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[Movie] Inception - Page 39

Forum Index > Media & Entertainment
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Incognoto
Profile Blog Joined May 2010
France10239 Posts
November 11 2010 14:06 GMT
#761
Inception was a fairly good movie, very interesting.

I'm not going to criticize it because I'm incapable of making good movies anyway.
maru lover forever
hmpstr
Profile Joined May 2010
Norway11 Posts
November 11 2010 14:09 GMT
#762
On November 11 2010 10:06 heishe wrote:
Show nested quote +
On November 11 2010 05:15 hmpstr wrote:

Thing that stands out the most is the way Ellen Pages' character suddenly is the god of the dreamworld and knows more about it than anyone else, and the viewer get no clues as to why this is.


statements like this pop up a lot. seems like the movie is really too hard to understand for some people.

i mean come on. she's the architect of the dreamworlds. she designed every single aspect of it. of course she knows them better than anyone. lol. i gets explained to you in a 5-10 minute sequence.


The fact that she learns to design the world itself does not in any way explain clearly why she suddenly knows more about the process and events in the dream world than even DiCaprios character, that has been doing this for years, including designing worlds himself.

I am not talking about her knowing the specific dreamwolrd that she created herself, its the fact that the rest of the people thats been doing the thing she does for years looks like amateurs compared to her.

If you could reason with religious people, there would be no religious people
heishe
Profile Blog Joined June 2009
Germany2284 Posts
Last Edited: 2010-11-11 14:10:13
November 11 2010 14:09 GMT
#763
On November 11 2010 22:53 government delta wrote:
Show nested quote +
On November 11 2010 22:47 heishe wrote:
On November 11 2010 22:38 government delta wrote:
On November 11 2010 22:13 Malinor wrote:
On November 11 2010 21:53 government delta wrote:
On November 11 2010 21:40 Shockk wrote:
On November 11 2010 21:15 government delta wrote:
But calling Nolan an awful director and grossly exaggerating like you

his failure as a director


I won't argue about personal taste. If you don't like Nolan's movies, alright, your opinion.

However: You're not entitled to call his work a "failure" by any standard. His movies have won numerous awards (and made tons of money). They've usually been well received by professional critics and praised by moviegoers alike. He pretty much revived the Batman franchise which was left for dead after the horrible 90's films.

All the factors by which a directors work in general can be judged - financial success, critical acclaim, praise by fans - apply to Nolan.

Again, feel free to express your opinion. But don't go around spewing exaggerations based on your personal taste and completely ignoring someone's achievements.


lol what the hell is wrong with you. but okay, sorry for seeing movies as art for a second there i guess? i forgot that movies like this are business first.

(but seriously after seeing inception i felt very much entitled to drag nolan out on the street and shoot him, but i guess with his public image and fanboys like you who display that i really was wrong there with my opinion about it (WHAT) )


It's pretty easy to see that you are the one that something is wrong with. You just make up your categorie of art based on your personal taste, Shockk on the other hand has a real argument based on somewhat objective criterias (commercial success, critical acclaim). You just don't like the movie. That's fine too.




the movie just doesnt work, how can commercial success and critical acclaim lean into that factor? i mean obviously its because people are stupid and follow any hype like dogs and the simple truth that all recent hollywood movies are schlock that melted peoples brains so now it doesnt take a lot of spark to impress/confuse them (hey lets make a movie about that, people see a shitty cheap movie, get confused subconsciously and they interpret it as impressment - because theyre stupid - and hype the movie to death)
and a movie critique cant ever be objective, that would just end in a story resume.


but yeah okay youre right, because its not really worth fighting over it. inception is a great movie, nolan is the director of the century and batman kicks ass.


Wouldn't surprise me if this dude got nuked sometime soon. he's the most obvious troll I've seen in my entire life. nobody can be that retarded.

his writing is taken out of "trolling 101" : 1. make broad statements without even trying to prove them to anger people in the thread 2. play retard and respond with complete idiocy after someone disagrees with you. 3. state the supposed fact that everybody but you is an idiot and has no idea what they're talking about to further enrage people. 4. repeat steps 1-4 and use offensive language whenever possible (fuck, shit etc.)


lol sorry for trolling then.

