine with Shrek. I can suspend my disbelief. Why? Because Shrek is made to be fantastical and silly. But the fundamental crux of why Wall-E is supposed to be admirable is that it does a convincing job of making robots fall in love. But they're NOT ROBOTS. They act just like people!! Where is the artistry in that?? The animation?? All you need is money and a good studio for that. That's production values, not skill (in the filmwriting sense). Tired of seeing movies that try to shovel crap like that down my throat. Tbh, I thought Hancock was a much more entertaining movie, and that's pure Hollywood. I'm not against Blockbusters, I'm just against movies that don't deliver. | ||
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