>still subscribing to the "Tolkien is bad" meme
The brainwashing runs deep
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Carnivorous Sheep
Baa?21242 Posts
>still subscribing to the "Tolkien is bad" meme The brainwashing runs deep | ||
Manit0u
Poland17203 Posts
On July 23 2015 05:18 Carnivorous Sheep wrote: >2015 >still subscribing to the "Tolkien is bad" meme The brainwashing runs deep My distate for JRRT started long before any meme hit the Internet (before I had Internet at home) and no one would waste precious bandwidth on a meme with their 14.4kbps modem. Anyway, I've never said it's bad. It just isn't as good as some other things out there. I'm really having a hard time trying to find one fantasy book that would really blow me away - there's plenty of jawdropping sci-fi but fantasy? Not so much. Just recently I've asked myself a question of what is the best fantasy book and I'm not really sure. Perhaps the Earthsea saga by Le Guin? I remember that Edding's Tamuli trilogy also left a deep impression on me, but it was long time ago and I didn't get a chance to re-read it since so I can't be sure. JRRT is just incredibly boring with his lengthy passages of world description that are interesting the first time through but don't really help the plot that much. The characters are rather bland and one-dimensional, the suspense just isn't there since it's pretty obvious who the bad guys are etc. etc. It's a fine piece of literature but I wouldn't jump on the "JRRT is the shit" bandwagon now. I've simply read better things and his works have steadily went down the awesome ladder over the years. | ||
farvacola
United States18819 Posts
You're making a number of arguments in absentia, i.e. claiming that something is "bad" without actually offering forth an accompanying criteria or metric. In a nutshell, 1) you think sci fi is better, 2) that name dropping le Guin and Edding is a worthwhile tactic, 3) that Tolkien's "lengthy passages of world description" are "incredibly boring," 4) that "[t]he characters are bland and one-dimensional," 5) that the fairly clear delineation between good and evil robs Tolkien's work of suspense, and 6) that you have "simply read better things." 1. This one speaks for itself; you clearly have a soft spot for the genre stylizations of sci-fi given your lack of excitement while reading fantasy. This ought to indicate to you that perhaps the fantasy genre itself is a better target for your criticisms, though you'd have to give your words a bit more teeth should that be the case. 2. Why don't you tell us a bit about why those two series of novels pop out to you among other works of fantasy? To be frank, I find the Earthsea books boring, childish, and far more one dimensional than anything Tolkien wrote, save for maybe the Hobbit. le Guin herself wrote the books after being prompted to write fantasy for "older kids" and practically every single character in her works can be boiled down into a single phrase or concept, i.e. Aihal- old, wise, quiet mage dude, Ged- cannot fail, protagonist mage dude who progresses like every single protagonist in every novel ever, and so on. So, if you're going to go down the road of suggesting that what amounts to le Guin's homage to LOTR is actually better than LOTR, you're going to have to do more than point. 3. This begs some interesting questions insofar as genre studies is concerned. There is no doubting that Tolkien's works are full to the brim with lengthy setting descriptions and world-building, and clearly this does not appeal to you. But, who is to say that this is not a strength of the works instead of a weakness? Tolkien's penchant for geography and environmental description is something I and many other fans adore, and it was Tolkien's style in this area that would go on to form a cornerstone of practically every single work of fantasy that would follow. Again, maybe you should just stick to sci-fi? 4. Archetypal characterizations revolve around the archetype existing in the first place, and it is not exactly controversial to suggest that many works of fantasy deliberately de-emphasize characterization in favor of world-building, allegory, and large-scale narrative stabilization. Accordingly, to poke fun at the admittedly stilted nature of many of Tolkien's characters is to miss the forest for the trees and take issue with what clearly seems to be a genre feature rather than a uniquely Tolkien literary decision. Furthermore, there is a discussion to be had in terms of foundational literature and how criticisms of works that form the basis for an entire movement in narrative decision-making should take such things into account. Lastly, and maybe you missed this, but Tolkien deliberately keeps the majority of his characters static so that the fluid ones stick out. I'll let you guess which race these fluid characters tend to be ![]() 5. See 4; the same criticisms apply here. Fantasy oftentimes deliberately makes the moral dimensions easy and clear so that the allegorical value of the narrative is more easily communicated. Unrealistic moral signposting is a great way to say something about the real world, you just have to look a little deeper, I think. 6. This one speaks for itself as well. In sum, I think you just don't like fantasy ![]() | ||