but you need to understand that i really got pissed off at this movie, because this movie tells you that youre stupid over and over again while also telling you that its the best movie ever over and over again. of course i can explain this in detail
i wrote a little review shortly after watching it
Show nested quote +
just saw inception and MAN its bad, like not even just simple bad but really really fucking B A D. and the most annoying thing is when you wanna explain why its bad, because the movie overcomplicated the explanatory for its very simple, boring NONPLOT deails and ideas and layouts of concepts and thesisesseseseseseses and asses and shittes and whatever, just so that it looks cool and they hope no one notices or no one wants to complain because this movie just gives you so much shit to think about (but non important things, gah and thats what i hated the most, the film forced you to think about all that shit that didnt really matter but you have to because there seems nothing else going on)
i know this movie is like toprated and expected to be a very good deal of a film and its overhyped christopher nolan behind it all and yeah boboobobbobo but what the fuck, this film was just a big fuck you to its watcher
now the idea of the film was okay, like dreaming and going deeper and booboo but the actual story? man did that fail, i mean its really just a boring action movie (like okay for instance, theyre in a dream and one character like shoots a gun and another character mocks him like HEY DUDE WE'RE IN A DREAM WE CAN FUCK THINGS OVER and pulls out a grenade launcher and makes something go boom and thats it, like what the fuck, is that a mindfuck? no! a grenade launcher might be a cool weapon and shit but its just a higher caliber than the rifle from the other dude, so why is this impressive dream shit!?!? everyone said this movie is tripped out, i mean does the movie want me to be impressed with that? why didnt he turn into godzilla and lazorstomped the bad guys or something?? i mean seriously?? that was not impressive at all, he was just being a dick) with a seemingly complex plot when there really isnt one, the movie tries to make up for its lazy plot with constantly explaining shit that is only there to distract you from all the major flaws of the movie and its characters (everyone is a douchebag in this movie btw) and gives no impact on the plot, but fuck that, i dont even wanna complain about any of that because the movie failed to keep focus on important things
okay okay i can cut my concerns down to like 4 problems, thats enough, other than that the movie was fine (fine like in boring but fine), but those 4 problems are really major concerns and fucked the audience in the face in my opinion

1 - okay so this mission is like kinda dangerous, right? you might go coocoo when you come back and blabla okay roger, so gotta be careful, but when the japanese guy gets shot and they say hes lost why dont they just break up - okay they explain that, they gotta finish the mission, because thats the quickest and safest whatever way out, okok - but even when he actually dies they say this is the shit yo and i had a real problem with that, ok so the movie tells me they wanna just get out and the characters display that as gotta finish the mission, seems to make sense but it really doesnt, the japanese dude throws explosives and passes out or dies or whatever and now theyre like fuck lets just get out okok but then the architect girl says wow we can just follow him and get him back and finish the mission but he might be coocoo already, so okay alright yeah lets totally do that - and here i really had the fucking problem, why do they still golden the mission???? i mean come on, this mission is bullshit, one company just wants some market for itself and wants to get rid of its main competitor? like fuck, thats like yeah our main characters are actually the bad guys in this movie (which shouldnt be bad for a movie of course, but in this movie theyre the good guys i guess? so it makes no sense at all)
and in general i really had this problem, like for whats at stake in the story (the sanity of everyone involved in the plot) this mission really fucking did not seem to be worth the fucking risk, effort and ... danger (?)

fuck i hate explaining this shit so much, i try to cut everything unimportant out, but its still a good write up, so fuck next problem

2 - ehhhh why was dicaprio the only one with some sort of complex haunting him, why were no other characters chased by deceased family members in the dreams of others only to fuck the mission up (lol really! that was just plain ridiculous by the way, and thats so stupid but i dont even wanna complain about those aspects of the movie because there is simply not enough time, and there was a lot of bullshit like that, but that was kinda okay for the movie, just turn your brain off and its okay because this is a fantasy film right? right!)
okay now you say because he already went to the hades zone with his wife or whatever and spend 50 years there and because he is the mastermind and invented a lot of these dream mission techniques whatever, yeah okay that would be a good enough reason, but in context of the movie its just a big inconvenience, because he is the mastermind so he has issues, okay what about the expert dream thief forger guy, did he just make those skills without any sacrifice? his unusual expertise did go perfectly fine? yeeeeah ok why not, i mean its possible, but i really think the movie just told me -he is just a genius without personality- and thats true for all the fucking characters besides the main character, its like no one has anything going on but this dreaming shit and missions and no one seems to have dialogue in this film, its just explaining explaining explaining and explaining and explaining yeah fucking faceless statues acting in dumb sequences, and that was besically all the movie really and thats just booooring and yeah why do they go into dicaprios built world when they die in a dream? whyyyy because he is the main character (movie logic, bad logic) or because he came up with the techniques and just happened to be there (plot logic, appearantly good logic) - and really movie logic=plot logic, AND THATS THE THING, ITS THE SAME!!! AND THE FUCKING MOVIE TELLS YOU TO THINK ONE THING OF ANOTHER THING THATS ACTUALLY TRUE, i mean IS THIS FOR REAL? ARE YOU SHITTING ME?? this is like really really really bad and its kinda complicated to explain, but rather easy to break down - this movie tells its watcher that this movie is awesome and not being actually awesome. and thats just bonkerous, thats bad yeah that sucks ass O_o what the fuck, imdb 9.1 rating, voted by Inception Movie Cast and Crew

