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Numy
Profile Blog Joined June 2010
South Africa35471 Posts
December 19 2017 23:27 GMT
#36141
On December 20 2017 08:03 red_ wrote:
Show nested quote +
On December 20 2017 07:31 Numy wrote:
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
Still not enough time to get out everything I want, but they left in what seems like throwaway sideplot to emphasize that failure happens, especially with Poe. Poe is the icon of the OT nostalgic notion that these plucky rebels will figure some shit out right? Right? No. You fuck up, people die, your actions have consequences. If you would've shut up and listened to your superior officer less people would have died. That it was all pointless is literally the point. It should never have happened, because Poe should have trusted in his superiors. That's basically what Leia told him too.

Edit: I'll even add in that I'm sure we all thought that sideplot was extremely relevant while watching right? We sided with Poe? We thought Holdo was the most awful admiral in history, basically a traitor! The sideplot isn't 'meaningless' because you can take it out of the movie in hindsight with no consequence(which isn't even true, their sideplot made things worse, there was consequence), it absolutely added to your feeling as an observer while you were wathcing the movie.

+ Show Spoiler +
My experience was a bit different to yours in this regard. So I don't really mean the subplot was pointless in the sense that it couldn't have served a function. It felt more pointless in regards that it didn't make sense how it executed it's function. Let me try go through my thoughts.

Essentially they set up Poe from the first sequence as a guy that doesn't care about the "journey" of his actions.
I've read and dealt with this enough in other media that I'm at the point where the cost of actions always weighs heavily on the mind. So when Poe was doing his run for no apparent reason I was already thinking "what the fuck man" before the movie points that out. Now after all that we get to the Holdo part. What frustrated me here wasn't that it was trying to do a Poe character arc. It was that the way it did it just blew my mind with annoyance. This man is essentially the figure head of your remaining fighter faction. Why on earth wouldn't you just sit him down telling him what your plan is? The concept that what he had to learn was to blindly follow leadership without question isn't what I took from that. I thought they were trying to get him to swallow his pride and think past his initial reactions to a better solution(Which they show at the end with him finding another route out). So what did the Holdo situation do?
It seemed to exist solely to subvert the viewers expectations. If it was about trusting superiors without any word then I have an even bigger problem since that's an absolutely horrible mentality to foster in a leader figure(he is one).

Ultimately almost everything involving the rebels I didn't enjoy. If they wanted to emphasis the cost of war and failure then they needed to have the balls to kill off actual new characters we care about along with old ones. They didn't though so we left with a movie that has all these sub plots that lead nowhere with characters learning "lessons" we never feel the impact of since it's all disposable off screen. If this was the main focus of the movie I think they could have done a pretty good job of it. However it was split now with the whole Luke-Kylo-Rey story. Now the movie felt like it was fighting for screen time. It's insane! Every time i was getting into the swing of the Rey story they just cut to rebel stuff leaving rey on limbo. Why? There are just far too many characters going through character stuff in this movie. If they picked 2 lines and stuck with it maybe they could juggle it but instead there's like 10 different people going through shit.
red_
Profile Joined May 2010
United States8474 Posts
Last Edited: 2017-12-19 23:33:39
December 19 2017 23:27 GMT
#36142
On December 20 2017 08:22 GhandiEAGLE wrote:
Show nested quote +
On December 20 2017 08:03 red_ wrote:
On December 20 2017 07:31 Numy wrote:
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
Still not enough time to get out everything I want, but they left in what seems like throwaway sideplot to emphasize that failure happens, especially with Poe. Poe is the icon of the OT nostalgic notion that these plucky rebels will figure some shit out right? Right? No. You fuck up, people die, your actions have consequences. If you would've shut up and listened to your superior officer less people would have died. That it was all pointless is literally the point. It should never have happened, because Poe should have trusted in his superiors. That's basically what Leia told him too.

Edit: I'll even add in that I'm sure we all thought that sideplot was extremely relevant while watching right? We sided with Poe? We thought Holdo was the most awful admiral in history, basically a traitor! The sideplot isn't 'meaningless' because you can take it out of the movie in hindsight with no consequence(which isn't even true, their sideplot made things worse, there was consequence), it absolutely added to your feeling as an observer while you were wathcing the movie.


Hi Red, you said some stuff that I disagree strongly with so I'll address it here.

+ Show Spoiler +
I love that they want to emphasize that failure happens. I appreciate that motif, and I talk about it in-depth on my previous post. However, it doesn't solve the issue that the arc is meaningless to the story. Just because it looks relevant because you don't know how it ends doesn't make it relevant. Other than the bombers at the beginning,
nobody died as result of Poe's mutiny. In a very long string of very odd events that characters had no control over,
the codebreaker gets on board the enemy ship and sells them out. But that can't be seen really as an honest result of Poe's decisions, because it's not even the guy he told them to get, among many other things.

But more importantly I wanted to talk about you saying that a plotline with no resolution or impact is not meaningless because it made you feel something when you watched it. That isn't true at all. There's no point to watching the movie again, because everything you're watching builds up to nothing. A movie shouldn't be built for only one viewing; that's called flimsy, gimmicky writing.



+ Show Spoiler +
Poe's mutiny lead to the Codebreaker getting on a ship with Rose and Finn and hearing Poe tell them that Holdo has a plan that involves transports, Codebreaker puts two and two together and tells the empire that the transports are the plan, probably using stealth technology like the same tech that allowed them to dock on Snoke's ship undedetected. End result: dead people in transports because Poe didn't shut the fuck up


On December 20 2017 08:27 Numy wrote:
Show nested quote +
On December 20 2017 08:03 red_ wrote:
On December 20 2017 07:31 Numy wrote:
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
Still not enough time to get out everything I want, but they left in what seems like throwaway sideplot to emphasize that failure happens, especially with Poe. Poe is the icon of the OT nostalgic notion that these plucky rebels will figure some shit out right? Right? No. You fuck up, people die, your actions have consequences. If you would've shut up and listened to your superior officer less people would have died. That it was all pointless is literally the point. It should never have happened, because Poe should have trusted in his superiors. That's basically what Leia told him too.

