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[TV] HBO Game of Thrones - Page 1817

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All book discussion in this thread is now allowed.
Sent.
Profile Joined June 2012
Poland9196 Posts
May 21 2019 15:24 GMT
#36321
I'm reading about all those inconsistencies in the last season I didn't notice on my own, and I'm not sure if I should hate the writers even more or be glad they chose to play it safe with the finale instead of going full Dexter.
You're now breathing manually
Rasalased
Profile Joined May 2019
89 Posts
Last Edited: 2019-05-21 15:41:57
May 21 2019 15:41 GMT
#36322
No one knows what kind of contract HBO had. But giving either GRRM or d&d a veto to block their show halfway doesn't make much sense. The way GoT ended is very damaging to HBO and HBO carries 100% of the financial risk. And when such a contract gets drawn up, it is usually the writer that gets shafted as HBO's lawyers will come up with endless things that could result into conflict and they preemt it all.

This is why Warner Bros was able to make the very bad Hobbit movies. Tolkien himself sold all the rights in 1968-1969. Long before things like video games were even a thing. This is why the Tolkien estate is disowning all the stuff the corporations are now doing with Tolkien's universe.

It would be strange if GRRM actually reversed this and has HBO by the balls. And d&d are just some employers. Yes, they get paid a lot of money and get a lot of game and prestige. But they are also hired to be fired, if it is in the interest of profit to do so.

And it seems that GRRM and HBO were in agreement on the number of episodes and both disagreed with d&d. It must be that HBO just didn't want to risk having completely new writers on the show. It would be hard to guard continuity when d&d and GRRM are no longer involved at all.
Logo
Profile Blog Joined April 2010
United States7542 Posts
Last Edited: 2019-05-21 15:47:08
May 21 2019 15:46 GMT
#36323
I still think by time it was apparent to the show runners they couldn't wrap up the show well there was too much rot in the foundation. I don't think some sort of firing of D&D or redirection would help at that point.

Like it's something GRRM realized (or had planned for better) and that's why we have AFFC. Side rant, I think AFFC is actually a strong book which is probably unpopular opinion but oh well. It's just that it's an unsatisfying follow-up to a Storm of Swords because of the pacing shift. A lot of the things I'm most interested in going forward come from AFFC though.

I just don't think the show invested enough in S4-S6 in fleshing out support for the ending which lead to a troublesome S7 and then S8.
Logo
karazax
Profile Joined May 2010
United States3737 Posts
Last Edited: 2019-05-21 15:54:17
May 21 2019 15:51 GMT
#36324
There is more to it than that regarding HBO and D&D, and adding more seasons. Actor contracts would need to be renewed and some of them may be ready to move on. HBO wouldn't know that season 8 was good or bad until after it was made, especially with all the super secrecy to limit leaks. If you only judge by viewership rather than quality, this season was a huge success for HBO.

We shall see if it has a negative impact on the GoT spin off shows, but they have completely different writers.
Rasalased
Profile Joined May 2019
89 Posts
May 21 2019 15:52 GMT
#36325
On May 22 2019 00:12 karazax wrote:
By that standard, everyone who wanted to be king was a bad person. Conversely Dany's main driving force beyond just conquest was freeing the slaves and protecting the weak, so there was plenty to say she was decent, if not good. Ideally GRRM wants most of his characters to be grey though. Capable of doing good and bad things in different situations.


If she wanted to free slaves, why did she come to Westeros, then? Of course the story presented you the veil of that she was good and compassionate. That is why it was so well-written. Yet I thought everyone would see right through it and that the writing was supposed to be as if you would see right through it.

I get that people see the jump from Daenerys who wanted to conquer Westeros to the one that burns down KL is sudden. But what about the transition from the girl she was in season 1 episode one and the woman she was when she arrived in Westros. When did she become a worse version of her brother? Because that did happen. I guess that plot was much better done than I thought because I hadn't realized people didn't recognize a general greyness plus moral dilemmas with a transformation into someone with a deep hunger for power and a messiah complex.
karazax
Profile Joined May 2010
United States3737 Posts
May 21 2019 15:58 GMT
#36326
On May 22 2019 00:52 Rasalased wrote:
Show nested quote +
On May 22 2019 00:12 karazax wrote:
By that standard, everyone who wanted to be king was a bad person. Conversely Dany's main driving force beyond just conquest was freeing the slaves and protecting the weak, so there was plenty to say she was decent, if not good. Ideally GRRM wants most of his characters to be grey though. Capable of doing good and bad things in different situations.


