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Music Production Update 1

Blogs > Th1rdEye
Post a Reply
Th1rdEye
Profile Blog Joined December 2006
United States1074 Posts
Last Edited: 2017-10-16 20:21:07
October 16 2017 20:17 GMT
#1
Hey everyone Hope you all are enjoying this wonderful time of year. It's funny how fast time flies these days.

I have been spending a lot of time working on fixing old tracks and updating them as well as starting new projects.

Since the last blog, I've added a couple new tracks:

Nova:
https://soundcloud.com/th1rdeye/nova

Innerspace:
https://soundcloud.com/th1rdeye/innerspace

and the newest I just finished this weekend,
Explorer
https://soundcloud.com/th1rdeye/explorer

Each one of these projects has taken hours of work, but overall I feel like I'm getting more and more used to Ableton and finding easier and more efficient methods of doing the things I want to do, as well as growing more muscle memory for keyboard shortcuts and navigating the program. I am well aware that I am still very inexperienced compared to some, and I have a lot to learn. I can only hope this would mean my work will grow more comprehensive as well as refined.

I recently learned a little more about making a "master chain" for a final mixdown. I am still pretty new to the whole thing, but I feel like I've gained a little progress in overall quality and desired volume. I feel I tend to make my tracks pretty low volume and then end up having to boost them pretty far to get where I want. I'm definitely keeping that in mind now.

There are many differing methods that producers like to use, so it's my goal to explore as much as I can and hopefully in turn find my own little tricks to mess with.

On that note, there are also a lot of hardware devices and programs that people use, but I've been trying to stick with the philosophy pointing towards using what you have and making the most of it before moving on to other tools. I've heard many a story about a room full of dusty hardware that barely gets touched, and that sometimes the best work flow actually occurs between the artist and his computer.

Also, I got in contact with a small record label named Sisyphean Records, based on promotion of artists and mixes. In further discussion with the man in charge, I found that he shares a view of simplicity in music as well as artists that define their own sound and stay away from the mainstream. I was happy to be added to their lineup, and I have a track selected for an upcoming compilation. Any exposure and friendship this far is definitely greeted with open arms, and I am very excited to see where this will take me. I've already encountered a handful of wonderful people in their group and great artists as well.

Sisyphean Records:
https://soundcloud.com/sisyphean-records

Thanks for reading




- Shout out to a couple of other fellow TL producers,

MMIC - https://soundcloud.com/MMIC

JieXian - https://www.youtube.com/channel/UCm1ox-gdTq9hjx2cF631xkw (JieShian Music)

iPlaY.NettleS - https://m.soundcloud.com/greenberg (Ruffneck)

synapse - https://soundcloud.com/synapsii (Synapsii)



from the days of: TheMarine [NC]...YellOw [H.O.T.]-Forever99 OgOgO [_MuMyung_] ChRh PlayGrrrr.... SlayerS_`BoxeR` [Oops]Reach [ReD]NaDa [DF]zergboy..!! Pusan[S.G] Nal_rA GARIMTO SSamJJang ChoJJa JinSu Silent_Control iloveoov H_PauL_WII JulyZerg [DaK]JoYo
AxiomBlurr
Profile Blog Joined November 2012
786 Posts
October 16 2017 23:25 GMT
#2
great !! always good to heasr new tracks! best of luck with it!
iPlaY.NettleS
Profile Blog Joined June 2010
Australia4439 Posts
October 17 2017 10:19 GMT
#3
Hi I will just comment on your latest tune explorer the mixdown is pretty close but you need to EQ that piano sound that comes in at the start and plays throughout.I recommend cutting frequencies around the 200 range and maybe a very slight boost in the high end.

Also i think the style of music you make should be easier to do mixdowns since it doesn't have loud kickdrums or basslines that can clash around the low frequencies and create headroom issues.

Anyway good work and congratulations on label signing.
https://www.youtube.com/watch?v=e7PvoI6gvQs
Th1rdEye
Profile Blog Joined December 2006
United States1074 Posts
Last Edited: 2017-10-17 11:39:17
October 17 2017 11:32 GMT
#4
On October 17 2017 19:19 iPlaY.NettleS wrote:
Hi I will just comment on your latest tune explorer the mixdown is pretty close but you need to EQ that piano sound that comes in at the start and plays throughout.I recommend cutting frequencies around the 200 range and maybe a very slight boost in the high end.

Also i think the style of music you make should be easier to do mixdowns since it doesn't have loud kickdrums or basslines that can clash around the low frequencies and create headroom issues.

Anyway good work and congratulations on label signing.


Thanks for your help! I actually missed EQ Eight on some of those tracks. Went back in this morning to adjust a bit. Not sure I'm completely finished, just figured I had a few minutes to attempt a fix
from the days of: TheMarine [NC]...YellOw [H.O.T.]-Forever99 OgOgO [_MuMyung_] ChRh PlayGrrrr.... SlayerS_`BoxeR` [Oops]Reach [ReD]NaDa [DF]zergboy..!! Pusan[S.G] Nal_rA GARIMTO SSamJJang ChoJJa JinSu Silent_Control iloveoov H_PauL_WII JulyZerg [DaK]JoYo
synapse
Profile Blog Joined January 2009
China13814 Posts
Last Edited: 2017-10-18 04:47:30
October 18 2017 04:46 GMT
#5
Regarding the piano EQ, the "standard" EQing you want to try is to boost 100hz (bottom end power) and 5khz (brightness), and cut 300hz (muddiness) and ~1.5khz (tinny sound), depending on what your piano samples are like. For a purely electronic track where the only realistic instrument you have is your piano, I think it's fine to not worry about making a piano sound realistic, as long as you feel you can hear all the parts that you want out of it (you'll develop a better ear for what you want and like to hear as you go). I personally always cut 300hz by 5dB unless I literally have no other bass frequencies playing.

Latest track is nice.
:)
Th1rdEye
Profile Blog Joined December 2006
United States1074 Posts
October 18 2017 23:04 GMT
#6
On October 18 2017 13:46 synapse wrote:
Regarding the piano EQ, the "standard" EQing you want to try is to boost 100hz (bottom end power) and 5khz (brightness), and cut 300hz (muddiness) and ~1.5khz (tinny sound), depending on what your piano samples are like. For a purely electronic track where the only realistic instrument you have is your piano, I think it's fine to not worry about making a piano sound realistic, as long as you feel you can hear all the parts that you want out of it (you'll develop a better ear for what you want and like to hear as you go). I personally always cut 300hz by 5dB unless I literally have no other bass frequencies playing.

Latest track is nice.


Nice... thanks for the tips. I'm pretty new to a lot of that kind of EQ work, but I will definitely keep your advice in mind That makes sense from what I understand.
from the days of: TheMarine [NC]...YellOw [H.O.T.]-Forever99 OgOgO [_MuMyung_] ChRh PlayGrrrr.... SlayerS_`BoxeR` [Oops]Reach [ReD]NaDa [DF]zergboy..!! Pusan[S.G] Nal_rA GARIMTO SSamJJang ChoJJa JinSu Silent_Control iloveoov H_PauL_WII JulyZerg [DaK]JoYo
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