3 - ok so yeah the biggest problem that i had now, like okay his wife killed herself and left a note that it was he who killed her...and thats why he cant come back into the USA because cops would be waiting.
....
....
....
....
....
....
....
....
....
....
really? you can do that? okay we saw her jumping (quote dicaprio "ew jesus" <- DUDE YOUR WIFE JUST JUMPED)
not only that, we saw the set up, they were supposed to meet in a hotel room for their anniversary, she would be waiting for him, but when he arrives he finds the place smashed and his wife is in another room (btw why? but nevermind, it wont get explained), he can see her from his window and she is about to jump and then jumps
and thats mindboggingly dumb. okay so we had a whole homicide unit at the scene down where she splashed on the ground and they found enough evidence to make a warrant for dicaprio, ignoring the various psychatric test results (mentioned in the film btw!) that proof she was crazy and questioning reality
ahahahah im sorry thats just plain stupid and fucking retarded ahhhh

4. okay so this is a minor thing i guess and its probably false because i missed something or whatever, but i tried thinking about it and it just didnt make sense
end of the movie, dicaprio lands and then theres the old guy waiting for him at the airport to get him to his kids..... like what?? okay, so the same dude got dicaprio the architect girl - like was that in the states then? i thought it was europe or something, like the whole chapter of the movie when he gets his team together??? but fuck me, it mustve been in the states then, and that doesnt make sense either because they say dicaprio cant go there and thats where the tension comes from when theyre on the plane, right? right right???? right? RIGHT???? soooo do i get it??? was there really no tension at all?
(oh yeah the last cut away was also a dig fucking let down, like you totally expect SOMETHING to happen and then just nothing does and it ends in peace perfect condition for everyone and everything? HEY THEY JUST TOTALLY FUCKED WITH THAT ONE GUYS BRAYNE, IS EVERYONE FUCKING OKAY WITH THAT????

argh i dont even wanna think about it any more, lets break it down. the movie just explains unimportant shit all over the place and thats all it does, we have a main character who centers the movie around him (ohhh i get it, the whole movie was just his dream all along, righhhht? that doesnt explain shit and even if, it doesnt make a fucking difference, then his dream was the movie and its still just a shitty movie overall) and we smell a big ego-bomb all the way through the movie and the movie distracts us with ideas and concepts, tries to visualize them and make them look astounding and then theres the length of the movie, like the whole story mission movie couldve been done in like 1 stargate episode, but this movie goes on for like two and a half hours just because it explains so much fucking shit, i wanted to scream at the movie like I DONT CARE! LETS GET TO THE ACTION! and it never really gets to the action and everything looking awesome in the movie is passed by rather shortly, i mean they talk like man when we go deeper and deeper time goes by slower and slower like its such a fucking big deal, if they wouldve said "in and out in 10 minutes screentime per depth level, but dont forget to add time to explain shit" (which it really just was, disappointly enough) it wouldnt have sounded awesome and intelligent to keep interest and the thing is, it wasnt really awesome and intelligent, just a big disappointment, because this movie really hypes its ideas about dreaming and visualizing that, so this is christopher nolan shit and i honestly was expecting something with impact, like someone dies or really fucking i dunno, just something mad, something more and this movies is just not that, i mean the batman movies were stupid but they were fun and now this is just fuck.

inception, no tension, no action, no story. dont forget stupid.


edit: forgot one really important thing. so okay the whole movie is exaggarated complex deep EXPLANATION of rather simple ideas and concepts. and a bit of science fiction. so okay. yeah. fine. but not at any point do they even mention the dream-join-up device what so fucking ever. they just have this case with them to hook up within another man's dream and they never mention how it works, not even in the slightest. whyyyy notttttt, this is science fiction, youre explaining how shit works, so GOD DAMN IT EXPLAIN THE FUCKING DEVICE PLEASE!! - i never really noticed during the movie because i was expecting to get it at some point and i was busy raging over so many things, but in retrospect this fact really pisses me off, THIS IS SCIENCE FICTION, EXPLAIN THE DEVICE OH COME ON FOR FUCKS SAKE x_______x


you see it really angered me how a movie like that plays its audience and gets away with it.


just out of curiosity: what's your favorite movie and what's your favorite tv series?
If you value your soul, never look into the eye of a horse. Your soul will forever be lost in the void of the horse.
Shockk
Profile Blog Joined July 2010
Germany2269 Posts
Last Edited: 2010-11-11 14:11:23
November 11 2010 14:10 GMT
#764
On November 11 2010 23:01 SleepSheep wrote:
Show nested quote +
On November 11 2010 22:57 Shockk wrote:
On November 11 2010 22:43 SleepSheep wrote:
... i find this statement of yours as well as shocks, laughable, disturbing, and nauseating. i don't mean this offensively, i say it respectfully, i'm just still surprised when i hear statements like this and i'm trying to make where i'm coming from as clear as possible.

i think this part sums it up perfectly:
"a real argument based on objective criterias (commercial success, critical acclaim)--"


Since we're discussing about a meta-discussion sparked by a troll, I'll try to cut it short:

If you'd read my post you'd have noticed that I never claimed that Nolan's movies were great pieces of art because they're successful or regarded as good by others. I like the movies because I enjoyed them, liked the ideas, settings, the plots etc. I actually didn't mention the word "art" a single time.