dmnum
Brazil6910 Posts
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IgnE
United States7681 Posts
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IgnE
United States7681 Posts
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dmnum
Brazil6910 Posts
On July 23 2015 09:15 IgnE wrote: I just finished Anna Karenina and it is my clear favorite as far as novels go. one of us | ||
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Flicky
England2657 Posts
On July 20 2015 05:18 jtype wrote: Show nested quote + On July 19 2015 20:51 Flicky wrote: Zorba the Greek killed books for me for a long time. In what sense did it kill books for you? As in, it was so good, nothing compared to it? Or so bad that you lost your enjoyment? Personally, I got about a third of the way into it and lost interest. I hardly ever put books down. Ever. I'm quite stubborn about finishing them, but Zorba the Greek just didn't engage me at all, and I had a lot of other stuff that I really wanted to read instead. Does it drastically change/improve from there? It and Lolita were (for different reasons) so wonderful to me that I didn't get that kind of emotional response out of books for a while. If you didn't like it in the first third, I'm not sure there's any real change that would turn that opinion around. Normally I stop at page 100ish of a book then stop reading for a few months, go back and love it. Maybe give it a year or something and come back to it. I have only left two books unread and one of them I gave up on 50 pages from the end so I we're in a similar boat there. Regarding the Sanderson stuff - Thanks for the advice. I did get a real young-adult feel from the book, that's a good way of explaining it. There's not a whole lot of depth to anyone or anything, especially in comparison to other books. I'm not certain on if I'll try another, but if I do it'll be the Stormlight Archives. Name of the Wind has been a great read so far. I was a little put off by the rather generic story, but once it got going I've been enjoying it it too much to care. | ||
corumjhaelen
France6884 Posts
On July 23 2015 09:38 dmnum wrote: Show nested quote + On July 23 2015 09:15 IgnE wrote: I just finished Anna Karenina and it is my clear favorite as far as novels go. one of us Word <3 | ||
Surth
Germany456 Posts
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Manit0u
Poland17203 Posts
On July 23 2015 08:16 farvacola wrote: As a threshold matter, it is probably best to refrain from claiming that you hated Tolkien before the meme took off, as that sort of reasoning is exactly what the meme addresses. You're making a number of arguments in absentia, i.e. claiming that something is "bad" without actually offering forth an accompanying criteria or metric. In a nutshell, 1) you think sci fi is better, 2) that name dropping le Guin and Edding is a worthwhile tactic, 3) that Tolkien's "lengthy passages of world description" are "incredibly boring," 4) that "[t]he characters are bland and one-dimensional," 5) that the fairly clear delineation between good and evil robs Tolkien's work of suspense, and 6) that you have "simply read better things." 1. This one speaks for itself; you clearly have a soft spot for the genre stylizations of sci-fi given your lack of excitement while reading fantasy. This ought to indicate to you that perhaps the fantasy genre itself is a better target for your criticisms, though you'd have to give your words a bit more teeth should that be the case. 2. Why don't you tell us a bit about why those two series of novels pop out to you among other works of fantasy? To be frank, I find the Earthsea books boring, childish, and far more one dimensional than anything Tolkien wrote, save for maybe the Hobbit. le Guin herself wrote the books after being prompted to write fantasy for "older kids" and practically every single character in her works can be boiled down into a single phrase or concept, i.e. Aihal- old, wise, quiet mage dude, Ged- cannot fail, protagonist mage dude who progresses like every single protagonist in every novel ever, and so on. So, if you're going to go down the road of suggesting that what amounts to le Guin's homage to LOTR is actually better than LOTR, you're going to have to do more than point. 3. This begs some interesting questions insofar as genre studies is concerned. There is no doubting that Tolkien's works are full to the brim with lengthy setting descriptions and world-building, and clearly this does not appeal to you. But, who is to say that this is not a strength of the works instead of a weakness? Tolkien's penchant for geography and environmental description is something I and many other fans adore, and it was Tolkien's style in this area that would go on to form a cornerstone of practically every single work of fantasy that would follow. Again, maybe you should just stick to sci-fi? 4. Archetypal characterizations revolve around the archetype existing in the first place, and it is not exactly controversial to suggest that many works of fantasy deliberately de-emphasize characterization in favor of world-building, allegory, and large-scale narrative stabilization. Accordingly, to poke fun at the admittedly stilted nature of many of Tolkien's