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What Are You Reading 2013 - Page 116

Forum Index > Media & Entertainment
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sam!zdat
Profile Blog Joined October 2010
United States5559 Posts
Last Edited: 2013-09-03 15:05:54
September 03 2013 15:03 GMT
#2301
packrat you realize the one ring is nothing if not a symbol of phallic power and the entire plot of all of tolkien is about who will possess/castrate it don't you

isildur CHOPS OFF SAURONS FINGER and TAKES HIS POWER and you think tolkien is not about daddy. You have clearly not read enough psychoanalysis!
shikata ga nai
corumjhaelen
Profile Blog Joined October 2009
France6884 Posts
September 03 2013 15:18 GMT
#2302
But who is Jocasta then ???
‎numquam se plus agere quam nihil cum ageret, numquam minus solum esse quam cum solus esset
Doppelganger
Profile Joined May 2010
488 Posts
Last Edited: 2013-09-03 15:55:48
September 03 2013 15:55 GMT
#2303
On September 04 2013 00:03 sam!zdat wrote:
You have clearly not read enough psychoanalysis!


Which probably is a good thing.
silynxer
Profile Joined April 2006
Germany439 Posts
Last Edited: 2013-09-03 17:15:52
September 03 2013 17:04 GMT
#2304
On September 03 2013 23:38 Carnivorous Sheep wrote:
Show nested quote +
On September 03 2013 18:32 silynxer wrote:
Thanks for bringing up the lecture by Chinua Achebe, I didn't know about it. It has been a while since I read Heart of Darkness but as far as I can tell his criticism is spot on. Being appalled by the conduct of Europeans in Africa does not absolve Conrad of his own brand of racism especially since the tropes he uses (e.g. the unknowable dark continent) are still fine and dandy (and toxic) today, which makes it all the more important to point out.

I mean, yes, they use very racist tropes by today's standards, but if you want to stray down the dark path of cultural relativism, it's quite excusable. Even avoiding that line of thinking, Conrad was no more racist than most, and much less racist than many from his era. But in the end, the overwhelming question is "so what?" So what if Heart of Darkness is absolutely "racist?" I've yet to hear a satisfactory answer to that question.

If (hypothetically) Conrad is one of your literary heroes you should be concerned about his shortcomings all the more. In Heart of Darkness the racism is such an important device that you cannot just cut it out and look at the merits of the novel minus racism, any serious analysis needs to account for it. That this is (apparently) generally not done is part of the text's legacy and something Achebe directly criticizes and that the novel is regarded as canon makes this even more important.
Whether you can call it "among the half dozen greatest short novels in the English language" in these circumstances may be up to debate but if you do you should be forced to confront the underlying racism that is part of why the text is so powerful.

Show nested quote +

Exercise: Name one author from Sub-Saharan Africa and one of his or her major works (this is for yourself, I don't care if you are able to look up a list in Wikipedia).

I can name many, and I've read next to zero. What's the point of the exercise? To prove that we can/cannot name names...?

Well, obviously I expected most people to not be able to name any and if they have any interest foreign books to be somewhat shocked by that realization and perhaps pick one up. Thus learning about Africa as told by it's natives and understanding why discussing the kind of racism of Heart of Darkness is still relevant. (Which didn't work out for you unless you were shocked that you hadn't read any of those books.)
I literally asked myself the same question some years ago and had to go to Wikipedia to find out anything about African literature, although I go out of my way to read books from all over the world and follow references whenever they sound remotely interesting.
farvacola
Profile Blog Joined January 2011
United States18869 Posts
September 03 2013 17:23 GMT
#2305
Having focused on the emergence of Modernism in my English studies, I really can't agree with the notion that Conrad's racism isn't discussed; to the contrary, for many that seemed to be the beginning and ending point for their consideration of Heart of Darkness, likely in service to Achebe's ideas. Furthermore, Achebe does a piss poor job of addressing the mainstream considerations of Africa circa 1899 and comparing them to Conrad, something he pretty much has to do in order to differentiate his argument from the very true but practically unnecessary notion that everything dealing with Africa from that time is essentially racist. The sun also rises, so to speak. Like it or not, many have seized upon the post colonial bent exemplified in Achebe's arguments and used it as a de facto means of practically ignoring "the rest" of books like Heart of Darkness, and I think a lot of this has to do with Achebe's very political and altogether poor idea as to how we are to consider concepts like racism when looking to the past.
"when the Dead Kennedys found out they had skinhead fans, they literally wrote a song titled 'Nazi Punks Fuck Off'"
Carnivorous Sheep
Profile Blog Joined November 2008
Baa?21247 Posts
September 03 2013 17:44 GMT
#2306
I'm on the same page as farvacola on this, both in terms of experience (the few times I've come across HoD in school/classes/academic settings was all supported by, and sometimes overshadowed by, the discussion of racism/Achebe's essay) and opinion on Achebe. We are very far from a world where no one considers the supposed racism of Conrad, and I would even go as far to say that we're on the opposite end of the spectrum right now.

