On September 01 2008 08:30 Daigomi wrote:Show nested quote +On September 01 2008 07:34 Kula wrote:On September 01 2008 07:02 Daigomi wrote:On September 01 2008 06:44 Kula wrote:
You don't provide any support for your first argument, but I'll provide support for the argument that the best rappers for hip hop are not from the 90s. Since there are more people involved in making hip hop these days, and since more people see it as a potential occupation, there's a greater talent pool in hip hop than there used to be, hence chances are that there are better rappers today than in the 90s, the only thing might be that they aren't the popular ones, which is why I didn't recommend any 50cents here. The best rappers of Hip-Hop imo is all from the 90s. Who is arguably the best rapper of today, Jay Z, also from the 90s. Basically, I can name 5 five hip-hop artists of all time but almost none would be from this period. That may change but 90s is still considered the Golden Age of Hip Hop. My second statement I back up that the best albums for the listener should be recommended because that is the goal of my blog, but secondly I back up the fact that contemporary hip hop is the best for the listener based on its accessibility, which means it can be understood intuitively by the listener. This may be true but a guide to hip hop with only a portion of hip hop doesn't make it a hip hop guide, more a current hip hop guide or even an introduction to modern hip hop, but I digress, a hip hop guide without(arguably) the golden age of the genre just isn't the same. No problem though since this is your guide. I'm not just assuming that modern hip hop is more accessible, I'm making a strong argument for it. You're not making any strong arguments why classic hip hop is more accessible than modern hip hop, and in all honesty, I don't think you really can, because hip hop then was created for the context then, and was at its peak accessibility then, not now. Accessibility shouldn't be a factor when its a guide about hip hop. My oppinion but I see your point. I agree that the 90s are a great listen, I love everything from the 90s, and I agree with you that they are classics, I just disagree with you that are as easy to listen to for amodern listener as contemporary (but good) hip hop is. Yeah, we'll have to disagree here. I see many people of this age not associating with modern hip hop and accept oldies and vise versa.
I'm not comparing 2pac with 50 cents, I'm comparing 2pac to the best of contemporary times, and saying that even though they might be at the same level musically (debateable, but I think they are at least fairly similar), the contemporary hip hop is easier to listen ot than old hip hop for the contemporary listener, because it was created and aimed at the contemporary listener. If 2pac is that comparable, he should get a mention at least. But again, acessibility is very different. I would be considered in this time but I believe the oldies are better. Each person is different and only showing 1 side of hip hop in hip hop guide is weird to me.
To your fourth point, my purpose is not to have a definitive guide to the genre, but to have a quick introduction that will allow people to listen to an artist and enjoy it, and from there on they can either ask for more recommendations, or go on their own journey of exploration. Yes, all good music should be recommended, but if I have only five spots to fill I'm not going to recommend something that is "good" but not as easy to listen to over something that is "good' and easy to listen to and understand. If I were to introduce you to art, and you were a completely untrained person whose tastes were unfettered by the ideas of post-modernism and you simply wanted to enjoy the art, would you recommend that I introduce you to something as directly beautiful and meant to entertain like Rococo art, or to something like contemporary art? The situation's are reversed here, because contemporary art is not directly accessible, while classic art is, but the point remains that in order for you to first generate an appreciation of something, after which the appreciation will allow your continued interest, that which is most accessible should be recommended first. The reason why the layman doesn't appreciate modern art is not because there's nothing to appreciate about it, but because it doesn't have the context to appreciate it in, a context which can be created by first understanding the more easily understood classic art. Oh, I think your guide is good, I just wanted to say the 90's should have gotten a mention. Good job on the guide though.
Sixth point, why do they play new music instead of oldies? Do you think it's simply because we have heard the oldies too much and are bored with it? I can promise you that most youth today have heard much more contemporary music than 50s music, so if it's just about the music being new to the listener, then they should play 50s music. No, the reason they play new music is because music is constantly evolving to keep up with evolving trends in a contemporary world, and because of that, music becomes outdated. That does not mean the music is any less good today than it was ten years ago, it just means the music isn't as easy to identify with. The thing is they do play 50 music because its new. Radio Hip Hop has degenerated. :[ Usually only the underground is good.
The purpose of the guide is to introduce people to a genre of music, hip hop. The most effective avenue to this is to introduce them to contemporary hip hop. The guide is an introduction to all hip hop, done through contemporary hip hop. The purpose of this is to get them to begin their journey in the genre of hip hop, a journey which they can take to classic hip hop, to political hip hop, to wherever they wish to. The purpose of this guide is to introduce them to hip hop, and the most effective way to do this is to introduce them to hip hop they might actually like. Furthermore, you might still connect to tupac, but that's because you're firstly already in the hip hop scene, secondly because you've already connected to him, probably more in his era, and lastly and most importantly, because if tupac was still making music today it would be contemporary music, not classic music.
You say that BIG will always be better for you, but you once again disregard your own situatedness in history. You associate with BIG more than with Kanye, you connect more to their context, musically, than to the modern musical context. Do not make the mistake of thinking that you have somehow transcended your historical embeddedness to become an objective appreciater of hip hop. You listen to hip hop in a specific context, and it is because of this that you appreciate his tracks more than Kanye's. However, do a double blind experiment. Give the general population two albums, supposedly created at the same time by the same artist, one consisting of classic hip hop tracks, and one of contemporary hip hop tracks, both similarly good for their context (if that good somehow be objectively measured), and I can assure you that most people will say that the contemporary tracks are more enjoyablle. Obviously I cannot prove this since I don't have such a test, and such a test e. Obviously I cannot prove this since I don't have such a test, and such a test would demand some people who have somehow lived under a hip hop rock for the last twenty years without losing any participation in other aspects of society, but there is no evidence that this will not happen as I have said, and I've given tons of arguments for why it would. I enjoy his music over kanyes because of preference, not under any context. I've listened to contemporary music before listening to oldies btw. Biggie is just better for me, regardless of time.