characters is to miss the forest for the trees and take issue with what clearly seems to be a genre feature rather than a uniquely Tolkien literary decision. Furthermore, there is a discussion to be had in terms of foundational literature and how criticisms of works that form the basis for an entire movement in narrative decision-making should take such things into account. Lastly, and maybe you missed this, but Tolkien deliberately keeps the majority of his characters static so that the fluid ones stick out. I'll let you guess which race these fluid characters tend to be ![]() 5. See 4; the same criticisms apply here. Fantasy oftentimes deliberately makes the moral dimensions easy and clear so that the allegorical value of the narrative is more easily communicated. Unrealistic moral signposting is a great way to say something about the real world, you just have to look a little deeper, I think. 6. This one speaks for itself as well. In sum, I think you just don't like fantasy ![]() And here I was, wanting to keep it brief ![]() You claim that I make many arguments in absentia, yet you counter with one too. You think that I just don't like fantasy, while I actually love it. The problem is that in 99% cases the level of writing is lower in fantasy than sci-fi, making finding really good (or even worthwile) books in the genre harder to come by. I really wish there was a fantasy book on par with some of the sci-fi stuff that blew me away. Sadly, I haven't found it yet (I though that Lord of the Ice Garden would be such a book but it ended up being sci-fi disguised as fantasy - we discovered a new planet, there's magic, technology doesn't work, they send the guy equipped with some biotech and "magic", read "modern" - as in ultra-light and durable steel, equipment to investigate the sudden silence from the research station established earlier). I used to be a deveout follower of Tolkien back in the day, read his works numerous times and would call anyone speaking like myself today a blasphemer. I've also never actually said that Le Guin or Eddings are better (see the question marks in my original post?). I'd love to read me some not-so-high fantasy is all... Not entirely grimdark or anything like that (JRRM is shit, deal with it). Why can't anyone write a good book in a setting like Athas for example? Post-apocalyptic fantasy world where halflings are vicious cannibals, elves are gypsy thieves and assassins, slavery is common, reading is forbidden etc. I'm kind of tired of the same old thing being slightly refurbished and thrown to the masses over and over again... And I've finally figured out what's the best fantasy thing. The works of Robert E. Howard. Not the best writing ever, not the deepest characters, but boy is it fun to read. | ||
Carnivorous Sheep
Baa?21242 Posts
>trying to delineate sci fi and fantasy | ||
babylon
8765 Posts
Every time I try to read Sanderson, I just end up feeling so unimpressed by his writing. (Like, it strikes me as slightly worse than David Gaider-level prose, and Gaider basically writes like he's writing a screenplay!) Add to that the fact that I care very little about magic systems and worldbuilding, and I'm not sure if I should even try anymore. :/ ETA: I'd love to read me some not-so-high fantasy is all... Not entirely grimdark or anything like that (JRRM is shit, deal with it). Why can't anyone write a good book in a setting like Athas for example? Post-apocalyptic fantasy world where halflings are vicious cannibals, elves are gypsy thieves and assassins, slavery is common, reading is forbidden etc. Just on my mind lately because I've been playing a lot of it, but you find a lot of this in the Dragon Age universe. If you haven't played the series yet and are willing to give approximately 300 hours of your life to the games, I do recommend it. (Not to mention, you can play the first game kind of like a bastardized RTS ...) | ||
Surth
Germany456 Posts
On July 24 2015 05:33 Carnivorous Sheep wrote: >2015 >trying to delineate sci fi and fantasy make up your own definition if you want, dont chicken out! | ||
Mr. Wiggles
Canada5894 Posts
![]() and ![]() They were both fun reads, I enjoyed them. Really liked the absurdity of the situation presented in each. | ||
GhandiEAGLE
United States20754 Posts
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dmnum
Brazil6910 Posts
- I need recommendations of books about Pre-Columbian society. I know it's a vast subject, but any tips are welcome. I already know about and am going to get 1491. | ||
Mr. Wiggles
Canada5894 Posts
On July 24 2015 11:03 GhandiEAGLE wrote: Sheep Chase is good, you should follow it up with Dance, Dance, Dance! Yeah, I might do that for my next Murakami novel. ![]() | ||
nojok
France15845 Posts
