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Nights in E Flat Major

Blogs > Smurg
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Smurg
Profile Blog Joined November 2004
Australia3818 Posts
November 18 2010 03:12 GMT
#1
Intro to this:

Well, it seems that after an extremely drunk night I got home and felt the need to write this.

I can't really remember writing it. The drunk mind seems to come up with some strange conjectures & ideas.

Mostly surprised that I was obviously OCD at the time and made sure it made sense...well, if it even makes any sense in the first place.

--

Nights in E flat minor, (sometimes seguing into a major key)

Feeling great, spruced up and ready to hit the town, the simplicity is undeniable. Yet there is a certain feeling of artifice within the preparations and the expectations of the night. A negative attitude can afflict anyone, not just the unsavvy. The verdant feeling of lust lines the loins and the mind. Each second of preparation is all a vain attempt at improving an end result, predefined in the mind as the best possible ending that ever was. Something out of fiction, something engrained within the self throughout adolesence by way of films, story-telling and general observation.

The platitude of lust reaches its zenith in moments such as these - the thought of sex or heavy petting reside within the forefront of the echelons of your thought process. Any moment is an opportunity, yet poses two outcomes based on executed actions. Do or don't. Do and rejection may occur, this is the biggest point of contention in any moment. This is a deeply planted and visceral fear. Laughed at by some, however scorned by the general masses.

Looking good is a self-perceived concept, a projection of the image of yourself that you want to spread within the public sphere. Again this is easily quelled by the sight of someone else who you believe fits an image you wish you could attain but do not currently possess. The self seeks out answers, it seeks to fit in, to be accepted as part of the whole. Possible dejection ensues, as you try to make sense of any given situation, especially with regards to being appealling to the people who fit in with your sexual alignment.

Incentivised by promise and fuelled by primal lust, the self acts impulsively...differently, empted and encouraged by the crutch of alcohol or drugs. Making a fool of yourself is easier to do when you aren't at the reigns.

Outside of this world and within every person exists a personal universe that is never even touched on in these moments. The personality of the lone soul is vastly different to their public self. It's as if two people exist within the same body. All that exists is the world before the eyes, the inner most thoughts and feelings are yours and yours alone. The outward self is a projection of all that you feel is right, easily interchangable; made malleable by time.

We constantly search, reaching for whatever we think will make us happy, unsure of exactly what that is until it happens. When it does we know we feel important in that moment, the kings and queens of our own egos. Feelings of failure spring from the amalagamation of notions, conceived before the moment has even arrived. Examples include the thoughts of projecting yourself to a select group of people you hope will allow you to feel happiness in a positive way. When you acquire you target, as it were, you feel that them not being able to feel your very essence is a foul contravention of life itself. If only they understood you. If only you could communicate and effortlessly pass the spirit of your being onto them seamlessly without a severe degree of callow social intelligence -- then you would be successful.

Then comes the self-intepretation of what has gone wrong; the burgeoning analysis of failure or future actions to follow. If they don't go according to plan, a night out can be influenced to the maximum degree. Confidence is gained by opportunistic actions being followed through in the best manner that you think you can achieve.

Words and actions are all we know, we can merely say and do what we feel is best in any given situation -- but we're never happy until it all goes right. Lies and half-truths can be a saving grace, at the cost of inward dignity. Love seems to govern all. It is the constant mechanism that drives us forth, past initial lust. Lust and the satiation of that lust lead to a happy place -- but depression can follow easily.

Ruminations. That's all.

****
nataziel
Profile Blog Joined October 2008
Australia1455 Posts
November 18 2010 03:57 GMT
#2
I dunno what to say cos I'm drunk as fuck, but I liked the big words. I wish I could right this well while hammered.
u gotta sk8
Coagulation
Profile Blog Joined July 2006
United States9633 Posts
Last Edited: 2010-11-18 04:44:19
November 18 2010 04:24 GMT
#3
i fail to understand how this is keyed in Eb minor

also the thread title says its Eb major not Eb minor
if you are implying that your key change is going to go from Ebmin to Ebmaj i would reccomend scratching that and transposing key to F#Maj the relative major of Ebmin as there would be less notes clashing.

xLethargicax
Profile Blog Joined April 2010
United States469 Posts
Last Edited: 2010-11-18 05:05:51
November 18 2010 05:04 GMT
#4
On November 18 2010 13:24 Coagulation wrote:
i fail to understand how this is keyed in Eb minor

also the thread title says its Eb major not Eb minor
if you are implying that your key change is going to go from Ebmin to Ebmaj i would reccomend scratching that and transposing key to F#Maj the relative major of Ebmin as there would be less notes clashing.



That's incorrect, the relative key to Eb major is C minor, and the relative major for Eb minor is TECHNICALLY Gb major since it's an existing key on the circle of fourths and the Eb is a m6 of Gb major, where as if you had D# minor it would be F# Major because the D# is the m6 of F# major.

sorry to nitpick!

edit, and I too am confused why you choose a key signature for writing..?
Coagulation
Profile Blog Joined July 2006
United States9633 Posts
Last Edited: 2010-11-18 05:48:11
November 18 2010 05:37 GMT
#5
yes the relative key to Eb major is C minor but i never said anything otherwise in my post.

as for the other part..
GbMajor and F#Major share the same tonality and are enharmonic notes.
of course your right technically labeling it as Gbmajor would probably be more practical in its context..

but lets not forget that this is all completely a moot point because tonality cannot be verified with text.
xLethargicax
Profile Blog Joined April 2010
United States469 Posts
November 18 2010 06:39 GMT
#6
On November 18 2010 14:37 Coagulation wrote:
yes the relative key to Eb major is C minor but i never said anything otherwise in my post.

as for the other part..
GbMajor and F#Major share the same tonality and are enharmonic notes.
of course your right technically labeling it as Gbmajor would probably be more practical in its context..

but lets not forget that this is all completely a moot point because tonality cannot be verified with text.


I only say it's more comfortable because Eb in words doesn't exist in F#, therefore the m3 of Eb minor would be Gb

Haha, all in good theoretical fun!
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