I only came up with financial success and critical acclaim as a means to judge movies because our aforementioned troll judged the movies only in relation to his personal taste, which is just as bad a method of rating art. Saying "I don't like this, thus it's bad art" is just as wrong as claiming "Many people like it, so ist must be good art".


yeah, i know you didn't call it art. but the issue still remains.


Dude, which issue?

Noone here actually did what you said; neither I nor the folks who agree with me judged movies based on money made or other's opinions.

All we did was argue with a troll and his method of judging the movie. In the process of doing so, we delivered several examples of why saying "Nolan failed as a director" simply is wrong.

Not once - i repeat, not once - did anyone here on the last page, except our overzealous troll, actually judge art in a dubious way.
Shauni
Profile Blog Joined July 2004
4077 Posts
November 11 2010 14:16 GMT
#765
On November 11 2010 22:13 Malinor wrote:
Show nested quote +
On November 11 2010 21:53 government delta wrote:
On November 11 2010 21:40 Shockk wrote:
On November 11 2010 21:15 government delta wrote:
But calling Nolan an awful director and grossly exaggerating like you

his failure as a director


I won't argue about personal taste. If you don't like Nolan's movies, alright, your opinion.

However: You're not entitled to call his work a "failure" by any standard. His movies have won numerous awards (and made tons of money). They've usually been well received by professional critics and praised by moviegoers alike. He pretty much revived the Batman franchise which was left for dead after the horrible 90's films.

All the factors by which a directors work in general can be judged - financial success, critical acclaim, praise by fans - apply to Nolan.

Again, feel free to express your opinion. But don't go around spewing exaggerations based on your personal taste and completely ignoring someone's achievements.


lol what the hell is wrong with you. but okay, sorry for seeing movies as art for a second there i guess? i forgot that movies like this are business first.

(but seriously after seeing inception i felt very much entitled to drag nolan out on the street and shoot him, but i guess with his public image and fanboys like you who display that i really was wrong there with my opinion about it (WHAT) )


It's pretty easy to see that you are the one that something is wrong with. You just make up your categorie of art based on your personal taste, Shockk on the other hand has a real argument based on somewhat objective criterias (commercial success, critical acclaim). You just don't like the movie. That's fine too.




I really hate these arguments but it seems like we need to clarify a few things. We all understand that making a movie is expensive. You need to either support the movie yourself or have corporations supporting you. Movies are in first hand regarded as business, even remotely artistic movies can never make it to mainstream cinema because the corporations are not interested in advertising or publishing something that isn't made to sell.

Inception is by no means an artistic movie. It was intended, directed and released toward the mainstream moviegoers - rendering all critical acclaim besides the ones marketing the movie useless. You can't compare cinema that was made for cash to cinema that is made to question our existence. Like Tarkovsky said, art exists because this world is not perfect. Art would be useless if this world was perfect because we'd live in harmony instead of seeking it.
Of course Nolan considers himself by no means an artistic director, so you can only compare him with other Hollywood blockbuster directors like Michael Bay and James Cameron. By artistic standards, they are all terrible. By financial success, however, they are USA A+ rank.

The categorization a movie for thinkers is something that entered the minds of Inception-fans, wanting to believe that this movie somehow demands more thought process than Armageddon. While it is true that you can interpret the dream-levels, reality and the movie in general in various ways, it doesn't serve any higher purpose than relating them back to the film itself. It's similar to using plot-turn devices, the audience feel that they have to be aware and conscious to appreciate the movie, but ultimately it doesn't serve any other purpose than keeping the audience entertained. By the previous-to-Inception categorization, a movie for thinkers was not anything like that at all. A movie that 'made you think' was when you could openly relate it back to your reality, direction and purpose in life, without the movie judging or determining the audience. Hollywood blockbuster cinema is a clear polar opposite.
I'm taking whatever coverage I can get, because frankly, I'm busy working on this million dollar deal at my job. Early retirement is a good thing brotha man. - MessengerASL
government delta
Profile Joined March 2010
Germany96 Posts
Last Edited: 2010-11-11 14:19:26
November 11 2010 14:17 GMT
#766
On November 11 2010 23:10 Shockk wrote:

saying "Nolan failed as a director" simply is wrong.