Edit: I'll even add in that I'm sure we all thought that sideplot was extremely relevant while watching right? We sided with Poe? We thought Holdo was the most awful admiral in history, basically a traitor! The sideplot isn't 'meaningless' because you can take it out of the movie in hindsight with no consequence(which isn't even true, their sideplot made things worse, there was consequence), it absolutely added to your feeling as an observer while you were wathcing the movie.

+ Show Spoiler +
My experience was a bit different to yours in this regard. So I don't really mean the subplot was pointless in the sense that it couldn't have served a function. It felt more pointless in regards that it didn't make sense how it executed it's function. Let me try go through my thoughts.

Essentially they set up Poe from the first sequence as a guy that doesn't care about the "journey" of his actions.
I've read and dealt with this enough in other media that I'm at the point where the cost of actions always weighs heavily on the mind. So when Poe was doing his run for no apparent reason I was already thinking "what the fuck man" before the movie points that out. Now after all that we get to the Holdo part. What frustrated me here wasn't that it was trying to do a Poe character arc. It was that the way it did it just blew my mind with annoyance. This man is essentially the figure head of your remaining fighter faction. Why on earth wouldn't you just sit him down telling him what your plan is? The concept that what he had to learn was to blindly follow leadership without question isn't what I took from that. I thought they were trying to get him to swallow his pride and think past his initial reactions to a better solution(Which they show at the end with him finding another route out). So what did the Holdo situation do?
It seemed to exist solely to subvert the viewers expectations. If it was about trusting superiors without any word then I have an even bigger problem since that's an absolutely horrible mentality to foster in a leader figure(he is one).

Ultimately almost everything involving the rebels I didn't enjoy. If they wanted to emphasis the cost of war and failure then they needed to have the balls to kill off actual new characters we care about along with old ones. They didn't though so we left with a movie that has all these sub plots that lead nowhere with characters learning "lessons" we never feel the impact of since it's all disposable off screen. If this was the main focus of the movie I think they could have done a pretty good job of it. However it was split now with the whole Luke-Kylo-Rey story. Now the movie felt like it was fighting for screen time. It's insane! Every time i was getting into the swing of the Rey story they just cut to rebel stuff leaving rey on limbo. Why? There are just far too many characters going through character stuff in this movie. If they picked 2 lines and stuck with it maybe they could juggle it but instead there's like 10 different people going through shit.


No spoiler on my side of this one, just going to say I was mainly addressing the 'pointless' debate and not the merits or quality of the movie. I feel that part of the movie showed Rian had a clear vision whether you liked it or not or thought it could've been done differently(which I mean... anything in any movie ever could've been but obviously that's an absurd argument as well).

I think a big problem with both movies so far in this new trilogy is that they very clearly wanted to distance themselves from the Prequels, publicly so even, which basically gave people an eternity to think up their own versions of these storylines already playing out in their heads and comparing what actually happens on screen against their head canon.
How did the experience of working at Mr Burns' Nuclear Plant influence Homer's composition of the Iliad and Odyssey?
GhandiEAGLE
Profile Blog Joined March 2011
United States20754 Posts
Last Edited: 2017-12-19 23:36:49
December 19 2017 23:34 GMT
#36143
On December 20 2017 08:27 red_ wrote:
Show nested quote +
On December 20 2017 08:22 GhandiEAGLE wrote:
On December 20 2017 08:03 red_ wrote:
On December 20 2017 07:31 Numy wrote:
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
Still not enough time to get out everything I want, but they left in what seems like throwaway sideplot to emphasize that failure happens, especially with Poe. Poe is the icon of the OT nostalgic notion that these plucky rebels will figure some shit out right? Right? No. You fuck up, people die, your actions have consequences. If you would've shut up and listened to your superior officer less people would have died. That it was all pointless is literally the point. It should never have happened, because Poe should have trusted in his superiors. That's basically what Leia told him too.

Edit: I'll even add in that I'm sure we all thought that sideplot was extremely relevant while watching right? We sided with Poe? We thought Holdo was the most awful admiral in history, basically a traitor! The sideplot isn't 'meaningless' because you can take it out of the movie in hindsight with no consequence(which isn't even true, their sideplot made things worse, there was consequence), it absolutely added to your feeling as an observer while you were wathcing the movie.


Hi Red, you said some stuff that I disagree strongly with so I'll address it here.

+ Show Spoiler +
I love that they want to emphasize that failure happens. I appreciate that motif, and I talk about it in-depth on my previous post. However, it doesn't solve the issue that the arc is meaningless to the story. Just because it looks relevant because you don't know how it ends doesn't make it relevant. Other than the bombers at the beginning,
nobody died as result of Poe's mutiny. In a very long string of very odd events that characters had no control over,
the codebreaker gets on board the enemy ship and sells them out. But that can't be seen really as an honest result of Poe's decisions, because it's not even the guy he told them to get, among many other things.

But more importantly I wanted to talk about you saying that a plotline with no resolution or impact is not meaningless because it made you feel something when you watched it. That isn't true at all. There's no point to watching the movie again, because everything you're watching builds up to nothing. A movie shouldn't be built for only one viewing; that's called flimsy, gimmicky writing.