If she wanted to free slaves, why did she come to Westeros, then? Of course the story presented you the veil of that she was good and compassionate. That is why it was so well-written. Yet I thought everyone would see right through it and that the writing was supposed to be as if you would see right through it.

I get that people see the jump from Daenerys who wanted to conquer Westeros to the one that burns down KL is sudden. But what about the transition from the girl she was in season 1 episode one and the woman she was when she arrived in Westros. When did she become a worse version of her brother? Because that did happen. I guess that plot was much better done than I thought because I hadn't realized people didn't recognize a general greyness plus moral dilemmas with a transformation into someone with a deep hunger for power and a messiah complex.


Before she burned down King's Landing, how was she worse than her brother?
Rasalased
Profile Joined May 2019
89 Posts
May 21 2019 16:04 GMT
#36327
On May 22 2019 00:51 karazax wrote:
There is more to it than that regarding HBO and D&D, and adding more seasons. Actor contracts would need to be renewed and some of them may be ready to move on. HBO wouldn't know that season 8 was good or bad until after it was made, especially with all the super secrecy to limit leaks. If you only judge by viewership rather than quality, this season was a huge success for HBO.


This is no problem at all as long as the actors know they will be working on GoT. None of these actors have any guarantee that they will ever be in a big tv series or movie again. For almost all of them, this is by far the high point of their career. None of the actors on GoT have become bigger than the show because they all lack acting/star power for that.

Now, there can always be failed negotiation tactics or personal problems that can cause an actor to quit. But the idea that the show has to end because the actors have better things to do than GoT is nonsense. Kit Harington, Sophie Turner, and Emilia Clarke are probably the only ones with an actual hope of a big movie career.
Rasalased
Profile Joined May 2019
89 Posts
Last Edited: 2019-05-21 16:14:36
May 21 2019 16:06 GMT
#36328
On May 22 2019 00:58 karazax wrote:
Show nested quote +
On May 22 2019 00:52 Rasalased wrote:
On May 22 2019 00:12 karazax wrote:
By that standard, everyone who wanted to be king was a bad person. Conversely Dany's main driving force beyond just conquest was freeing the slaves and protecting the weak, so there was plenty to say she was decent, if not good. Ideally GRRM wants most of his characters to be grey though. Capable of doing good and bad things in different situations.


If she wanted to free slaves, why did she come to Westeros, then? Of course the story presented you the veil of that she was good and compassionate. That is why it was so well-written. Yet I thought everyone would see right through it and that the writing was supposed to be as if you would see right through it.

I get that people see the jump from Daenerys who wanted to conquer Westeros to the one that burns down KL is sudden. But what about the transition from the girl she was in season 1 episode one and the woman she was when she arrived in Westros. When did she become a worse version of her brother? Because that did happen. I guess that plot was much better done than I thought because I hadn't realized people didn't recognize a general greyness plus moral dilemmas with a transformation into someone with a deep hunger for power and a messiah complex.


Before she burned down King's Landing, how was she worse than her brother?


She was about to conquer all of Westeros with evil dragons, barbaric horse nomads, and brainwashed traumatized mercenaries. All because she felt Westeros belonged to her because of a mix of destiny, birthright, and vengeance.

You realize that she knew almost nothing about Westeros and Westerosi internal politics played zero role in her decision. For all she knew it was completely at peace, and she would still have invaded. But apparently half the audience bought the idea that Daenerys coming to Westeros when Cersei was super evil was a good for the people in Westeros.
hexhaven
Profile Joined July 2014
Finland931 Posts
May 21 2019 16:25 GMT
#36329
On May 21 2019 22:59 Yosheekee wrote:
Show nested quote +
On May 21 2019 22:27 hexhaven wrote:
On May 21 2019 21:57 Yosheekee wrote:
On May 21 2019 21:22 FreakyDroid wrote:
On May 21 2019 20:50 Yosheekee wrote:
On May 21 2019 20:31 FreakyDroid wrote:
On May 21 2019 20:15 farvacola wrote:
The fact that there have been at least two huge post-production flubs involving easily observable non-set pieces also supports an across the board lack of care on the part of the show runners.