On July 25 2015 11:50 Mr. Wiggles wrote: Show nested quote + On July 24 2015 11:03 GhandiEAGLE wrote: Sheep Chase is good, you should follow it up with Dance, Dance, Dance! Yeah, I might do that for my next Murakami novel. ![]() Be careful, I read too much of Murakami at once and I don't feel ready to read some for a while. I think it's also due to the fact I read his masterpieces first. After almost no reading this year, I catched back a bit during the last 3 weeks of holydays! Les désorientés from Amin Maalouf, a French Lebanese writer, it's about a Lebanese emigrate going back in Lebanon to meet some old friends he lost touch with because of the war. Great book about the Middle East as of course,, all his friends are Arabs but also Jew, Christian or Muslim. One of my favorite writers. The brothers Karamazov tome 1, from Dostoïevski, a classic, was not disappoited to say the least. It was great. Already bought tome 2. Desolation Angels, my first Kerouac novel, it's fun, what a weirdo, i'll read some more of him. Anima, Wajdi Amouad, again a Lebanese writing in French. It's about a guy looking for his wife's murderer, the main character has some scares left of Lebanese war again. The main point of this book is it's written from surrounding animals' perspective. Au revoir là-haut, Pierre Lemaitre, three guys making their best to get back into life after the first World War, including one on the back of the other two. It won the most prestigious novel award in France. A very good read, unfortunately the author only wrote detective novels outisde of this book and it's not my cup of tea. Naissance d'un pont, Maylis de Kerangal, a book about building a massive bridge, focused around ten or so characters, from the big boss to the worker perspective. It's nicely written and it's an unusual subject so it brings some fresh air. Not as good as the previous books. Books I did not make past page 100 : Game of thrones, I was in Spain and read all my books, gave it a try as my girlfriend was reading it. It's so badly written (translated?), don't go on this one after reading some masters' writings. Help!, Redmond O'Hanlon, lent to me by my father, British humour about a trip in Amazonia, not my cup of tea. Goofy Guardian Angel, Arto Paasilinna, a guy becoming an angel and making some rookies mistakes, again, very British humour, lent by my father again. I refilled at the bookstore yesterday : Karamazov tome 2 On the state of Egypt, Alaa El Aswany Roof tile of Tempio, Inoue My first Mo Yan novel and a Xinran novel, I love all those Chinese novels as the last century in China is fascinating and on the plus side, they write extremely well (and the translation in French does not seem that bad). | ||
maybenexttime
Poland5452 Posts
On July 09 2015 01:30 maybenexttime wrote: Show nested quote + On June 29 2015 00:00 Manit0u wrote: Diaspora is mind-blowing. Almost as good as Watt's Blindsight. Grats on finishing Lód. Attempted it several times, farthest I got was around page 500 (heard the action starts around 700) but I will tackle this monstrosity one day (read everything else by Dukaj so far). You should also try Beckett's Genesis. This blows minds real hard. Recently finished: "Diaspora" by Greg Egan "How Rich Countries Got Rich And Why Poor Countries Stay Poor" by Erik Reinert I liked "Perfect Imperfection" by Dukaj a lot more than "Diaspora" by Egan. I was very intrigued how stahs managed to retain their power despite post-humans being so much more capable. The introduction into this foreign world seemed more natural as well. At the same time, "Diaspora" was definitely a good read and I recommend it. I liked how the story unfolded. Surprisingly, the time skipping did not feel unnatural. The ending was interesting, it somehow made me feel at peace (although some people might consider it a let-down). My list of books to read is already pretty stacked and I have something to read for perhaps the next two years, so I am not sure about genesis. ![]() Currently reading: "Economics: The User's Guide" by Ha-Joon Chang + Show Spoiler + ![]() "The Man in the High Castle" by Philip K. Dick + Show Spoiler + ![]() Coming up next: "Dune" by Frank Herbert + Show Spoiler + ![]() "The Prince" by Niccolo Machiavelli + Show Spoiler + ![]() Recently finished: "Economics: The User's Guide" by Ha-Joon Chang + Show Spoiler + ![]() A great overview of different theories of economy and a great source of books for further reading. "The Man in the High Castle" by Philip K. Dick + Show Spoiler + ![]() While the premise was very interesting, the execution was rather sub-par. The book was all over the place, without any sense of direction in the plot. The worldbuilding was scant, and while the depiction of Germans under Nazi rule was quite truthful, that of the Japanese reeked of the author's ignorance in the matter. They are portrayed as noble and reasonable (save for their soft spot for I-Ching), while in reality they were just as fanatic and murderous as Germans during the war, and also used terror, genocide and concentration camps as a means of conquest, and practiced human experimentation. On top of that, some characters sometimes acted irrationally for no apparent reason, breaking their characters. All in all, the book was okay, but I have to consider it strangely overhyped. Currently reading: "Dune" by Frank Herbert + Show Spoiler + ![]() I've read about 50 pages so far and I'm hooked. I am even considering re-playing either Dune 2000 or Emperor: Battle for Dune. ![]() "The Prince" by Niccolo Machiavelli + Show Spoiler + ![]() Coming up next: "Solaris" by Stanisław Lem + Show Spoiler + ![]() "Bad Samaritans" by Ha-Joon Chang (rereading) + Show Spoiler + ![]() | ||
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