Personally I've just never found African literature as something I really felt like exploring, just never felt that interesting to me. I've read Things Fall Apart and was bored out of my mind, and I've read a couple books by Coetzee who is a semi-African author, and that's about it. I've heard of lots and lots of African authors/works, and have a 1-2 line summary of most of them (mainly from quiz bowl where African literature is regularly asked about) but none of them really appealed to me to read. Meh.
TranslatorBaa!
sam!zdat
Profile Blog Joined October 2010
United States5559 Posts
September 03 2013 17:49 GMT
#2307
there is no native african tradition of prose fiction. If any african writes it, they are adopting a western medium. Coetzee is afrikaans, not african. Things fall apart is a great novel though
shikata ga nai
Carnivorous Sheep
Profile Blog Joined November 2008
Baa?21247 Posts
Last Edited: 2013-09-03 17:50:40
September 03 2013 17:50 GMT
#2308
On September 04 2013 02:49 sam!zdat wrote:
there is no native african tradition of prose fiction. If any african writes it, they are adopting a western medium. Coetzee is afrikaans, not african. Things fall apart is a great novel though


yeah that's the other part - there's no real african tradition so you just have a lot of european style prose works with an african setting or something of the sort. meh.

and i've long realized im in the minority opinion on things fall apart so w\e. as i said, i guess i am a racist
TranslatorBaa!
silynxer
Profile Joined April 2006
Germany439 Posts
September 03 2013 17:53 GMT
#2309
This got me interested. Having no background whatsoever in literature I'm oblivious to any discussion of racism in Heart of Darkness, do you have a good example in mind (preferably older than 1975)?
I'm not sure why you are so uncharitable to Achebe concerning contextuality. First of all this was a Chancellor’s Lecture so I would think it is not meant to be a complete analysis and then he actually admits that Conrad's racism wasn't anything special.
But what is out of the ordinary is the importance the novel is given today and that the racism does not occur as some background noise but as the very fabric the story is made of. Again, you know a lot more than me about English literature but do you have another novel in mind where these factors come together?
Can you be more specific in which ways you consider Achebe's ideas about racism as poor? Which books have been wrongfully ignored? (If you have some essays at hand I'd gladly read them.)
Carnivorous Sheep
Profile Blog Joined November 2008
Baa?21247 Posts
September 03 2013 17:57 GMT
#2310
On September 04 2013 02:53 silynxer wrote:
This got me interested. Having no background whatsoever in literature I'm oblivious to any discussion of racism in Heart of Darkness, do you have a good example in mind (preferably older than 1975)?