+ Show Spoiler +
Poe's mutiny lead to the Codebreaker getting on a ship with Rose and Finn and hearing Poe tell them that Holdo has a plan that involves transports, Codebreaker puts two and two together and tells the empire that the transports are the plan, probably using stealth technology like the same tech that allowed them to dock on Snoke's ship undedetected. End result: dead people in transports because Poe didn't shut the fuck up

+ Show Spoiler +
I know what happened, but the way I see it, at least an hour went into nothing but massive, poorly-written filler for the sake of a single tenuous connection that is only adjacently connected to Poe's arc of disobedience.
And because my issue was that almost everything happens for the sake of itself, justifying a single character arc by such a small thing they don't focus on as a result of so much process leads to almost an hour of meaninglessness.
Poe's arc isn't the biggest problem in the film, but it's endemic of bigger versions of the same problem in the film.


As to what you said right above me, Red, I agree that this movie had a very clear goal of separating itself from earlier Star Wars movies, to a point where I found it to be a fault. I would argue, however, that TFA consisted of very little except attempts to ingratiate itself within the feeling of the original Star Wars movies, right down to the copying of the plot.
Oh, my achin' hands, from rakin' in grands, and breakin' in mic stands
Numy
Profile Blog Joined June 2010
South Africa35471 Posts
Last Edited: 2017-12-19 23:44:32
December 19 2017 23:36 GMT
#36144
On December 20 2017 08:27 red_ wrote:
Show nested quote +
On December 20 2017 08:22 GhandiEAGLE wrote:
On December 20 2017 08:03 red_ wrote:
On December 20 2017 07:31 Numy wrote:
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
Still not enough time to get out everything I want, but they left in what seems like throwaway sideplot to emphasize that failure happens, especially with Poe. Poe is the icon of the OT nostalgic notion that these plucky rebels will figure some shit out right? Right? No. You fuck up, people die, your actions have consequences. If you would've shut up and listened to your superior officer less people would have died. That it was all pointless is literally the point. It should never have happened, because Poe should have trusted in his superiors. That's basically what Leia told him too.

Edit: I'll even add in that I'm sure we all thought that sideplot was extremely relevant while watching right? We sided with Poe? We thought Holdo was the most awful admiral in history, basically a traitor! The sideplot isn't 'meaningless' because you can take it out of the movie in hindsight with no consequence(which isn't even true, their sideplot made things worse, there was consequence), it absolutely added to your feeling as an observer while you were wathcing the movie.


Hi Red, you said some stuff that I disagree strongly with so I'll address it here.

+ Show Spoiler +
I love that they want to emphasize that failure happens. I appreciate that motif, and I talk about it in-depth on my previous post. However, it doesn't solve the issue that the arc is meaningless to the story. Just because it looks relevant because you don't know how it ends doesn't make it relevant. Other than the bombers at the beginning,
nobody died as result of Poe's mutiny. In a very long string of very odd events that characters had no control over,
the codebreaker gets on board the enemy ship and sells them out. But that can't be seen really as an honest result of Poe's decisions, because it's not even the guy he told them to get, among many other things.

But more importantly I wanted to talk about you saying that a plotline with no resolution or impact is not meaningless because it made you feel something when you watched it. That isn't true at all. There's no point to watching the movie again, because everything you're watching builds up to nothing. A movie shouldn't be built for only one viewing; that's called flimsy, gimmicky writing.



+ Show Spoiler +
Poe's mutiny lead to the Codebreaker getting on a ship with Rose and Finn and hearing Poe tell them that Holdo has a plan that involves transports, Codebreaker puts two and two together and tells the empire that the transports are the plan, probably using stealth technology like the same tech that allowed them to dock on Snoke's ship undedetected. End result: dead people in transports because Poe didn't shut the fuck up

+ Show Spoiler +
I never really got how the codebreaker knew they were going on transports? Did I miss something? I thought Poe was literally pulling a mutiny while there were over on the star ship. They didn't interact at all before that. Poe didn't know anything about transports and the mic is on Fin so the codebreaker wasn't in contact with Poe.
So? I must have missed something. It seemed completely random to me that this guys sells them out after being captured to foil a plan he seemingly had no way of knowing about.

Anyway you could also say Poes actions were perfectly in line with a leadership figure. He's shown as basically the leader of the last remaining pilots in the rebel camp yet is completely shut out of any operational information.
There's no real reason not to tell him or why his superior officer wouldn't let the pilots know. If he was demoted someone else would have been in charge but that's never shown. Was there a suspicion of a mole? This was never addressed so I'm puzzled at the withholding information. Based on all that this is a man trying to safe a fleet from doom. I'm not really sure his actions were inherently wrong. The plot said they were but if we isolate them were they? I'd have to think about it.


@Red - Sure I hear you. I sort of get what they were trying. Maybe pointless was too strong a word based on frustration from the other parts I mentioned. The word I'd associate the most with this movie would possibly be "clumsy". It reminds me a lot of Batman vs Superman actually. Although I did enjoy the latter a bit more. Which is odd since it wasn't as fun a movie lol.

edit:+ Show Spoiler +
I forgot to mention this but the one of the biggest issues with the rebel plot actually revolves around one of the best shots in the whole movie. The light speed battering ram. If ships can do that and you are running out of fuel while evacuating to another ship, why would you not just use those ships to ram the enemy fleet thus saving all the other ships? Or hell why would you wait the whole time instead of doing that maneuver when half the fleet is dead? Why not launch the ships then ram straight away. If you afraid of being shot down you could of launched ships then used the 3 big ones to do the ram thus having higher chance of destroying them all.

