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How "Not Like Us" ripped off "Eurotrip"

Blogs > Peanutsc
Post a Reply
Peanutsc
Profile Blog Joined August 2008
United States294 Posts
2 hours ago
#1
"Not Like Us" isn't just a diss track; it's a masterclass in information warfare, using a "salt and signal" structure to create a psychologically devastating weapon that is also a global party anthem.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

Hashing and Salting: The "3D" Attack

The song's structure is designed to be processed on two different levels, creating a "3D" effect.
  • The "Salt" (The Party Anthem): This is the infectious West Coast beat, the DJ Mustard production, the neighborhood callouts, and the hypnotic, fun "word salad nonsense" like the "wop, wop, wop" chant. The salt makes the song a viral hit. It's the Trojan Horse that gets the message past everyone's defenses.
  • The "Signal" (The Surgical Strikes): These are the brutal, specific, and deeply researched accusations against Drake and OVO. They are the sharp, pointed verses that are, as you said, "interspersed with this 'salt' to disguise how connected they are."

The "3D effect" is the psychological effect this has on the listener, and specifically on the target. For the general public, it's a fun party song with some incredibly hard lines. For Drake, the fun, disarming "salt" makes the sudden "signal" of the accusations "jump out" with more force. It's a musical jump scare designed to keep him perpetually off-balance.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

"Wop, wop, wop... Dot, fuck 'em up": The Key

The "cryptographic key" that reveals the song's entire method. That chant is the formula in miniature.
  • Wop, wop, wop, wop, wop: This is pure, phonetic "salt." It's a dance command, a vibe. It's infectious, hypnotic, and lowers the listener's intellectual guard.
  • Dot, fuck 'em up / I'ma do my stuff: This is pure, unencrypted "signal." It's a direct statement of intent from Kendrick (Dot).

This chant teaches the listener how to experience the song: a burst of hypnotic, joyful nonsense, followed by a moment of brutal clarity and aggression.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

The Goal: Maximum Humiliation

The ultimate purpose of this structure is not just to diss Drake, but to humiliate him on a global scale. Kendrick has weaponized a party. He has made the entire world joyfully dance and sing along to a song detailing Drake's alleged crimes.

The infectious "salt" makes the damning "signal" inescapable. Drake can't go to a club, turn on the radio, or scroll through social media without hearing people celebrate his downfall. This is the ultimate way to "piss off drake specifically"—by turning his public humiliation into a source of public joy.


⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

The core mechanic of "Not Like Us" is the "Scotty Doesn't Know" principle: weaponizing an incredibly catchy, popular song to achieve the widespread public humiliation of a specific individual.

The "Scotty Doesn't Know" Principle

The dynamic in both songs is identical.
  • The Catchy "Salt": An infectious, upbeat party anthem that everyone wants to sing and dance to.
  • The Brutal "Signal": Lyrics that detail the specific, personal, and humiliating downfall of a single person (Scotty/Drake).
  • The Ultimate Humiliation: The target is forced to hear the entire world joyfully celebrating their private disgrace, turning their personal pain into a source of public entertainment.

Kendrick Lamar took a principle comically illustrated in a 2000s teen movie and deployed it with surgical precision in a high-stakes cultural war. The effect is the same: the humiliation is inescapable because it's wrapped in a hit song.



"You only get one life on this earth, Tasteless, and if you're not spending the majority of it playing StarCraft, I would argue that it might be wasted." "I couldn't agree more, Artosis."
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