do i really have to add IMHO to everything? ~_~ because you also dont do that here, so your arguments are looking as solid as mine so yeah we were actually on the exact same level, even if you wouldnt like that.
dude dont be a douchebag, everything i say is for my own peace of mind.

he just cant direct in my eyes, inception triggered me to boycott everything the guy has ever done and will ever do in film, yes i really felt like the movie is that bad and seeing so many positive reviews just made me have to say something
lulz isnt that understandable even if you like the fucking thing
»After crash-landing a commuter plane carrying an unassuming badminton team, the captain uses the situation to convince the team that their only hope of survival is cannibalism.«
kataa
Profile Blog Joined August 2010
United Kingdom384 Posts
Last Edited: 2010-11-11 14:43:06
November 11 2010 14:41 GMT
#767
On November 11 2010 23:16 Shauni wrote:
[

Inception is by no means an artistic movie. It was intended, directed and released toward the mainstream moviegoers - rendering all critical acclaim besides the ones marketing the movie useless. You can't compare cinema that was made for cash to cinema that is made to question our existence. Like Tarkovsky said, art exists because this world is not perfect. Art would be useless if this world was perfect because we'd live in harmony instead of seeking it.
Of course Nolan considers himself by no means an artistic director, so you can only compare him with other Hollywood blockbuster directors like Michael Bay and James Cameron. By artistic standards, they are all terrible. By financial success, however, they are USA A+ rank.



If you use target audience to define art you're basically going down a road which no philosopher of aesthetics will ever agree with, besides maybe some very arrogant french intellectuals. Target audience has nothing to do with whether or not it's art, however there are many other elements which contribute to a films target audience, but the intentionality of the artist has nothing to with defining art. Art (unless you're some totally crazy neo-Platonist) is obviously defined by context, public context.

I think there's a good argument to be made that Inception is not a particularly beautiful or artistically driven movie, in fact I almost vomited from it's bad acting and horrible plot several times during watching it. But this has nothing to do with Christopher Nolans intentions, there are completely idiotic directors that make awesome artistic movies. Take James Cameron's ex-wife, Kathyrn Bigelow. She intended to make a crappy Hollywood vampire film, that partly through her own genius and partly through luck turned into one of the most beautiful films I've ever seen.

What you rather have, a prentious, untalented director making a movie to "question our existence" or a brilliantly talented but greedy director that makes an incredible movie? Now, I'm a pretty big fan of indie cinema, but your argument basically means Francis Ford Coppla is a bad director.

Sorry, but no.
heishe
Profile Blog Joined June 2009
Germany2284 Posts
November 11 2010 14:42 GMT
#768
On November 11 2010 23:09 hmpstr wrote:
Show nested quote +
On November 11 2010 10:06 heishe wrote:
On November 11 2010 05:15 hmpstr wrote:

Thing that stands out the most is the way Ellen Pages' character suddenly is the god of the dreamworld and knows more about it than anyone else, and the viewer get no clues as to why this is.


statements like this pop up a lot. seems like the movie is really too hard to understand for some people.

i mean come on. she's the architect of the dreamworlds. she designed every single aspect of it. of course she knows them better than anyone. lol. i gets explained to you in a 5-10 minute sequence.


The fact that she learns to design the world itself does not in any way explain clearly why she suddenly knows more about the process and events in the dream world than even DiCaprios character, that has been doing this for years, including designing worlds himself.

I am not talking about her knowing the specific dreamwolrd that she created herself, its the fact that the rest of the people thats been doing the thing she does for years looks like amateurs compared to her.



I don't remember any such thing. Could you refer to specific scenes or something like that? I didn't get that impression at all.
If you value your soul, never look into the eye of a horse. Your soul will forever be lost in the void of the horse.
heishe
Profile Blog Joined June 2009
Germany2284 Posts
November 11 2010 14:44 GMT
#769
On November 11 2010 23:17 government delta wrote:
Show nested quote +
On November 11 2010 23:10 Shockk wrote:

saying "Nolan failed as a director" simply is wrong.


do i really have to add IMHO to everything? ~_~ because you also dont do that here, so your arguments are looking as solid as mine so yeah we were actually on the exact same level, even if you wouldnt like that.
dude dont be a douchebag, everything i say is for my own peace of mind.

he just cant direct in my eyes, inception triggered me to boycott everything the guy has ever done and will ever do in film, yes i really felt like the movie is that bad and seeing so many positive reviews just made me have to say something
lulz isnt that understandable even if you like the fucking thing


I'll ask again: What's your favorite movie and your favorite TV series? I'd really like to be enlighten what kind of movies you'd consider good, and what kind of plots and plot devices you find interesting if you think that Inception sucked so hard.
If you value your soul, never look into the eye of a horse. Your soul will forever be lost in the void of the horse.
BisuDagger
Profile Blog Joined October 2009
Bisutopia19240 Posts
November 11 2010 14:53 GMT
#770
Just saw winception! That was awesome!
ModeratorFormer Afreeca Starleague Caster: http://afreeca.tv/ASL2ENG2
eKe
Profile Joined September 2010
Canada60 Posts
November 11 2010 15:08 GMT
#771
Inception was a great movie but I dunno what, I expected more before seing it the first time. Some of my friends were like " OMG, it's The movie of the year blabla! "you know... but it was not bad.