Its probably due to budget/time constraints. The production crew practically made 6 feature films in just 2 years, most of those people were probably working 15+ hours a day for months on end.


I don't buy that. They told us to wait 2 years to improve the quality of the last season. This is plain BS for me. It's not 6 features films, the first 2 episodes are 50+ minutes. The last episode is 30 min of ppl walking/sitting in chairs. They just didn't care anymore.


Its not that simple. The amount of work the production crew has to put in the "just walking/sitting scenes" is quite a lot and it takes time. But that's besides the point, concluding they didn't care because of a plastic bottle and a coffee cup is stretching the argument too thin. Things like that aren't because of carelessness but because of few people having too much work to do in a short time and 2 years is incredibly short time for what we got in terms of production. The last few seasons had many problems, the few technical mistakes that have zero impact on the story are completely negligible and aren't even worth discussing imo.


I'm not discussing them actually, I just agree that this is another sign showing how much they didn't care to give us something great.

Let's admit that 2 years is not enough. HBO and Martin both wanted more time, more seasons, more episodes. They said no. They delivered us with shitty ending AND shitty production. How can you say it's not their fault ? THEY decided their own budget/time constraints. They blew it, badly.


Virtually all films and TV series have similar mistakes, and it's in no way another sign showing how much they didn't care. You're just reading too much into it, simple as that.


Except GOT actually didn't have these kind of mistakes before. It was a great show for a lot of other reasons, but it was also clear from this stuff. And then, you have the final season that is rushed, badle written and OH, surprise, mistakes like starbuck cup and water bottle. I think it's kinda related.


I got real bad news for you.

https://io9.gizmodo.com/8-more-game-of-thrones-goofs-that-show-maybe-we-shouldn-1834582280

https://screenrant.com/game-of-thrones-mistakes-bloopers-goofs/


And just to clarify, the writing is (mostly) something you can point to as being an example of a rushed production. And hell, you absolutely should. However, goofs like bottles and coffee cups are just that, goofs. Doesn't matter if it's a well run production or a shitshow, things like that pretty much always slip through. It's simply in the nature of film making.
WriterI shoot events. | http://www.jussi.co/esports
TheTenthDoc
Profile Blog Joined February 2011
United States9561 Posts
Last Edited: 2019-05-21 17:07:32
May 21 2019 17:06 GMT
#36330
On May 22 2019 01:06 Rasalased wrote:
Show nested quote +
On May 22 2019 00:58 karazax wrote:
On May 22 2019 00:52 Rasalased wrote:
On May 22 2019 00:12 karazax wrote:
By that standard, everyone who wanted to be king was a bad person. Conversely Dany's main driving force beyond just conquest was freeing the slaves and protecting the weak, so there was plenty to say she was decent, if not good. Ideally GRRM wants most of his characters to be grey though. Capable of doing good and bad things in different situations.


If she wanted to free slaves, why did she come to Westeros, then? Of course the story presented you the veil of that she was good and compassionate. That is why it was so well-written. Yet I thought everyone would see right through it and that the writing was supposed to be as if you would see right through it.

I get that people see the jump from Daenerys who wanted to conquer Westeros to the one that burns down KL is sudden. But what about the transition from the girl she was in season 1 episode one and the woman she was when she arrived in Westros. When did she become a worse version of her brother? Because that did happen. I guess that plot was much better done than I thought because I hadn't realized people didn't recognize a general greyness plus moral dilemmas with a transformation into someone with a deep hunger for power and a messiah complex.


Before she burned down King's Landing, how was she worse than her brother?


She was about to conquer all of Westeros with evil dragons, barbaric horse nomads, and brainwashed traumatized mercenaries. All because she felt Westeros belonged to her because of a mix of destiny, birthright, and vengeance.

You realize that she knew almost nothing about Westeros and Westerosi internal politics played zero role in her decision. For all she knew it was completely at peace, and she would still have invaded. But apparently half the audience bought the idea that Daenerys coming to Westeros when Cersei was super evil was a good for the people in Westeros.