Like you say, recommending good albums from all eras might have been good, even just to offer a historical perspective. However, that was not the approach I went for. I wanted to hook people in by offering them a glimpse of how amazing hip hop can be musically, and then let them go on their own way from there. Your way would have consisted of teaching people about the history of hip hop so that they could appreciate the albums recommended, and then after that hoping they continue to enjoy the music. Maybe you have more faith than me that people will be willing to listen to something that would be close to completely foreign to them (contemporary hip hop is foreign enough as it is), and then put the effort into learning to enjoy the music. I ironically learn to appreciate music like this myself. I study the entire context that the music was created in in great detail, and then I try to start with the classics, and work my way up to modern music so that I can get a historical understanding of a genre. However, this is a lot of work, even for me who is someone committed to learning about music. I often don't find the music I start listening to enjoyable, and I often have to force myself to listen to music I don't like to for days before my ear grow accoustomed to it. I do this because I believe it's the way to get the most complete understanding of a genre, but you need a lot of motivation to do that. By getting people to enjoy some of the newer offerings of the genre, they might get the motivation to study the genre in more depth, thus allowing them to gain a fuller understanding. That's what I'm trying to do. Just for interest's sake, try to ignore all your prejudices, all that you know about what music stands for, and what means what in music, and listen to these two tracks: + Show Spoiler +http://www.youtube.com/watch?v=1-Z7sKHKZIc Consider that you are just a normal person, no specific preconceptions about what is good, and what is not good. You come to my blog to experience the new genre of metal, what would more likely make you listen to the genre, the first track or the second? In the metal world, the first track is arguably a "better" track than the second one, it's a classic track. Is it accessible at all? Not really. Could you see the second track being accessible if you had an interest in listening to metal? Yes, possibly. Thus the second track will more likely get you to listen to metal than the first track, and ultimately more likely to get you to become a metal purist than the first track, even though that might seem paradoxical.
I'll check out the links in a bit.
Just to make this clear, I'm not going to have Cloud Connected on my Metal list of tracks, just because it is more accessible. All in all, I try to do both your method and mine. I want to present music that is accessible while at the same time trying to present music that has value to it and can be appreciated across multiple contexes. These albums I've presented here are albums which I believe to be both accessible right now, and have long-term value (hence the descriptions about what I like). In metal, as in all my other genres, I will attempt to do the same thing: present a selection of albums which can be enjoyed but which I also believe hold some value as musical pieces. Furthermore, metal, at least the metal my guide will be a guide to, is not a popular form of music, and is thus less influenced by contextual changes outside of the genre. Nah, the guide is very good, just want people to be introduced to some oldies too. =]
Here are my Top 5, Huge 2pac and Biggie fan All Eyez on Me -2pac Me Against The World -2pac Ready To Die - Biggie Illmatic - Nas Capital Punishment - Big Pun
Edit: The quality of the first link makes it impossible to listen to lol.
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South Africa4316 Posts
On September 01 2008 13:29 Phoned wrote:I could list dozens of classic albums, but since we are trying to stay "recent" I'll quote a post I made in a music forum I'm part of: (These albums are mostly 2007 releases) Dälek - Deadverse Massive, Vol. 1: Dälek Rarities 1999-2006 Common - Finding Forever Pharoahe Monch - Desire Killah Priest - The Offering Zimbabwe Legit - House of Stone (featuring YZ, Jungle Brothers, Unspoken Heard, Dead Prez) Blue Sky Black Death / Hell Razah - Razah's Ladder Marco Polo - Port Authority Blu & Exile - Below the Heavens Hell Razah - Renaissance Child UGK - Underground Kingz EL-P - I'll Sleep When You're Dead I liked your choices in the post-rock thread more. Nothx on the Kanye ![](/mirror/smilies/wink.gif) Hmm, I'm missing one or two of those, but in all honesty I find the Kanye more entertaining than most of those albums on the list. The peak of the Common album is definitely the Kanye track on it, although "A Dream" is pretty damn nice as well (and I surprisingly like tons of songs featuring Will.I.Am, which is making me reconsider what I think of him...).
The Pharaoahe Monch album has disappointed me, after hearing it praised so much I expected it to be magical and it just hasn't taken my breath away. I've listened to it four or five times now, and everytime I think maybe I missed something on it last time, and it just never catches my attention when I play it.
I like the Marco Polo album (you'll see I recommended it somewhere in this thread as well), it's just less interesting than the Kanye West album to me. The music lacks some diversity, and it's a damn long album at that, but everything is good. The Blu & Exile is also good, I considered putting it on the list, but once again it just doesn't stand out enough for me.
I really need to get that EL-P album, it's been on my server for a few weeks now, and I've just forgotten to get it from there. Should go do that now ![](/mirror/smilies/smile.gif)
I dunno, I understand how people can not like Kanye, he's commercial and his music is undeniably commercial. However, his rhymes are good and much clever than they are given credit for, and his beats are undeniably good, and I mean, that's what hip hop is all about isn't it? That's something I like about hip hop (and indie music), the commerical side can often be as good as the non-commercial side of it. There are some gems in the underground, but also some gems in the mainstream which can be enjoyed by the masses and appreciated by the purists.
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