I get in movies/stories that coolness of a scene often trumps logic so for all the faults that scene brings I really did enjoy how beautiful it was.
GhandiEAGLE
Profile Blog Joined March 2011
United States20754 Posts
December 19 2017 23:43 GMT
#36145
Oh man now that I've written about it there's so man minor things about this movie that are SO FRUSTRATINGLY INCONGRUOUS

+ Show Spoiler +
How is Rose gonna preach to Finn about how sacrificing himself won't win anything when the only reason anyone is alive is that NOT TEN MINUTES AGO the pink-haired lady sacrificed herself by doing the exact same thing Finn was about to do? How is it reasonable that Poe's arc only really tells him that he shouldn't ever take risks,
and that what you learn from your risk failing is DON'T EVER TAKE RISKS AGAIN? How does it make sense that,
of all people in the galaxy, the one person to totally give up on Kylo Ren's chance at goodness is the one man who pretty much was willing to die for his belief that Darth Vader was good??? Why would you end the previous movie setting up a huge meeting only to comedically collapse that meeting right away? I get what youre GOING for there but you can't just invalidate the climax of your previous joke for the sake of a quick two-second joke!!!
Oh, my achin' hands, from rakin' in grands, and breakin' in mic stands
WaveofShadow
Profile Blog Joined April 2010
Canada31495 Posts
December 20 2017 00:18 GMT
#36146
Man so many people summarize this better than me.

I get annoyed at silly things like
+ Show Spoiler +
The fact that there is no danger or threat to any of the characters at any time. I know that's basically every adventure movie ever but still. They escape the stupidest situations--- Finn and rose wake up unscathed after the kamikaze attack and it pans on out a wide shot of a hellish inferno with like 70 dead stormtroopers. It's just comical when they brazenly flaunt the invincibility of the characters like that.
twitch.tv/waveofshadow ||| Winner of AHGL's So You Think You Can Cast! ||| Juicy Dad for lyfe ||| 'idk i get a kick out of stupid things' - Jarms Yarng
Gahlo
Profile Joined February 2010
United States35166 Posts
December 20 2017 00:29 GMT
#36147
On December 20 2017 08:14 GhandiEAGLE wrote:
Hey guys I'm hoppin' in because I feel the need to give my opinion on everything.

+ Show Spoiler [Guys obviously this is a spoiler for S…] +

Overall, I believe that the movie was a 6/10. It had a lot of really interesting risks, and the first honest to god attempt to make a good movie in the franchise since Empire. It also had a lot of flaws inherent in a movie that actually attempts to be ambitious. I've written a ton on this, but I'll cliffnote it here for TL by just saying the three best and worst things of the movie:

Best parts:

1) Visually strong! It was a really interesting color palette, they actually attempted to compose things in interesting ways, and even used visual symbolism for more than referring to the original trilogy. Crazy.
2) An attempt to make a cohesive motif! Almost like a good movie would have! It wasn't executed well, but even the attempt to have themes in the movie, in this case failure and the need to move on, reflects well on where the franchise is headed in the future. They really tried with this one guys go team.
3) Fuck Star Wars. The movie had potential in the way they set themselves up to cast off tropes. The big evil cartoon villains, the unlikeable overly-altruistic Jedi, it was all being resolved. When they burned the tree down, I got really excited, because I thought it potentially signaled the end of the film's possessive attachment to its predecessors. Of course, it ended up meaningless, but I guess this is coming from the guy who wanted Episode 7 to start with all the old star wars characters blowing up and dying to demonstrate that the audience's expectations would not dictate the story the writers wanted to tell.

The BAAAAAAAADS
1) None of the main characters do anything. I mean this in two ways; first, none of the main characters outside of Kyle Ren impact the story. Their arcs all resolve with them learning from failure, which is nice from a thematic cohesion standpoint, but more or less wasted by the fact that none of their failures actually impacted much of anything. The second way is that none of the characters progressed the plot proactively. This is expressly bad writing, and I'll get to it after I address that first statement I made.

Finn and Rose: If they aren't in the movie, the outcome doesn't change aside from the codebreaker they brought on board. They also took up a significant amount of runtime from an already bloated movie. If their impact is so minimal, it maybe should have been scrapped. No, it absolutely should've been scrapped. Ugh.
Poe: Almost does something! And he's proactive about it! But in the end he accomplishes nothing and ultimately only learns to follow authority at the expense of everything. Where he not in the story, the ending remains exactly the same. It is possible to have failures for the character to learn from while still having that failure impact the end of a story! And yet, it almost never occurs here.
Rey: She finally makes it to Kylo Ren, and then immediately floats in mid-air while Kylo decides to move the plot. Her presence there is the only way she impacts the story, not anything she's actually done. I'm more forgiving for this character arc because at least she did have some impact on Luke's character arc, which does end up having something to do with an ending.

Essentially, all the main characters fail to impact the ending. I understand and admire trying to have them all fail, in an attempt to create a theme of learning from failure. However, it is possible to have characters fail and still have them impact the ending of the story. Watching this movie a second time, the weight of the runtime becomes increasingly burdensome. It's so bloated by stuff that will never resolve that the script turns into a mess.

On the second part of this issue, Finn and Rose are god-awful to watch in this movie. At least with the other characters, things occur due to the characters making and executing decisions, albeit ultimately meaninglessly. But in this arc, Finn and Rose land, exposit endlessly about Rose in an attempt to connect us to the character as fast as possible, and then get them arrested before they do anything. Then, someone else lets them free; they stand there while the codebreaker decides to move the plot. Then, some kids let them out on the animals. They're still just following giant plot arrows. They're basically the audience. They're rescued by the codebreaker again before they've even done anything but run out the gate that was opened for them. They fly into the big ship (hey, a proactive decision!) before immediately getting captured. Then they get freed AGAIN by external forces over which they have no control, in this case the destruction of the ship. They try to pretend like Phasma as foe makes any sense for Finn's character arc, but of course it's all meaningless because in the final fight, Finn, on the verge of FINALLY affecting the plot with his suicide into the Death Ram Thing, is tackled by Rose out of the line of Plot Fire. How fitting that, at the climax of the film, he is once again sidelined out of the movie by Rose. This whole arc needed to be scrapped. It's very bad.