I liked the story even if it's a bit redundant near the end. Anyway, the best thing about inception is the South park's episode about it " Insheeption " ^^
If you win, go train and if you lose... then go train harder!
Shauni
Profile Blog Joined July 2004
4077 Posts
Last Edited: 2010-11-11 15:14:16
November 11 2010 15:13 GMT
#772
On November 11 2010 23:41 kataa wrote:
Show nested quote +
On November 11 2010 23:16 Shauni wrote:
[

Inception is by no means an artistic movie. It was intended, directed and released toward the mainstream moviegoers - rendering all critical acclaim besides the ones marketing the movie useless. You can't compare cinema that was made for cash to cinema that is made to question our existence. Like Tarkovsky said, art exists because this world is not perfect. Art would be useless if this world was perfect because we'd live in harmony instead of seeking it.
Of course Nolan considers himself by no means an artistic director, so you can only compare him with other Hollywood blockbuster directors like Michael Bay and James Cameron. By artistic standards, they are all terrible. By financial success, however, they are USA A+ rank.



If you use target audience to define art you're basically going down a road which no philosopher of aesthetics will ever agree with, besides maybe some very arrogant french intellectuals. Target audience has nothing to do with whether or not it's art, however there are many other elements which contribute to a films target audience, but the intentionality of the artist has nothing to with defining art. Art (unless you're some totally crazy neo-Platonist) is obviously defined by context, public context.

I think there's a good argument to be made that Inception is not a particularly beautiful or artistically driven movie, in fact I almost vomited from it's bad acting and horrible plot several times during watching it. But this has nothing to do with Christopher Nolans intentions, there are completely idiotic directors that make awesome artistic movies. Take James Cameron's ex-wife, Kathyrn Bigelow. She intended to make a crappy Hollywood vampire film, that partly through her own genius and partly through luck turned into one of the most beautiful films I've ever seen.

What you rather have, a prentious, untalented director making a movie to "question our existence" or a brilliantly talented but greedy director that makes an incredible movie? Now, I'm a pretty big fan of indie cinema, but your argument basically means Francis Ford Coppla is a bad director.

Sorry, but no.


I don't use target audience to define art. I used it as an example to how corporate directors act, obviously they want as wide audience as possible, so there are certain... limitations in order to make a successful movie. If you want to make an artistic movie however, your own expression is more important than adapting to any audience. I don't see how you misinterpreted that from my post.
And your last question is absurd, I don't know why everybody believes artistic movies to be something pretentious and difficult to grasp just for the sake of it. They're often more realistic and raw than their mainstream counterparts.
Francis Ford Coppla? Haha, why do you bring him up? The only reason I like him is because he made the local inhabitants in Vietnam slaughter more animals in their rituals by importing them so that he could shoot some extra scenes for Apocalypse Now.
I'm taking whatever coverage I can get, because frankly, I'm busy working on this million dollar deal at my job. Early retirement is a good thing brotha man. - MessengerASL
Adeeler
Profile Blog Joined June 2009
United Kingdom764 Posts
November 11 2010 15:19 GMT
#773
The movie was decent but not 'epic' or anything.

The ending means that the guy will live out a lifetime of bliss then wake up young again so all in all a nice happy ending for the most part cos he will wake up next to his wife again.

Or he will wake up in an above layer of his mind and live that life out until he gets back to the top or goes into more dream layers which he seems unlikely to want to do.
kataa
Profile Blog Joined August 2010
United Kingdom384 Posts
Last Edited: 2010-11-11 15:57:10
November 11 2010 15:53 GMT
#774
On November 11 2010 23:16 Shauni wrote:
Inception is by no means an artistic movie. It was intended, directed and released toward the mainstream moviegoers

On November 12 2010 00:13 Shauni wrote:

I don't use target audience to define art.




Pretty sure you just did.

On November 12 2010 00:13 Shauni wrote:
And your last question is absurd, I don't know why everybody believes artistic movies to be something pretentious and difficult to grasp just for the sake of it. They're often more realistic and raw than their mainstream counterparts.
Francis Ford Coppla? Haha, why do you bring him up? The only reason I like him is because he made the local inhabitants in Vietnam slaughter more animals in their rituals by importing them so that he could shoot some extra scenes for Apocalypse Now.