I dunno if these dragons should really be called evil. At least in these last two seasons they were basically just flying horses with flamethrowers attached. Drogon just peaces out after the show is over, after all, and has less of a thirst for vengeance and more awareness of political intrigue than Dany judging by his decision to spare Jon and burn the throne.

Hell I was half expecting him to start speaking with Sean Connery's voice and give Jon a wise sermon on the evils of absolute power corrupting absolutely.
Dazed.
Profile Blog Joined March 2008
Canada3301 Posts
May 21 2019 17:07 GMT
#36331
On May 22 2019 00:12 karazax wrote:
By that standard, everyone who wanted to be king was a bad person.
When their motivations were not altruistic, yeah, which amounts to basically every king save tommen because he was a child. Is that really controversial? That kings are people who have made, at the very least, a dramatically incorrect moral claim regarding their legitimacy? Surely you are a democrat and not a monarchist, yeah?

Conversely Dany's main driving force beyond just conquest was freeing the slaves and protecting the weak, so there was plenty to say she was decent, if not good. Ideally GRRM wants most of his characters to be grey though. Capable of doing good and bad things in different situations.
I dont agree. I think it was a rationalization, she was already intent on conquest, her right to do so, it was all wrapped up in megalomaniac delusions about herself and her inherent worthiness. No non narcissistic would run around demanding gold and armies or just outright obedience from everyone she comes across...all the while being like, early 20s?
Never say Die! ||| Fight you? No, I want to kill you.
Acrofales
Profile Joined August 2010
Spain17990 Posts
May 21 2019 17:11 GMT
#36332
On May 22 2019 01:04 Rasalased wrote:
Show nested quote +
On May 22 2019 00:51 karazax wrote:
There is more to it than that regarding HBO and D&D, and adding more seasons. Actor contracts would need to be renewed and some of them may be ready to move on. HBO wouldn't know that season 8 was good or bad until after it was made, especially with all the super secrecy to limit leaks. If you only judge by viewership rather than quality, this season was a huge success for HBO.


This is no problem at all as long as the actors know they will be working on GoT. None of these actors have any guarantee that they will ever be in a big tv series or movie again. For almost all of them, this is by far the high point of their career. None of the actors on GoT have become bigger than the show because they all lack acting/star power for that.

Now, there can always be failed negotiation tactics or personal problems that can cause an actor to quit. But the idea that the show has to end because the actors have better things to do than GoT is nonsense. Kit Harington, Sophie Turner, and Emilia Clarke are probably the only ones with an actual hope of a big movie career.

Yes, and they are also the ones who have to carry the show. So if they don't feel like tying up time for another 3 years in GoT, then that's a problem. John Bradley, Jacob Anderson or Iain Glen might've been thrilled if the project was longer, but if the actors of your two main characters are impatient to move away, then you just have to wrap it up, regardless.

That said, they appeared capable of accommodating the actors just fine. Emilia Clarke found time to do Solo while GoT was still running, and Sophie Turner also found time for 2 X-Men movies.

Also, you forgot Carice van Houten already has a pretty successful career away from GoT Not that she had much to do in seasons 7 or 8. And Lena Headley too. I'd also suspect that Peter Dinklage has plenty of options. GoT actually has a remarkable amount of star power for a TV show.
Jek
Profile Blog Joined July 2011
Denmark2771 Posts
May 21 2019 17:29 GMT
#36333
On May 22 2019 00:07 Logo wrote:
Show nested quote +
On May 21 2019 23:37 KwarK wrote:
Is there a list of all the book things that got left out. Glass candles, real Night King maybe being Bran the Builder who fell in love with a lady WW, Lady Stoneheart, wolf dreams, etc. etc.?

It might help show watchers to understand just how overgrown GRRM’s garden is and why he’s just given up on pruning it.

  • In one of the best Cersei moments in all of the books Cersei befriends Aurane Waters, a bastard ship captain that fought for Stannis then bends the knee for Joffery. Believing that Aurane desires Cerseis he puts a lot of power into his hands and makes him grand Admiral (Master of Ships more or less). Cersei funds a reconstruction of the Royal Fleet. Aurane builds the fleet, mans it with his men, then sails all the ships off and becomes a pirate.