2) Hey guys look it's flaw #2 we made it. This one is simple. They keep holding onto the last vestiges of Star Wars Bullshit. When I say SWB, I mean things that have absolutely no role in the movie except to remind you that it's a Star Wars movie. Nothing undermines an honest attempt to make a good movie with artistic value more than a frequent reminder that you're feeding the Capitalist Juggernaut that is Disney at the expense of artistic integrity and your own childhood. Unlike any other movies, except perhaps Marvel Movies to a lesser extent, Star Wars has a preconceived checklist of what needs to be in the movie. You gotta have fighters, the characters you know and love, lightsaber battles, etc etc. In reality, these checklists have nothing to do with the original films, but rather are a product of the prequels and their accompanying marketing blitzes. They're not, for the most part, what made people like the originals, and in fact most of the time they serve as examples of why most Star Wars movies are actually very bad. You know 'em, you love 'em, and that't the whole point, let's montage quickly through useless old Star Wars Bullshit

Yoda-Chewbacca-C:3P0-R2D2-ATAT Walkers-ATSTs-Those Weird Box Droids from the Death Star-Lifting Rocks-DarkSide Spirit Quest on a Lone Planet with an Unwilling Hermit Exile Teacher-Don't Tell Me the Odds-Two Suns-Sith Lord Forcing Young Hero to Watch Her Friend's Rebel Fleet Die Through a Conveniently Placed Window-Red Imperial Guard-Copy That, Gold Leader-And Many More! Thank god they didn't have a stupid, meaningessly flashy lightsaber fight somewhere though. At least they're getting better with this stuff.

3) Can't believe you read this far, but hey. Kylo Ren is SO DUMB as a character and I hate it. The movie sets up to be really interesting; Rey and Kylo's interactions, combined with a lot of things Luke and Snoke say, baited me into thinking the movie was finally ready for a more mature view of the force. One where "true good' and "true evil" couldn't really exist in a plot where the writing was taking itself fairly seriously. One where Kylo Ren might have interesting motivations outside of "power" to kill his parents, and one where Rey might seriously have to consider where her values are (because, as it is, she has no real values outside of being the Good Guy). They meet, Snoke dies, Luke has burned the remains of the Jedi Order, and it seems as though they could say fuck everything and be complex characters. This is a hope immediately dashed when Kylo Ren just decides all of his interesting character potential is stupid and says "hey join me and lets kill your friends." Then he immediately turns into the cackling malevolent villain I finally thought Star Wars had the balls to get rid of. It's really a shame.

All in all, I can respect the movie for being the first attempt at a real, competent film, which Star Wars hasn't had since Empire, but in the end it's too huge and ambitious, and ends bloated, messy, and self-fulfilling.

My main problem is that Star Wars, thanks to pop culture, turns into the poster boy for mediocrity for the sake of itself. I still firmly believe that mediocrity does not justify itself, and this film was the first honest attempt I've seen to exist in some capacity outside of the sphere of Star Wars mediocrity, and for that, I think it's the third best Star Wars film ever made. The best since Empire. And still not very good.

This was the tl;dr version guys I have a LOT more pages written down somewhere.


Also, apparently we're talking about Coco now? I loved Coco. Great film in a time where my goodwill with Pixar is pretty much non-existant.

+ Show Spoiler +
Oh and last thing, since apparently this is being discussed too now. Just because something is geared for children (WHICH THIS MOVIE IS NOT, THIS IS CLEARLY BEING MARKETED TO EVERYONE) does not justify stupidity and laziness in a movie for the sake of a child's understanding. Good writing can make something appear simple to understand, but still contain depth. Good writing for children does NOT include the characters voicing out their motivations and reminding you of stakes and plot points every five minutes, which is something really annoying that this movie did. Children's movies are not excuses for mediocrity! See the Lego movie for a great example of how to give depth to a simple concept, if you're so worried that children won't understand what's going on.

+ Show Spoiler [Ster Wers] +

I will say this though. Poe's stunt to destroy the Dreadnaught is the only reason the resistance survived. Otherwise they get boomed from orbit.
Seuss
Profile Blog Joined May 2010
United States10536 Posts
Last Edited: 2017-12-20 00:44:43
December 20 2017 00:43 GMT
#36148
On December 20 2017 07:31 Numy wrote:
Show nested quote +
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
I just told you, Poe literally challenges her authority in front of the rest of the crew having been demoted not hours before and expects to have a say in what’s going on. From a military standpoint he’s damn lucky the Admiral took the high ground and merely gave him the cold shoulder.

Also while the subplots could have been executed better none of them were pointless. Character development happened, and it was good.

Leia force pulling herself was still dumb though. They could have made her survive on a different way.
"I am not able to carry all this people alone, for they are too heavy for me." -Moses (Numbers 11:14)
GhandiEAGLE
Profile Blog Joined March 2011
United States20754 Posts
December 20 2017 00:52 GMT
#36149
On December 20 2017 09:43 Seuss wrote:
Show nested quote +
On December 20 2017 07:31 Numy wrote:
On December 20 2017 07:23 Seuss wrote:
+ Show Spoiler +
People I know in the military pointed out in discussion that the admiral’s actions were about asserting chain of command. Poe had just been demoted and chose to confront her about her plan while everyone else was still filing out. In the military that’s way, way out of line. They felt Poe got off lightly by not being sent to the Brig on the spot.

