I'm only three chapters in right now, but it is really good so far, I like

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ShaLLoW[baY]
Canada12499 Posts
On February 25 2010 17:19 Xenocide_Knight wrote: Show nested quote + On February 25 2010 08:04 Osmoses wrote: If anyone wanna read Uzumaki, and everyone definitely should, the whole series is available here. Freakiest manga I ever read. omg i just finished this soo good I'm only three chapters in right now, but it is really good so far, I like ![]() | ||
Zexion
Sweden971 Posts
I think it's the same creator(s?) to "Salad Fingers" which is also very creepy... | ||
ShaLLoW[baY]
Canada12499 Posts
On February 26 2010 03:37 ShaLLoW[baY] wrote: Show nested quote + On February 25 2010 17:19 Xenocide_Knight wrote: On February 25 2010 08:04 Osmoses wrote: If anyone wanna read Uzumaki, and everyone definitely should, the whole series is available here. Freakiest manga I ever read. omg i just finished this soo good I'm only three chapters in right now, but it is really good so far, I like ![]() Update, this shit is weeeeird as fuck, but strangely addicting, on to chapter 12 ![]() | ||
stiga
United States377 Posts
Ok this is completely true, it happened to me at the movies. I worked at this movie theater called AMC theaters. I was working in the film booth and theres about 20 film projectors I have to manage, 10 on one side, and 10 on the other. Apparently number 20 is haunted I was told when i started blah blah. So one night i was working the side with 10-20. I was waiting for 20's movie to finish so I could rethread the film and just press start when it was ready to go again. And which I was waiting I was sitting by the projection box at theater 19 watching whatever movie was playing. You can listen to the movie if you just turn a nob and you can hear it. 20s movie ended and I turned off the volume on 19 and went to 20 to start to thread the film through the machine to start it over again. And while I was doing it I heard the volume again on 19. I went over to 19 because I heard it going and was thinking wtf why is this on, and the nob was turned up, and when i looked in the window where the projector was pointing out, I saw a reflection of an old man, with a blueish tint. I looked behind me and saw nothing there, looked back at the window and it was gone. I proceeded to shit my pants and I ran over to the girl who was working on theaters 1-9 and told her what happened. Thats about it but I stopped working in the film room after that haha | ||
DoctorHelvetica
United States15034 Posts
On February 26 2010 03:15 kidd wrote: I really don't get the "There is Nothing" video. In fact when I watch it I seriously can't help but to start laughing so hard at when her head falls into the soup. Maybe that is the scariest part of the video to me in that I can't stop laughing for like a few minutes after watching it. Can anyone explain to me why it is actually scary. I read the other website attached to it but I still don't really get it. P.S. did anyone else laugh really hard like I did? It usually either really creeps people out or has no effect on them. | ||
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lilsusie
3861 Posts
On February 26 2010 03:37 ShaLLoW[baY] wrote: Show nested quote + On February 25 2010 17:19 Xenocide_Knight wrote: On February 25 2010 08:04 Osmoses wrote: If anyone wanna read Uzumaki, and everyone definitely should, the whole series is available here. Freakiest manga I ever read. omg i just finished this soo good I'm only three chapters in right now, but it is really good so far, I like ![]() Loving it!! I am totally craving more and more creepy stories/manga/etc - keep em coming ![]() | ||
ShaLLoW[baY]
Canada12499 Posts
On February 26 2010 11:32 lilsusie wrote: Show nested quote + On February 26 2010 03:37 ShaLLoW[baY] wrote: On February 25 2010 17:19 Xenocide_Knight wrote: On February 25 2010 08:04 Osmoses wrote: If anyone wanna read Uzumaki, and everyone definitely should, the whole series is available here. Freakiest manga I ever read. omg i just finished this soo good I'm only three chapters in right now, but it is really good so far, I like ![]() Loving it!! I am totally craving more and more creepy stories/manga/etc - keep em coming ![]() I don't remember which chapter number it was, but the one titled "Umbilical Cord"...creepy shit. Probably my favorite out of all of them, just because it was fucking weeeird. | ||
NrG.NeverExpo
Canada2114 Posts
On February 26 2010 05:18 Zexion wrote: I think it's the same creator(s?) to "Salad Fingers" which is also very creepy... Yea David Firth has some pretty fucked up stuff, but its kinda different. Most of his stories are derived from his own dreams I believe. I dunno what would make some one dream like this though.. | ||