You just convinced me to pick up the books.
It's Elo not ELO - Every statiscian playing League
zatic
Profile Blog Joined September 2007
Zurich15328 Posts
May 21 2019 17:36 GMT
#36334
On May 22 2019 02:29 Jek wrote:
Show nested quote +
On May 22 2019 00:07 Logo wrote:
On May 21 2019 23:37 KwarK wrote:
Is there a list of all the book things that got left out. Glass candles, real Night King maybe being Bran the Builder who fell in love with a lady WW, Lady Stoneheart, wolf dreams, etc. etc.?

It might help show watchers to understand just how overgrown GRRM’s garden is and why he’s just given up on pruning it.

  • In one of the best Cersei moments in all of the books Cersei befriends Aurane Waters, a bastard ship captain that fought for Stannis then bends the knee for Joffery. Believing that Aurane desires Cerseis he puts a lot of power into his hands and makes him grand Admiral (Master of Ships more or less). Cersei funds a reconstruction of the Royal Fleet. Aurane builds the fleet, mans it with his men, then sails all the ships off and becomes a pirate.

You just convinced me to pick up the books.

All Cercei chapters in AFFC are pure gold. I loved AFFC, and Cerceis arc is just amazing. A perfectly described POV voyage of a person sliding into madness without realizing it until it's too late and everything comes crashing down.
ModeratorI know Teamliquid is known as a massive building
KwarK
Profile Blog Joined July 2006
United States42685 Posts
May 21 2019 17:56 GMT
#36335
The whole point of the Cersei stuff is that Tywin is smart and Cersei is arrogant. In the books the Lannister army is getting mauled by the North and the Riverlands, Stannis is going to headshot the Crown Lands, and the Westlands are kinda drained. Through diplomacy Tywin binds the strongest remaining force, the Reach, to the crown and snatched victory from defeat at Blackwater. After he dies Cersei decides she can play the game just as well as him and gets played by pretty much everyone. But it’s told as Cersei so you have this awesome unreliable narrator who keeps telling you about her clever plans and it slowly becomes apparent that she’s a moron.

In the show the Lannister army regened to full hp, the West found a bunch of extra money, and even after losing Casterly Rock they were still able to somehow defeat the Reach. The whole point of Tywin was that the Reach were the true power but he maneuvered then into aligning their interests with his and then held them hostage to his goals. Cersei’s plan of soloing them, despite their overwhelming military supremacy, and then finding enough money in their castle for an entire mercenary army (which they apparently chose not to use to defend their castle), doesn’t make any sense. It’s a classic example of the kind of insane dumb plan book Cersei would try but the whole point of those plans is that they’re dumb and they destroy Tywin’s legacy. If we accept show Cersei then Tywin was a moron not to immediately seize the Reach decades ago because apparently anyone can just do that.
ModeratorThe angels have the phone box
Logo
Profile Blog Joined April 2010
United States7542 Posts
May 21 2019 18:02 GMT
#36336
Not to mention Cersei is increasingly drunk and increasing fat in a way that she's not able to understand let alone reconcile.
Logo
Biff The Understudy
Profile Blog Joined February 2008
France7888 Posts
May 21 2019 18:10 GMT
#36337
On May 22 2019 00:07 Dazed. wrote:
To be fair it was always more than self evident danny was a bad person; her very fucking initial goal is to conquer a foreign land because she thinks her blood gives her that right. She starts out as an advocate of: right of conquest, nobility, absolute monarchy, feudal society. She gets worse from there consistently every season. There was never any serious indication that danny was even half way decent let alone good.

I actually always hated Danny. She was a merciless, cold hearted bitch with a messiah complex. I think her last line summarizes her perfectly: "because they don't get to chose". Ultimately, all she truly believed in was strength.