+ Show Spoiler +
Most of the subplots in the movie just made me frustrated. The whole admiral crap made no sense. Why wouldn't she just tell him that they doing a diversion tactic to a base? Why does everyone know but him it seems?
What did any of it accomplish at the end? Did they just want some kind of tension for a "character" arc? This also isn't an organized military but a rebellion that lost most of it's leadership, chain of command being in disarray makes sense. Not actively establishing the situation so everyone is on the same page and instead being all secretive so you cause tension with factions inside your own rebellion makes no sense though.

Honestly if they cut the whole subplot with him and that admiral as well as the whole casino section I'd have enjoyed it a lot more. It just felt like every time I was getting what I wanted in the movie it decided it was a time for a break to do pointless subplots that go nowhere. At the end of the day each section or plot may have worked if they dedicated actual time to it instead of haphazardly jumping around trying to do everything in one movie.


@Nafta - Maybe you right. I don't really buy that completely since there's lots of children focused movies/tv that I still enjoy as an adult. I just watched Coco with my friend last week. It was really awesome. Why is Star Wars any different? Maybe it's just my tastes have changed too or I expect too much from the franchise. I don't know. Just haven't felt great about the new ones.


+ Show Spoiler +
I just told you, Poe literally challenges her authority in front of the rest of the crew having been demoted not hours before and expects to have a say in what’s going on. From a military standpoint he’s damn lucky the Admiral took the high ground and merely gave him the cold shoulder.

Also while the subplots could have been executed better none of them were pointless. Character development happened, and it was good.

Leia force pulling herself was still dumb though. They could have made her survive on a different way.

+ Show Spoiler +
I think if you have an almost 3-hour movie, and your character's only purpose in the movie is character development, you either have too many characters or not enough plot. I suspect that Finn and Rose will serve more meaningful roles in the next one, so I hesitate to say too many characters, and rather suggest that there just wasn't much of anything actually going on in the movie, despite all the different subplots. Character development doesnt need to exist just for the sake of itself.
Oh, my achin' hands, from rakin' in grands, and breakin' in mic stands
killerdog
Profile Joined February 2010
Denmark6522 Posts
Last Edited: 2017-12-20 01:47:13
December 20 2017 01:16 GMT
#36150
+ Show Spoiler [ghandie is a potato] +

I don't get how you can argue that rey wasn't an important part of the movie.

The movie did 3 things.

1. Establishes the rebellion as a small force we feel we know and are invested in, and they're alone against the new "empire," setting the scene for us to be emotionally invested in the third movie.

2. Setting Kylo Ren up as the bad guy. In the last movie he was a conflicted peon of the main bad guy. They developed him into the main bad guy, in a way where it isn't purely black and white. We can kind of empathise with how he got to where he is, which makes him a much more interesting villain than snoke, or most other bad guys in movies these days.

3. Setting Rey up as the light jedi to balance the dark side of the force in kylo ren.

The first movie she ended it a confused person who had no idea who she was, who had a light sabre and vaguely knew something about the force. She ends it a psuedo jedi, who's accepted who she is, knows who kylo ren is, understands both the light and dark sides of the force, and the shades of gray around each, and has chosen to follow the light and is positioned to be the leading light in the rebellion.

The argument that she's irrelevant is pretty ridiculous. Lets compare her plot arc in this movie to Lukes plot arc in episode 5.

Luke is off in search of a jedi master to train him (yoda) while his friends are being rekt by the empire. He does some pushups and hears a few parables but then leaves the jedi master behind because vader uses his friends to lure him back. He has one light saber battle with vader where he gets completely rekt and gets told who his dad is, before falling off a building and needing to be saved. Movie ends.

Compared to that Rey had a much more in depth and interesting training period with Obi Wan. She explored both the light and dark sides of the force, and how the lines between them blur, to a depth that the previous movies have never really even approached. She then goes to meet kylo, and again they have a much more dynamic relationship than the one between luke and vader, where we have her essentially make the decision to declare for the light. And then she actually manages to escape. Then saves the rebellion in a way which clearly cements her as the new leading light in the rebellion. Movie ends.

@red, It's not so much that some plotlines ended in failure that i find a little over the top. More the number of them which did :p

When the first few sub-arcs ended up being failures/irrelevant, it was interesting. But after a certain point it felt like "oh another twist which makes the last 10 minutes irrelevant." It wasn't something that I felt overly detracted from the movie, but there was a slight feeling of if every situation ends up with a twist, you just end up predicting the twists. By the point where kylo had killed snoke I was just sort of assuming that he'd kill him then turn and "betray" Rey. It gets predictable after a while.

The biggest victim of this was finn. By the end it felt a bit like everything he and rose did was irrelevant, and what his actual role is in everything is still pretty unclear. He's not really particularly good at anything, and it feels a bit like he ended the movie where poe started lol.
Seuss
Profile Blog Joined May 2010
United States10536 Posts
Last Edited: 2017-12-20 01:36:32
December 20 2017 01:35 GMT
#36151
+ Show Spoiler +
It wasn’t their only purpose, but that’s where some of the execution issues come into things. Purpose gets a little harder to notice when certain characters spend most of the movie failing.

Finn (and to an extent Rose) does just that. He fails to desert, fails to find the correct code breaker, fails to disable the tracker, and fails to stop the battering ram. He does plenty, and failing to change outcomes is meaningful, but he feels like a passive character because even though he’s making choices none of them change the result. If he’d found the right codebreaker (who nevertheless betrayed them) or had some other feather in his cap I think a lot of the criticisms would fade.

Poe suffers a little less because he blew up the Dreadnaught, but still suffers because he spends the rest of the movie screwing up, and in some ways suffers more because he doesn’t have quite as clear a “he’s taken the deconstruction of his flaws to heart” moment like Finn does.