Last.Midnight
Australia903 Posts
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ShaLLoW[baY]
Canada12499 Posts
On February 26 2010 16:21 Last.Midnight wrote: http://www.newgrounds.com/portal/view/189227 this series is pretty cool. have to pay for 3 but 1 and 2 are decent. ...I JUST found these games and came to link them. Seriously. Well played, sir. | ||
Last.Midnight
Australia903 Posts
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DrGabriel
United States80 Posts
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Osmoses
Sweden5302 Posts
On February 26 2010 11:32 lilsusie wrote: Show nested quote + On February 26 2010 03:37 ShaLLoW[baY] wrote: On February 25 2010 17:19 Xenocide_Knight wrote: On February 25 2010 08:04 Osmoses wrote: If anyone wanna read Uzumaki, and everyone definitely should, the whole series is available here. Freakiest manga I ever read. omg i just finished this soo good I'm only three chapters in right now, but it is really good so far, I like ![]() Loving it!! I am totally craving more and more creepy stories/manga/etc - keep em coming ![]() Junji Ito is the man, Uzumaki actually got made into a movie I think. Among his other works are, for example, Gyo. But most of his best stuff seems to be stand-alone short stories. | ||
ShaLLoW[baY]
Canada12499 Posts
+ Show Spoiler + I was adopted. I never knew my real mother; rather, I knew her at one time but I left her side when I was too little to be able to remember. I loved my adopted family though. They were so kind to me. I ate well, I lived in a warm and comfortable house, and I got to stay up pretty late. Let me tell you about my family real fast: First, there’s my mother. I never called her Mom or anything like that; I just called her by her first name. Janice. She didn’t mind at all though. I called her that for so long, I don’t think she even noticed. Anyhow, she was a very kind woman. I think that she is the one who recommended my adoption in the first place. Sometimes I would lay my head against her in front of the television and she would tickle my back with her nails. She is one of those Hollywood mothers. Second, there’s Dad. His real name was Richard, but he never really liked me much so I began to refer to him as Dad in a desperate attempt to gain his affection. It didn’t work. I think that no matter what I called him, he would never love me as much as his own child. That’s understandable so I really didn’t press the matter. The most notable attribute of Dad was his unmoving sternness. He was not afraid to pop his children when they did something wrong. I found that out before I could use the restroom properly. He didn’t hesitate to spank me. Well, I’m in line and it’s because of his methods. Lastly, is my sister. Little Emily was really young when I was adopted, so we were about the same age, but she was slightly older. I liked to think of her as my little sister, though. We got along better than any sibling could possibly get along. We would always stay up late together and just talk. Well, she did a lot of the talking; I mostly just listened because I loved her. It was a great setup that we had! We were short on bedrooms, so- because I didn’t want to sleep in the living room by myself when I was littler- I had a pallet set up for me next to her bed on the floor. This is where I have slept since. But it was cool with me because I enjoyed being with her and I had always felt pretty protective of my little sis. Everything changed on a horrible Wednesday night. I was at home taking a nap when little Emily opened the front door. The sound of the door opening pulled me to a state of consciousness and I walked from the room down the hall to the living room. That’s when I first remembered it was Wednesday. I was never any good at keeping track of what day it was. Actually I’ll just go ahead and say it: My sense of time was HORRIBLE! But nevertheless, I knew it was Wednesday because Emily had just come home from her Church’s youth group gathering. She walked in the front door and hugged me, and then was followed in by Dad and Janice. “You have a good nap?” Janice said teasingly as she ruffled up my hair. I just shook my head away and snorted in a manner that clearly expressed that I was teasing back with her. “Don’t you snort at your mother like that!” said my father gruffly with authority. He shut the door behind him and hung up his coat. “I was clearly joking…” I growled under my breath. He must not have heard me because I didn’t feel him smack me. Emily then proceeded to our room and I followed. She started telling me about her day. You know… usual teenage girl stuff. But I listened so that she would feel better. After her summary she suggested watching TV and I obliged and jumped