Eh? The point was that today, the focus on Heart of Darkness has shifted towards Conrad's racism. 40 years is a pretty long time, why do you want something from pre-1975 in particular?
TranslatorBaa!
farvacola
Profile Blog Joined January 2011
United States18869 Posts
Last Edited: 2013-09-03 18:12:07
September 03 2013 18:10 GMT
#2311
Off the top of my head, Child of Storm, King Solomon's Mines, Dick Sand, A Captain at Fifteen, and Marie all come to mind as examples of novels set in Africa that give evidence to the then unrecognized racist attitudes towards Africans, regardless of the author's intent. And it isn't Achebe's idea of racism that's the problem, it's how he compels his audience to give racism centerstage attention when analyzing these books sans historical context that gives me pause. It is, essentially, a hierarchical insistence that there is truly only one way to read Heart of Darkness, that way being Achebe's. You say that racism is woven into the fabric of HoD's text, and you'd be right; what this ignores is that the fabric of Western society itself was racist, so much so that to seize upon HoD's racism as the carte blanche consideration when reading the work is to practically ignore the time and place it came from.
"when the Dead Kennedys found out they had skinhead fans, they literally wrote a song titled 'Nazi Punks Fuck Off'"
silynxer
Profile Joined April 2006
Germany439 Posts
September 03 2013 18:14 GMT
#2312
On September 04 2013 02:57 Carnivorous Sheep wrote:
Show nested quote +
On September 04 2013 02:53 silynxer wrote:
This got me interested. Having no background whatsoever in literature I'm oblivious to any discussion of racism in Heart of Darkness, do you have a good example in mind (preferably older than 1975)?


Eh? The point was that today, the focus on Heart of Darkness has shifted towards Conrad's racism. 40 years is a pretty long time, why do you want something from pre-1975 in particular?

Sorry the thread moves fast and I'm a slow writer, this was supposed to be the answer to farvacola. Anyway, 1975 was when Achebe held the lecture so at this time it may have been relevant to point out Conrad's racism specifically, which was the basis of my earlier post.
If only after that discussion of Heart of Darkness became dominated by talk about racism/Achebe's essay that would be a whole other topic. Maybe I just talked past everybody?

I'd like to address the posts above but I have to go now and hopefully continue later (talking about whether the subaltern can speak or not will take some time and effort on my part).
dmnum
Profile Blog Joined April 2011
Brazil6910 Posts
Last Edited: 2013-09-03 18:28:57
September 03 2013 18:17 GMT
#2313
On September 04 2013 02:50 Carnivorous Sheep wrote:
Show nested quote +
On September 04 2013 02:49 sam!zdat wrote:
there is no native african tradition of prose fiction. If any african writes it, they are adopting a western medium. Coetzee is afrikaans, not african. Things fall apart is a great novel though


yeah that's the other part - there's no real african tradition so you just have a lot of european style prose works with an african setting or something of the sort. meh.

what does "european style prose" mean?

edit: I also find it funny that Achebe tried to dismiss HoD as art because it's racist. If anything that enhances the artistic qualities of the book, because it captures the zeitgeist. The racism needed to be brought to light though, so I agree with him on some of his points.
packrat386
Profile Blog Joined October 2011
United States5077 Posts
September 03 2013 18:30 GMT
#2314
On September 04 2013 00:03 sam!zdat wrote:
packrat you realize the one ring is nothing if not a symbol of phallic power and the entire plot of all of tolkien is about who will possess/castrate it don't you

isildur CHOPS OFF SAURONS FINGER and TAKES HIS POWER and you think tolkien is not about daddy. You have clearly not read enough psychoanalysis!

I really don't think that the ring is a symbol of phallic power. For most of the book its carried by a weak effeminate young man, who only grows weaker and more effeminate under its influence. The masculine characters all want to take possession of the ring but are generally mistaken about what kind of power it will bring them. I would accept the idea that the ring is basically symbolic of a vagina before I would think of it as a phallic symbol.

Also, according to this formula we can take any book where there is something that represents power and call it a penis. I understand that there are people who make those arguments, but I don't buy it.
dreaming of a sunny day
packrat386
Profile Blog Joined October 2011
United States5077 Posts
September 03 2013 18:33 GMT
#2315
Also, didn't realize that the HoD discussion would be so contentious. I would argue more on the side of achebe, but I really haven't done my homework on the issue, so you should probably believe farvacola and CSheep.
dreaming of a sunny day
dmnum
Profile Blog Joined April 2011
Brazil6910 Posts
Last Edited: 2013-09-03 18:36:03
September 03 2013 18:34 GMT
#2316
On September 04 2013 03:30 packrat386 wrote:
Show nested quote +
On September 04 2013 00:03 sam!zdat wrote:
packrat you realize the one ring is nothing if not a symbol of phallic power and the entire plot of all of tolkien is about who will possess/castrate it don't you

isildur CHOPS OFF SAURONS FINGER and TAKES HIS POWER and you think tolkien is not about daddy. You have clearly not read enough psychoanalysis!