The casino plot suffers a lot because they needlessly condensed the timeframe for it, and also because Finn and Rose were mostly passive for the duration. There really should have been more of an opportunity for them to be making active choices beyond letting the race creatures go.

Having said all of that, those are just flaws and the movie is great.
"I am not able to carry all this people alone, for they are too heavy for me." -Moses (Numbers 11:14)
killerdog
Profile Joined February 2010
Denmark6522 Posts
December 20 2017 01:48 GMT
#36152
+ Show Spoiler [SW the very ending] +
Not sure if anyones mentioned it yet, but the stable boy totally force-summoned the broom into his hand at the very end right?
GhandiEAGLE
Profile Blog Joined March 2011
United States20754 Posts
Last Edited: 2017-12-20 03:09:54
December 20 2017 03:02 GMT
#36153
On December 20 2017 10:16 killerdog wrote:
+ Show Spoiler [ghandie is a potato] +

I don't get how you can argue that rey wasn't an important part of the movie.

The movie did 3 things.

1. Establishes the rebellion as a small force we feel we know and are invested in, and they're alone against the new "empire," setting the scene for us to be emotionally invested in the third movie.

2. Setting Kylo Ren up as the bad guy. In the last movie he was a conflicted peon of the main bad guy. They developed him into the main bad guy, in a way where it isn't purely black and white. We can kind of empathise with how he got to where he is, which makes him a much more interesting villain than snoke, or most other bad guys in movies these days.

3. Setting Rey up as the light jedi to balance the dark side of the force in kylo ren.

The first movie she ended it a confused person who had no idea who she was, who had a light sabre and vaguely knew something about the force. She ends it a psuedo jedi, who's accepted who she is, knows who kylo ren is, understands both the light and dark sides of the force, and the shades of gray around each, and has chosen to follow the light and is positioned to be the leading light in the rebellion.

The argument that she's irrelevant is pretty ridiculous. Lets compare her plot arc in this movie to Lukes plot arc in episode 5.

Luke is off in search of a jedi master to train him (yoda) while his friends are being rekt by the empire. He does some pushups and hears a few parables but then leaves the jedi master behind because vader uses his friends to lure him back. He has one light saber battle with vader where he gets completely rekt and gets told who his dad is, before falling off a building and needing to be saved. Movie ends.

Compared to that Rey had a much more in depth and interesting training period with Obi Wan. She explored both the light and dark sides of the force, and how the lines between them blur, to a depth that the previous movies have never really even approached. She then goes to meet kylo, and again they have a much more dynamic relationship than the one between luke and vader, where we have her essentially make the decision to declare for the light. And then she actually manages to escape. Then saves the rebellion in a way which clearly cements her as the new leading light in the rebellion. Movie ends.

@red, It's not so much that some plotlines ended in failure that i find a little over the top. More the number of them which did :p

When the first few sub-arcs ended up being failures/irrelevant, it was interesting. But after a certain point it felt like "oh another twist which makes the last 10 minutes irrelevant." It wasn't something that I felt overly detracted from the movie, but there was a slight feeling of if every situation ends up with a twist, you just end up predicting the twists. By the point where kylo had killed snoke I was just sort of assuming that he'd kill him then turn and "betray" Rey. It gets predictable after a while.

The biggest victim of this was finn. By the end it felt a bit like everything he and rose did was irrelevant, and what his actual role is in everything is still pretty unclear. He's not really particularly good at anything, and it feels a bit like he ended the movie where poe started lol.

+ Show Spoiler [C'mon now] +
I appreciate the response, KDoge, but your points about looking at it from the perspective of Empire totally ignores the context of the narrative that is TLJ. Your description of Luke's journey isn't all that sensible, because for both Luke and the side characters, Cloud City is the pinnacle of the narrative. How narrative structure works is that meaningful decisions within an A and a B story lead to an adjoined conclusion. When Luke makes the decision to go confront Darth Vader and abandon his training, that is in narrative the Point of No Return.
Even though it's the same decision as the one Rey makes essentially, his carries significantly more weight from the narrative's perspective because it has signified that the film has come to a head; the separate A and B arcs are about to meet. Luke saves his friends, excluding Han, and they save him in return. That's the end of the movie.
Luke's decision has a resolution because it forces the hand of the narrative.

This is significantly different that what occurs with Rey. When Rey makes her decision to go to Kylo, we eventually learn that the ending, which should be the culmination of the various character stories, is nowhere in sight. Therefore, Rey's decision has way less gravity, and she's doing less than Luke was. Additionally, Luke does not take a passive role in losing to Darth Vader; he is defeated. Rey shows up to Kylo and is immediately imprisoned. The entire plot point of Kylo killing Snoke is done while Rey is essentially just there. The plot happens off her, as she gives Snoke and Kylo motivation in the scene, but she does not motivate the plot. I'm not sure if I'm being clear enough here, because it's a little confusing, but passive action is a serious problem when it crops up all over the place in the movie. Her helping Kylo kill the red dudes is pretty contrived, because it only exists to try and trick you into thinking Rey and Kylo are a team now, so they can hit you with another "twist".