onto the couch as she was going for the remote. She rolled her eyes at my little-brother-like immaturity and scooted me over and sat down. The TV turned on and we watched it together until the sun went down. Emily was the kind of girl that- instead of watching cartoons and soap operas- would rather watch Discovery and Animal Planet and Natural Geographic. I like those too so I didn’t mind. Actually, those were the only channels that can hold my attention. So it got late and Janice walked up behind the sofa. “Emily it’s past your bed time. Turn off the television and go to your room. You too.” she pointed at me. Emily turned off the program we were watching grudgingly and stood up. She started down the hallway to our room. As I followed I couldn’t shake the feeling that something wasn’t right. We went into our room and Emily turned off the light. Just as she did, I caught a flash of movement out of the corner of my eye. It was out the window, but as soon as I redirected my line of sight to where the window was no longer in my peripheral vision, what it was that I thought I saw was gone. I still remained alert. For my sister’s sake. I laid there in the darkness with nothing but the thin ray of light from the street lamp outside to illuminate the room. It wasn’t much. Time and time again I could have sworn that I heard subtle sounds just out the window… a twig break, leaves crunching, clothes jostling. And all the while I could smell a faint stench of sweat and blood. I kept my eyes open most of the night. The sounds outside subsided and the smell left my nose. I began to feel at ease. My eyelids closed. Not long after that, I heard a very loud crash on the other side of the house. I was up in an instant. “THERE’S SOMEONE IN THE HOUSE!” I barked with extreme adrenaline coursing through me. “Wake up!” I shrilly pleaded with Emily. She did, and as soon as I saw her sit up I ran to my parent’s room… Dad was dead. His neck was splayed open and gaping as blood spilled out of it, off the bed, and onto the floor. I saw that the master bathroom’s door was closed and just before it- on the outside- was a man. A man… I don’t feel comfortable calling it that. He was very large and rugged. He turned around and saw me and that’s when I saw him accurately for the first time. I wont forget it. His eyes were large and beady and trapped with lust. He was styling a beard that was badly unkempt with blood dripping off. His clothes were dirty and his face was cold. Just then I noticed the same horrid smell of sweat and blood from earlier, but this time it was overwhelming. He saw me. He saw me and grinned with a set of crooked yellow teeth. That smile threw me off. I thought that I was going to die, but then he turned back to the bathroom door completely unperturbed by my presence. I was terrified and didn’t no what to do. I just yelled and cried. I watched as he shouldered through door that was Mom’s only protection. I watched as he raised the large razor that he was carrying, but had obviously neglected to use properly. I watched as he sliced her open and tore her to shreds… I then heard something; the last thing that I wanted to hear… It was Emily’s scream coming from behind me. The large monstrosity looked up from my butchered mother and stared at my little sister. I was distraught. He stood up and quickly started walking toward us. My sis turned and ran, and I was at a loss when he bypassed me and went straight after her. Why was she still in the house? Had she not assessed the situation and run? Apparently not, and now she was dead and I was alone. I ran after them both. I expected the man to kill her as he had the rest of my family, but I was sadly mistaken. He grabbed her by the arm and jerked her as a way to make clear that he was in control. He dragged her through the house… I was making all of the noise I could now, hoping and praying that someone would come to my aid. He mustn’t take her. Not her. As he passed me I backed against the wall and whimpered with terror, “Why?” He didn’t respond except by putting his free hand on my head while Emily screamed in the other and saying “Good boy.” He gave another crooked grin and a very cold, unnatural laugh. I followed him to the door where he dragged my helpless sister after him. He opened it, pulled her out, and slammed it shut behind him. I am now sitting in the house with my mutilated adopted parents, shivering and whimpering with dismay. He’s out there with her. Doing who-knows-what to her, and I can’t do anything. I would if I could, but I can’t. I would chase after them in a heartbeat, but I can’t. I sit here, looking at the front door. I look down at my paws. If only I could open doors… This one was crazy good! | ||
pokeyAA
United States936 Posts