I don't think artistic movies need to be pretentious, what I was saying is that if you follow your logic on the subject you'd quickly end up in a world where artistic movies had to be pretentious. Because art is no longer a definition of quality, but rather of the goal/intentions of the artist. No one disagrees that indie films tend to allow for more creative scope, but the force of your original argument, was that it's mainstream roots excluded any artistic content.

I don't see what is so special about "your own expression". If someone is a bad director I don't want their expression, no matter how tainted or untainted it may be by various commercial restraints. Dostoyevsky constantly tried to cater his books to make money, but none the less he's still one of the greatest authors in history. Coppla was greedy Hollywood director who still produced some amazingly raw films. I don't care whether or not he was in it for the money or 'his own expressions'.

Setev
Profile Blog Joined April 2010
Malaysia390 Posts
November 11 2010 15:56 GMT
#775
On November 11 2010 23:44 heishe wrote:
Show nested quote +
On November 11 2010 23:17 government delta wrote:
On November 11 2010 23:10 Shockk wrote:

saying "Nolan failed as a director" simply is wrong.


do i really have to add IMHO to everything? ~_~ because you also dont do that here, so your arguments are looking as solid as mine so yeah we were actually on the exact same level, even if you wouldnt like that.
dude dont be a douchebag, everything i say is for my own peace of mind.

he just cant direct in my eyes, inception triggered me to boycott everything the guy has ever done and will ever do in film, yes i really felt like the movie is that bad and seeing so many positive reviews just made me have to say something
lulz isnt that understandable even if you like the fucking thing


I'll ask again: What's your favorite movie and your favorite TV series? I'd really like to be enlighten what kind of movies you'd consider good, and what kind of plots and plot devices you find interesting if you think that Inception sucked so hard.


I just read his summary/review of Inception. I bet he didn't understand much of the plot. He wrote why Limbo is modelled after Cobb's impression, and proceeded to cuss and swear coz he couldn't get it. Its explained in the movie, that Limbo is modelled after the impression of the person in a group who had gone there before (which is Cobb only).

I can't help but notice that he had not answered to your challenge. I guess you got him scared..haha.
I'm the King Of Nerds
government delta
Profile Joined March 2010
Germany96 Posts
November 11 2010 16:07 GMT
#776
On November 12 2010 00:56 Setev wrote:


I just read his summary/review of Inception. I bet he didn't understand much of the plot. He wrote why Limbo is modelled after Cobb's impression, and proceeded to cuss and swear coz he couldn't get it. Its explained in the movie, that Limbo is modelled after the impression of the person in a group who had gone there before (which is Cobb only).

I can't help but notice that he had not answered to your challenge. I guess you got him scared..haha.


just because the movie tells you these facts does not make them automatically logical. i asked why was it modelled after dicaprio in the same sense as why the movie was centered around him and why he was the only character with a character, i found the whole story to be a big inconvenience.
»After crash-landing a commuter plane carrying an unassuming badminton team, the captain uses the situation to convince the team that their only hope of survival is cannibalism.«
Setev
Profile Blog Joined April 2010
Malaysia390 Posts
November 11 2010 16:25 GMT
#777
On November 12 2010 01:07 government delta wrote:
Show nested quote +
On November 12 2010 00:56 Setev wrote:


I just read his summary/review of Inception. I bet he didn't understand much of the plot. He wrote why Limbo is modelled after Cobb's impression, and proceeded to cuss and swear coz he couldn't get it. Its explained in the movie, that Limbo is modelled after the impression of the person in a group who had gone there before (which is Cobb only).

I can't help but notice that he had not answered to your challenge. I guess you got him scared..haha.


just because the movie tells you these facts does not make them automatically logical. i asked why was it modelled after dicaprio in the same sense as why the movie was centered around him and why he was the only character with a character, i found the whole story to be a big inconvenience.


Hmm yeah you are right in this aspect. However this is the concept the movie presents to us. If you want to argue logic, then I find that the whole idea of entering someone's dream is totally illogical and is total BS. Its just a movie that explores a SF concept, just like the Stargate franchise, Star Wars franchise, and BSG.

Also, your question seems to be in the vein of someone asking why Titanic seems to be about Jack and Rose's love affair? Its just the movie plot. Try to enjoy it.

I'm the King Of Nerds
Shauni
Profile Blog Joined July 2004
4077 Posts
November 11 2010 16:51 GMT
#778
On November 12 2010 00:53 kataa wrote:
Show nested quote +
On November 11 2010 23:16 Shauni wrote:
Inception is by no means an artistic movie. It was intended, directed and released toward the mainstream moviegoers

Show nested quote +
On November 12 2010 00:13 Shauni wrote:

I don't use target audience to define art.




Pretty sure you just did.