While they went more in-depth on Rey's training than they did with Luke and Yoda, it's almost a bad thing. I talked about this already, but the themes of balance and grey areas in the force (things I greatly appreciated in the movie, and was eager to see come to fruition) are sabotaged by Kylo Ren's immediate 180 after Snoke dies. What part of his conflicted feelings means he wants to kill the Rebellion? If he wants to leave the past behind, doing the exact same god damn thing he was doing doesn't show character change, it shows the opposite. He's the exact same dude, except now he doesn't want to be Darth Vader. So why is he killing his parents? Does he really feel like he needs to kill his parents because Luke held up a lightsaber? For a character to be interesting, if he's going to kill his parents, his motivation has to be deep and stirring. His is just some vague philosophy that he doesn't really follow through with anyways, because it contradicts all the other dumb stuff he's done. I really enjoyed the scenes where Kylo Ren and Rey connected, because it showed that Kylo was maybe a reasonable person who had actual, good reasons why he had to kill his father. Regardless of whether or not he actually is still conflicted, he did not act like a villain with depth; he acted like some idiot with a child's motivations and a temper tantrum. In the last movie, it was clear this is how they wanted us to see Kylo; as a kid. However, this movie tries to ascribe significantly more weight to what is still a really childish and stupid motivation that he ignores anyways when he just decides to kill the rebellion despite it all.

Essentially, the crux of this issue is that, if you compare Luke and Rey's journeys, going to Cloud city IS the narrative. All of the other plot points have coincided there. When Rey goes to the Cloud City equivalent, she doesn't know that her friends are on board. They escape separately. And her rebellion that she has an inexplicable sense of duty towards doesn't know shes there when they blow up the ship. They don't know where she is, she doesn't know where they are, and none of them are acting with each other in mind at all. So even though you can use vague descriptions to make it seem like Luke and Rey went through the same thing, Rey's journey had no impact on the story. None of the other protagonists made a single decision past the ten-minute mark with Rey in mind, and Rey certainly never made a decision that either affected them or even considered them until the very end, when she does decide to very kindly move some rocks. Luke makes his journey for the sake of his friends, and his meeting them IS the narrative. If Luke went to some other stupid planet where Darth Vader happened to be, and everyone else did their stuff on Cloud City, Empire would be really, really dumb. You can't build a strong, tight narrative and have all your protagonists doing their own thing for the sake of themselves and never intentionally impacting each other until one thing one of the 4-5 protagonists does at the very end.

As an aside:
The fact that Rey then manages to escape and then save the rebellion is not passive action, so there's no problem with it, at least in the eyes of this specific argument. However, After all this time, Rey is left with very little motivation outside of Kylo. She barely even knows these rebellion people. She hasn't even ever met Poe Dameron! In a movie thats 2.5 hours long, and the second of three, how is Rey this, I guess, empty? She's so blindingly "good" while still absolutely ignorant about the situation she's in. This isn't a gripe that's relevant to what we were talking about above though, so you can ignore this.

As another aside, notice that all three of the things you feel the movie needed to accomplish involve simply setting up more movies. I see that as an inherently toxic viewpoint for how a movie should be constructed. It's the whole issue; the movie is all fucking setup. Setup for characters, setup for plot points, etc., but so little actual real plot happens! There's just several "fake" plots that barely, if at all, impact narrative so that you can connect to the characters IN STAR WARS 9! If you have one or two things that are put into a movie for the sake of setting something up, that's fine. But everything in this damn movie was setup, and you can tell because of how little story actually occurred compared to how long they spent "filling out" irrelevant parts.

Oh, my achin' hands, from rakin' in grands, and breakin' in mic stands
WaveofShadow
Profile Blog Joined April 2010
Canada31495 Posts
December 20 2017 03:29 GMT
#36154
On December 20 2017 10:48 killerdog wrote:
+ Show Spoiler [SW the very ending] +
Not sure if anyones mentioned it yet, but the stable boy totally force-summoned the broom into his hand at the very end right?

Yes
twitch.tv/waveofshadow ||| Winner of AHGL's So You Think You Can Cast! ||| Juicy Dad for lyfe ||| 'idk i get a kick out of stupid things' - Jarms Yarng
Ketara
Profile Blog Joined August 2010
United States15065 Posts
December 20 2017 03:55 GMT
#36155
Australia and NZ are pretty cool.
http://www.liquidlegends.net/forum/lol-general/502075-patch-61-league-of-legends-general-discussion?page=25#498
GhandiEAGLE
Profile Blog Joined March 2011
United States20754 Posts
December 20 2017 04:10 GMT
#36156
On December 20 2017 12:55 Ketara wrote:
Australia and NZ are pretty cool.

Did you go see the LotR stuff in NZ?
Oh, my achin' hands, from rakin' in grands, and breakin' in mic stands
Alaric
Profile Joined November 2009
France45622 Posts
December 20 2017 06:12 GMT
#36157
People posting longer rants than me is pretty nice (haven't seen the movie but I don't intend to so I get to click all the spoiler tags weeee).
Cant take LMS hipsters serious.
NeoIllusions
Profile Blog Joined December 2002
United States37500 Posts
December 20 2017 06:13 GMT
#36158
Alaric, I am disappoint.
ModeratorFor the Glory that is TeamLiquid (-9 | 155) | Discord: NeoIllusions#1984
phyvo
Profile Blog Joined April 2009
United States5635 Posts
Last Edited: 2017-12-20 06:31:29
December 20 2017 06:30 GMT
#36159
I'm not really intending to see it either, at least not in theaters.. I might have lost my ability to care about movie franchises after The Hobbit, or maybe I just don't really give a crap about theaters anymore unless it's a social event.
"BE A MANGO TO SLEEP LIKE A SNORING TIGER" - Monte
GhandiEAGLE
Profile Blog Joined March 2011
United States20754 Posts
December 20 2017 06:58 GMT
#36160
Yeah, I mean I'm hardly telling anyone anything they didn't already now, but Star Wars is literally just a clothing line. It's all brand. Going and getting excited for Star Wars, squirming over spoilers, and yelling for trailers is just the fashionable trend. Makes it hard to care sometimes x.x
Oh, my achin' hands, from rakin' in grands, and breakin' in mic stands
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