Also, according to this formula we can take any book where there is something that represents power and call it a penis. I understand that there are people who make those arguments, but I don't buy it.

freud fucked everything man
I have a friend who's a psychologist and she hates freud with a passion because after him everything became penises and vaginas
farvacola
Profile Blog Joined January 2011
United States18869 Posts
Last Edited: 2013-09-03 18:39:39
September 03 2013 18:35 GMT
#2317
On September 04 2013 03:30 packrat386 wrote:
Show nested quote +
On September 04 2013 00:03 sam!zdat wrote:
packrat you realize the one ring is nothing if not a symbol of phallic power and the entire plot of all of tolkien is about who will possess/castrate it don't you

isildur CHOPS OFF SAURONS FINGER and TAKES HIS POWER and you think tolkien is not about daddy. You have clearly not read enough psychoanalysis!

I really don't think that the ring is a symbol of phallic power. For most of the book its carried by a weak effeminate young man, who only grows weaker and more effeminate under its influence. The masculine characters all want to take possession of the ring but are generally mistaken about what kind of power it will bring them. I would accept the idea that the ring is basically symbolic of a vagina before I would think of it as a phallic symbol.

Also, according to this formula we can take any book where there is something that represents power and call it a penis. I understand that there are people who make those arguments, but I don't buy it.

This honestly sounds like it is in reference to the movies and not the books. I cannot recall a single instance in which Frodo is characterized as effeminate (unless "fairer than most" counts lol), and the entire notion of strength is called into question by Frodo being the only one who can bear the burden of the ring. That a reader recognize the unusual sort of strength embodied in Frodo is pretty important to the work as a whole .
"when the Dead Kennedys found out they had skinhead fans, they literally wrote a song titled 'Nazi Punks Fuck Off'"
corumjhaelen
Profile Blog Joined October 2009
France6884 Posts
September 03 2013 18:38 GMT
#2318
On September 04 2013 03:34 dmnum wrote:
Show nested quote +
On September 04 2013 03:30 packrat386 wrote:
On September 04 2013 00:03 sam!zdat wrote:
packrat you realize the one ring is nothing if not a symbol of phallic power and the entire plot of all of tolkien is about who will possess/castrate it don't you

isildur CHOPS OFF SAURONS FINGER and TAKES HIS POWER and you think tolkien is not about daddy. You have clearly not read enough psychoanalysis!

Also, according to this formula we can take any book where there is something that represents power and call it a penis. I understand that there are people who make those arguments, but I don't buy it.

freud fucked everything man
I have a friend who's a psychologist and she hates freud with a passion because, according to her, everything after him became penises and vaginas

She probably needs to read him then...
About African litterature, there's a quite interesting movement in francophone litterature called negritude, which aimed at the reappropriation of one's identity as a black person. It's not that african though, given that the main writers of that movement were in Normale Sup' together.
‎numquam se plus agere quam nihil cum ageret, numquam minus solum esse quam cum solus esset
Carnivorous Sheep
Profile Blog Joined November 2008
Baa?21247 Posts
September 03 2013 18:43 GMT
#2319
On September 04 2013 03:33 packrat386 wrote:
Also, didn't realize that the HoD discussion would be so contentious. I would argue more on the side of achebe, but I really haven't done my homework on the issue, so you should probably believe farvacola and CSheep.


well there's nothing to "believe," the fun part about lit is you generally (with caveats i guess?) get to think whatever you want

i think farva and i are just pointing out that the HoD as racist reading is nothing new/novel, and has been pretty much part of the establishment for a few decades at least.
TranslatorBaa!
NuKE[vZ]
Profile Joined July 2012
United States249 Posts
September 03 2013 18:54 GMT
#2320
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