Show nested quote +
On November 12 2010 00:13 Shauni wrote:
And your last question is absurd, I don't know why everybody believes artistic movies to be something pretentious and difficult to grasp just for the sake of it. They're often more realistic and raw than their mainstream counterparts.
Francis Ford Coppla? Haha, why do you bring him up? The only reason I like him is because he made the local inhabitants in Vietnam slaughter more animals in their rituals by importing them so that he could shoot some extra scenes for Apocalypse Now.


I don't think artistic movies need to be pretentious, what I was saying is that if you follow your logic on the subject you'd quickly end up in a world where artistic movies had to be pretentious. Because art is no longer a definition of quality, but rather of the goal/intentions of the artist. No one disagrees that indie films tend to allow for more creative scope, but the force of your original argument, was that it's mainstream roots excluded any artistic content.

I don't see what is so special about "your own expression". If someone is a bad director I don't want their expression, no matter how tainted or untainted it may be by various commercial restraints. Dostoyevsky constantly tried to cater his books to make money, but none the less he's still one of the greatest authors in history. Coppla was greedy Hollywood director who still produced some amazingly raw films. I don't care whether or not he was in it for the money or 'his own expressions'.





I don't think this is the right place to argue what is determined artistic or not, and whether or not greed is choking the creative lust. But I don't see why you are insisting with Coppola, obviously he made some good movies in the 70's, but his early works were his best which is also true for most Hollywood directors. After becoming comfortably rich, they lose their spark which in turn leads to less enthusiastic, less creative, less artistic movies. I don't think that mainstream movies can't have any 'artistic roots', I'm just saying it isn't necessary, and it certainly isn't appealing to the viewers. The larger a movie gets, the more marketing it will receive, the more financial and political responsibility comes with it - various sponsors, ads in movie and whatnot.

A mainstream movie is forced to choose audience (often very wide), independent films doesn't have that pressure at all. Which is what I meant by the quote above. The way it seemed implied that artistic movies are directed away from mainstream was just a mistake on my part.

I don't know whether or not money was Dostoyevsky's only purpose with writing, but I'm slightly skeptical. In any case, I never meant that you couldn't produce good art if you were greedy.
I just believe that the two should not be mixed, the modern film industry is a good example of how artistic expression in the medium of cinema went terribly wrong, fans citing box office success to reinforce their opinion of a movie is just disgusting.
I'm taking whatever coverage I can get, because frankly, I'm busy working on this million dollar deal at my job. Early retirement is a good thing brotha man. - MessengerASL
SleepSheep
Profile Blog Joined December 2009
Canada344 Posts
November 11 2010 19:57 GMT
#779
On November 11 2010 23:10 Shockk wrote:
Show nested quote +
On November 11 2010 23:01 SleepSheep wrote:
On November 11 2010 22:57 Shockk wrote:
On November 11 2010 22:43 SleepSheep wrote:
... i find this statement of yours as well as shocks, laughable, disturbing, and nauseating. i don't mean this offensively, i say it respectfully, i'm just still surprised when i hear statements like this and i'm trying to make where i'm coming from as clear as possible.

i think this part sums it up perfectly:
"a real argument based on objective criterias (commercial success, critical acclaim)--"


Since we're discussing about a meta-discussion sparked by a troll, I'll try to cut it short:

If you'd read my post you'd have noticed that I never claimed that Nolan's movies were great pieces of art because they're successful or regarded as good by others. I like the movies because I enjoyed them, liked the ideas, settings, the plots etc. I actually didn't mention the word "art" a single time.

I only came up with financial success and critical acclaim as a means to judge movies because our aforementioned troll judged the movies only in relation to his personal taste, which is just as bad a method of rating art. Saying "I don't like this, thus it's bad art" is just as wrong as claiming "Many people like it, so ist must be good art".


yeah, i know you didn't call it art. but the issue still remains.


Dude, which issue?

Noone here actually did what you said; neither I nor the folks who agree with me judged movies based on money made or other's opinions.

All we did was argue with a troll and his method of judging the movie. In the process of doing so, we delivered several examples of why saying "Nolan failed as a director" simply is wrong.

Not once - i repeat, not once - did anyone here on the last page, except our overzealous troll, actually judge art in a dubious way.


yeah, i understand what you're saying. the fact that movies are said to be good movies because they are entertaining which can be evidenced by their profit margins is what i take issue with. to say that they are entertaining is to imply that they are good on some level which is fine in and of itself but within this context it is also to imply that there is nothing wrong with the mechanisms which put these movies in play as well as what these movies do on a massive level. so i was critiquing the very way that we talk about these movies which we do without feeling disturbed or angered.
hmpstr
Profile Joined May 2010
Norway11 Posts
November 11 2010 19:57 GMT
#780
@Heishe

Havent watched it since it came out, so I can't really do that, but that is a strong impresssion I got, and how I felt about it at the time, and not gonna watch it again to refer to scenes ^^
If you could reason with religious people, there would be no religious people
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