Also, worse than anything else, she had no humour. At all. And that's never a good sign.
The fellow who is out to burn things up is the counterpart of the fool who thinks he can save the world. The world needs neither to be burned up nor to be saved. The world is, we are. Transients, if we buck it; here to stay if we accept it. ~H.Miller
Biff The Understudy
Profile Blog Joined February 2008
France7888 Posts
May 21 2019 18:14 GMT
#36338
On May 22 2019 02:56 KwarK wrote:
The whole point of the Cersei stuff is that Tywin is smart and Cersei is arrogant. In the books the Lannister army is getting mauled by the North and the Riverlands, Stannis is going to headshot the Crown Lands, and the Westlands are kinda drained. Through diplomacy Tywin binds the strongest remaining force, the Reach, to the crown and snatched victory from defeat at Blackwater. After he dies Cersei decides she can play the game just as well as him and gets played by pretty much everyone. But it’s told as Cersei so you have this awesome unreliable narrator who keeps telling you about her clever plans and it slowly becomes apparent that she’s a moron.

In the show the Lannister army regened to full hp, the West found a bunch of extra money, and even after losing Casterly Rock they were still able to somehow defeat the Reach. The whole point of Tywin was that the Reach were the true power but he maneuvered then into aligning their interests with his and then held them hostage to his goals. Cersei’s plan of soloing them, despite their overwhelming military supremacy, and then finding enough money in their castle for an entire mercenary army (which they apparently chose not to use to defend their castle), doesn’t make any sense. It’s a classic example of the kind of insane dumb plan book Cersei would try but the whole point of those plans is that they’re dumb and they destroy Tywin’s legacy. If we accept show Cersei then Tywin was a moron not to immediately seize the Reach decades ago because apparently anyone can just do that.

Tbh, this kind of political stuff get lost anyway in a show like that anyway. I watched the whole show and still had to google what the Reach was. Of course as a book reader you can see those subtleties; but if you watch one episode a week over years, all you perceive is that Cercei is growing increasingly isolated and that she doesn't understand that she needs allies and friends to fight her wars. And that despite temporary success, it makes her a terrible leader.
The fellow who is out to burn things up is the counterpart of the fool who thinks he can save the world. The world needs neither to be burned up nor to be saved. The world is, we are. Transients, if we buck it; here to stay if we accept it. ~H.Miller
fishjie
Profile Blog Joined September 2010
United States1519 Posts
May 21 2019 18:19 GMT
#36339
On May 21 2019 04:53 Odoakar wrote:
Has anyone read Fire & Blood? Is that stuff worth reading or is it shit like last two asofai books?


careful, red viper will get triggered if you say the last two books were shit and then go to great lengths deny that the fans consider them shitty as well
WombaT
Profile Blog Joined May 2010
Northern Ireland25315 Posts
May 21 2019 18:23 GMT
#36340
On May 22 2019 00:52 Rasalased wrote:
Show nested quote +
On May 22 2019 00:12 karazax wrote:
By that standard, everyone who wanted to be king was a bad person. Conversely Dany's main driving force beyond just conquest was freeing the slaves and protecting the weak, so there was plenty to say she was decent, if not good. Ideally GRRM wants most of his characters to be grey though. Capable of doing good and bad things in different situations.


If she wanted to free slaves, why did she come to Westeros, then? Of course the story presented you the veil of that she was good and compassionate. That is why it was so well-written. Yet I thought everyone would see right through it and that the writing was supposed to be as if you would see right through it.

I get that people see the jump from Daenerys who wanted to conquer Westeros to the one that burns down KL is sudden. But what about the transition from the girl she was in season 1 episode one and the woman she was when she arrived in Westros. When did she become a worse version of her brother? Because that did happen. I guess that plot was much better done than I thought because I hadn't realized people didn't recognize a general greyness plus moral dilemmas with a transformation into someone with a deep hunger for power and a messiah complex.

It is a feudal world after all, I felt the scene was only included as a borderline 4th wall break referencing a particular possible ending, but even largely good characters laughed Sam’s democracy suggestion out of dodge.

People did recognise the greyness, plenty called Dany doing something awful because of her messianic leanings.

Not actively burning civilians in the manner she did, that flip just seems too abrupt by far vs her previous behaviour and rhetoric.

As many said, and I agreed with, Dany blowing up the Red Keep in a fit of rage and taking tons of innocents as collateral damage would have been fine. Your messiah complex ultimately doing more damage to the people you want to free vs actively butchering those people for no real reason.

The added bonus effect of doing it that way is also that Jon has an actual dilemma there rather than well, of course he’s going to kill her after that.
'You'll always be the cuddly marsupial of my heart, despite the inherent flaws of your ancestry' - Squat
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