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ShaLLoW[baY]
Canada12499 Posts
http://www.ichorfalls.com/category/horror/ I'm kinda passionate about this stuff, as you can probably tell. | ||
ShaLLoW[baY]
Canada12499 Posts
The following story was taken from http://www.ichorfalls.com/2009/01/09/osd09-h03/ OSD09-H03 by Kris Straub + Show Spoiler + “How — what — what kind of foods do they have?” Four independent subroutines went to work analyzing the phrase uttered by the four-year-old: expression context, voice recognition, tone analysis, body language. Tone analysis needed to be the fastest, and luckily it was also the simplest. No quavering or whining detected. Had it been, the other subroutines would have been directed to stop, and control would be given over to an array of prewritten comfort dialogues. Expression context came next. Eye contact from the child was only occasional. The image analysis package, in concert with the body language and expression routines, determined that the child, a fair-haired boy, was occupied by something below frame. The RFID scan identified it as a toy train, one of twelve toys in the room. The dialogue routine was updated with the name of the object, potentially to be used later if the child remained silent for a specified amount of time (”Hey, is that a toy train you’ve got there?”). Voice recognition had been dissecting the phrase all this time. Tone analysis supported the conclusion that the child had asked a question. ??t k?’??d? fudz’ du ðe? hæv ? “Food” triggered a subarray of typical questions, and once the substrings “kind of” and “they” had been identified and routed through the context and grammar parsers, it was a simple matter to locate the most likely question being asked. The response set, indexed by question, was accessed and syllabically divided for the vocal synthesis package. Then, poring over a hash table of pre-identified lingual structures of the child’s father, the synthesizer generated an audio file by conflating the two data streams. The file is equalized to include a bassy subaudio component at 180 Hz, creating a comforting, warm “in-room” effect that mimics the tone heard by the child with their head upon the father’s chest. Meanwhile, a 1280×700 image of the father, taken years ago when he was first deployed, is overlayed onto a digital model (from the neck up only — originally the Department of Defense had planned to include hands so the model could gesture, but this was abandoned early due to overcomplexity). The resulting hybrid passes through a series of basic lingual configurations (augmented with syllable-stress-driven head movements) and converted into a number of keyframes. These individual frames can be presented directly on the viewing screen, synchronized to the audio file. A series of static-simulating filters create “webcam believability” and reduce Morian “uncanny valley” effects, which children have been shown to be particularly sensitive to. Once it was understood that they want to believe, the goal became to give them less visual fidelity, not more. “They give us all kinds of foods here to keep us healthy. Lots of things like vegetables, steak, chicken. Even some of your favorites like pizza. You like pizza, huh, buddy?” The microphone registers no audio response, but expression context identifies upturned corners of the mouth and squinting eyes. “I miss you, daddy.” A timer preset with a value of five minutes plus or minus anywhere from zero to thirty seconds reaches zero. A half-dozen randomly-selected dialogue trees are deallocated from memory. “I miss you too, Josh. I’m coming home real soon, okay? Daddy has to go now. Be a good boy, okay? I love you. I love you.” Somewhere in the room, a hard drive whirs. My interpretation: + Show Spoiler + It's pretty clear to me that it's a simulation of a military member who's on deployment. The links in the comments found at the source site lead to an article mentioning some project of the sort, which was obviously the inspiration. Stuff like this is particularly striking to me, I guess because of the fact that I'm in the military. I'm not exactly a combat veteran with the thousand-yard stare, but the idea of being killed/imprisoned/whatever on deployment is a pretty harsh reality, and I'd hate to face that one day. I have to say though, this story had a much stronger emotional effect on me than any of the others I've read recently. Something about the child, how it seems like he knows something is up but doesn't want to believe it. | ||
KasPra
Estonia983 Posts
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NiGoL
1868 Posts
btw "snuff film" look at August Underground if u want to feel somewhat called a snuff film, yes its a fake one but still very sick, and oh well SICK. even on imdb.com they say its the most sick movie ever made. http://www.imdb.com/title/tt0412467/ take a peek. | ||
