9. TAMAONSEN-Innocent Days
![[image loading]](http://tamaonsen.com/innocent/images/jack1.jpg)
Tamaonsen (aka Soul Bath, but I like to interpret it as Kintamaonsen, or Ball Bath) is a group that perhaps can best be explained by this album.
1. Innocent Days (Beloved Tomboyish Girl)
A nice, peaceful, Irishy version of Cirno's theme. Very peaceful, the kind of song that I would put on before I go sleep.
2. Just One Time (Shanghai Teahouse-Chinese Tea)
Ah, a good rendition of Meiling's Stage Theme, while I sip my highly pretentious tea. Peaceful, quiet: a nice prelude to Get In The Ring's TIME.
3. 黄昏リレーション feat. kana (Loose Rain, Year-Round Absorbed Curiosity)
An otherwise great rendition of those two Fairy Wars tracks totally ruined by loli voices. I was so disappointed when I heard the loli voice, it was a really well done remix otherwise.
4. しかたないじゃない (Bad Apple!)
Uh, it's Bad Apple. It's certainly an interesting take on the song, and the voices are nice, and the loli is gone. But Bad Apple doesn't leave much to the imagination, so there isn't much to really be seen here. It's pleasant, but forgettable.
5. Nightcall (Youkai Back Shrine Road)
This is one of the best extra stage themes, second of course to Centennial Festival for Magical Girls. And this remix doesn't do much of anything. Nothing ventured, nothing gained, so to speak.
[b]6. ハレケロジック feat. ill.bell (Tomorrow will be Special; Yesterday was Not)/b]
Uh, a soft guitar version of Suwako's Stage Theme to Japanese rap. The rap is strangely melodic though, so it's not too bad. When the female vocal comes in though it's pure sex. Then, it all goes downhill...
7. Eye-Splice feat. ytr (Satori Maiden-3rd Eye)
I love 3rd Eye. It begins promisingly enough for a decent female vocal, but nothing special. Then the fucking rap comes in. It evokes that crappy Death Note anime music, which I thought was hilarious, but hilariously bad. Once again, another good song ruined by rap.
8. PARFECT MIC REEEEEEEEELAY!! (Great Fairy Wars)
The all-caps and massive amount of E's should have been a warning. So should have the previous tracks. It starts peacefully enough, though, so I was lulled into a false-sense of security. Then, it begins.
The first one isn't god-awful: I think its the same guy from 6. It's not terrible, because it goes in with the theme fairly well, keeping the theme in there.
The second one brings in the Yakuza voice. Oh god. This is going down hill.
FUCK. FUCK. FUCKKKKKKKK.
I can't listen anymore. It's awful.
OH MY GOD WHAT IS THIS SHIT, THIS IS FUCKING TERRIBLE
GOOD JOB BALL BATH, YOU JUST RUINED YOUR ALBUM
I'M NOT EVEN GOING TO REVIEW THE INSTRUMENTALS NOW. FUCK THIS SHIT>
Score: 8/8/3/6/5/6/4/FUCK YOU TAMAONSEN FUCK YOUUUUUUU
Average Score: FIVUUUUUUUUUUUUUUUUUUUUUUUU
![[image loading]](http://tamaonsen.com/innocent/images/jack1.jpg)
Tamaonsen (aka Soul Bath, but I like to interpret it as Kintamaonsen, or Ball Bath) is a group that perhaps can best be explained by this album.
1. Innocent Days (Beloved Tomboyish Girl)
A nice, peaceful, Irishy version of Cirno's theme. Very peaceful, the kind of song that I would put on before I go sleep.
2. Just One Time (Shanghai Teahouse-Chinese Tea)
Ah, a good rendition of Meiling's Stage Theme, while I sip my highly pretentious tea. Peaceful, quiet: a nice prelude to Get In The Ring's TIME.
3. 黄昏リレーション feat. kana (Loose Rain, Year-Round Absorbed Curiosity)
An otherwise great rendition of those two Fairy Wars tracks totally ruined by loli voices. I was so disappointed when I heard the loli voice, it was a really well done remix otherwise.
4. しかたないじゃない (Bad Apple!)
Uh, it's Bad Apple. It's certainly an interesting take on the song, and the voices are nice, and the loli is gone. But Bad Apple doesn't leave much to the imagination, so there isn't much to really be seen here. It's pleasant, but forgettable.
5. Nightcall (Youkai Back Shrine Road)
This is one of the best extra stage themes, second of course to Centennial Festival for Magical Girls. And this remix doesn't do much of anything. Nothing ventured, nothing gained, so to speak.
[b]6. ハレケロジック feat. ill.bell (Tomorrow will be Special; Yesterday was Not)/b]
Uh, a soft guitar version of Suwako's Stage Theme to Japanese rap. The rap is strangely melodic though, so it's not too bad. When the female vocal comes in though it's pure sex. Then, it all goes downhill...
7. Eye-Splice feat. ytr (Satori Maiden-3rd Eye)
I love 3rd Eye. It begins promisingly enough for a decent female vocal, but nothing special. Then the fucking rap comes in. It evokes that crappy Death Note anime music, which I thought was hilarious, but hilariously bad. Once again, another good song ruined by rap.
8. PARFECT MIC REEEEEEEEELAY!! (Great Fairy Wars)
The all-caps and massive amount of E's should have been a warning. So should have the previous tracks. It starts peacefully enough, though, so I was lulled into a false-sense of security. Then, it begins.
The first one isn't god-awful: I think its the same guy from 6. It's not terrible, because it goes in with the theme fairly well, keeping the theme in there.
The second one brings in the Yakuza voice. Oh god. This is going down hill.
FUCK. FUCK. FUCKKKKKKKK.
I can't listen anymore. It's awful.
OH MY GOD WHAT IS THIS SHIT, THIS IS FUCKING TERRIBLE
GOOD JOB BALL BATH, YOU JUST RUINED YOUR ALBUM
I'M NOT EVEN GOING TO REVIEW THE INSTRUMENTALS NOW. FUCK THIS SHIT>
Score: 8/8/3/6/5/6/4/FUCK YOU TAMAONSEN FUCK YOUUUUUUU
Average Score: FIVUUUUUUUUUUUUUUUUUUUUUUUU