3clipse
Canada2555 Posts
On February 27 2010 05:29 ShaLLoW[baY] wrote: The following story was taken from http://www.ichorfalls.com/2009/01/09/osd09-h03/ OSD09-H03 by Kris Straub + Show Spoiler + “How — what — what kind of foods do they have?” Four independent subroutines went to work analyzing the phrase uttered by the four-year-old: expression context, voice recognition, tone analysis, body language. Tone analysis needed to be the fastest, and luckily it was also the simplest. No quavering or whining detected. Had it been, the other subroutines would have been directed to stop, and control would be given over to an array of prewritten comfort dialogues. Expression context came next. Eye contact from the child was only occasional. The image analysis package, in concert with the body language and expression routines, determined that the child, a fair-haired boy, was occupied by something below frame. The RFID scan identified it as a toy train, one of twelve toys in the room. The dialogue routine was updated with the name of the object, potentially to be used later if the child remained silent for a specified amount of time (”Hey, is that a toy train you’ve got there?”). Voice recognition had been dissecting the phrase all this time. Tone analysis supported the conclusion that the child had asked a question. ??t k?’??d? fudz’ du ðe? hæv ? “Food” triggered a subarray of typical questions, and once the substrings “kind of” and “they” had been identified and routed through the context and grammar parsers, it was a simple matter to locate the most likely question being asked. The response set, indexed by question, was accessed and syllabically divided for the vocal synthesis package. Then, poring over a hash table of pre-identified lingual structures of the child’s father, the synthesizer generated an audio file by conflating the two data streams. The file is equalized to include a bassy subaudio component at 180 Hz, creating a comforting, warm “in-room” effect that mimics the tone heard by the child with their head upon the father’s chest. Meanwhile, a 1280×700 image of the father, taken years ago when he was first deployed, is overlayed onto a digital model (from the neck up only — originally the Department of Defense had planned to include hands so the model could gesture, but this was abandoned early due to overcomplexity). The resulting hybrid passes through a series of basic lingual configurations (augmented with syllable-stress-driven head movements) and converted into a number of keyframes. These individual frames can be presented directly on the viewing screen, synchronized to the audio file. A series of static-simulating filters create “webcam believability” and reduce Morian “uncanny valley” effects, which children have been shown to be particularly sensitive to. Once it was understood that they want to believe, the goal became to give them less visual fidelity, not more. “They give us all kinds of foods here to keep us healthy. Lots of things like vegetables, steak, chicken. Even some of your favorites like pizza. You like pizza, huh, buddy?” The microphone registers no audio response, but expression context identifies upturned corners of the mouth and squinting eyes. “I miss you, daddy.” A timer preset with a value of five minutes plus or minus anywhere from zero to thirty seconds reaches zero. A half-dozen randomly-selected dialogue trees are deallocated from memory. “I miss you too, Josh. I’m coming home real soon, okay? Daddy has to go now. Be a good boy, okay? I love you. I love you.” Somewhere in the room, a hard drive whirs. I think it's natural to be disturbed on some level by the increasing accuracy of artificial mechanisms to mimic human appearance and behaviors. They even make direct reference to it with the "uncanny valley" comment. When we can no longer trust ourselves to be able to accurately evaluate what is and what is not human, we lose one of the most primary aspects of perception we've evolved to understand. Like almost every fear, it comes down to a fear of the unknown. It's also an assault on human identity. If inanimate objects or processes are capable of mimicking our thought processes and emotions, how do we truly differ? In terms of our organic flesh, most of which could (presumably, in the future) just as easily be reproduced in a laboratory through stem cells? What then allows us to rationalize the concept of a soul? What even allows us to rationalize human rights? Pretty terrifying implications, especially considering that the creation or artificial intelligences and life are basically an inevitability. | ||
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