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The Academy Awards

Blogs > TheAmazombie
Post a Reply
TheAmazombie
Profile Blog Joined September 2010
United States3714 Posts
Last Edited: 2012-02-26 10:55:26
February 26 2012 08:33 GMT
#1
Academy Awards

I have always been a huge movie fan. My first major in college was drama which I wanted to use to eventually get into the directing/editing side of film making. This love of movies has followed me since as long as I can remember, and almost as long, I have been watching the Academy Awards almost religiously. When I was 10 I got a poster that showed all of the Best Picture winners by year. I used to stare at that poster and memorize winners and years. As I got older, I searched out those films.

My mother used to take us to the local video rental place and I would just walk what few aisles it had scan the covers, see who was in them, and slowly I ran through almost every movie those shelves would hold.

Well, I state this all because the Oscars are coming up, Sunday night, and I was thinking how this year has a very competitive and hard to pick group in almost all of the categories. Now, I have not seen every nominee or film, but I will make my picks based off of what I have seen out of them and what I know of the people involved.

A disclaimer though: I do not really care much about what the Academy actually thinks. I quite often disagree with their choices and think that sometimes they are motivated my personal/social/political ends instead of pure merit. Even then, it is hard to judge art by anyone really you can only use things like awards as a guide or outline, not an actual meaning of anything other than a handful of people agreed on something.

Here are my picks, tell me your picks!

First, some of the technical awards. What I hate is that people quite often associate these with the quality of the movie instead of the quality of the actual technical effect.

Best Visual Effects:
Harry Potter and the Deathly Hallows – Part 2 – Tim Burke, David Vickery, Greg Butler, and John Richardson
Hugo – Rob Legato, Joss Williams, Ben Grossmann, and Alex Henning
Real Steel – Erik Nash, John Rosengrant, Danny Gordon Taylor, and Swen Gillberg
Rise of the Planet of the Apes – Joe Letteri, Dan Lemmon, R. Christopher White, and Daniel Barrett
Transformers: Dark of the Moon – Scott Farrar, Scott Benza, Matthew E. Butler, and John Frazier

My Pick:
+ Show Spoiler +
Rise of the Planet of the Apes - while not perfect, the way they used mo-cap and really were able to show the eyes and depth of emotion within the apes was wonderful.


Best Film Editing:
The Artist – Anne-Sophie Bion and Michel Hazanavicius
The Descendants – Kevin Tent
The Girl with the Dragon Tattoo – Angus Wall and Kirk Baxter
Hugo – Thelma Schoonmaker
Moneyball – Christopher Tellefsen

My Pick:
+ Show Spoiler +
The Artist - Editing is especially important in this type of film. It is one of those technical awards that can either be won for creative brilliance or for just plain solid work. The Artist, being done in the silent film style, really needed a fine editing touch and they captured it well.


Best Makeup:
Albert Nobbs – Martial Corneville, Lynn Johnson, and Matthew W. Mungle
Harry Potter and the Deathly Hallows – Part 2 – Nick Dudman, Amanda Knight, and Lisa Tomblin
The Iron Lady – Mark Coulier and J. Roy Helland

My Pick:
+ Show Spoiler +
Hard to choose since I have not seen any of these films, but from the trailers and what I know of the artists, I will be rooting for "The Iron Lady." Turing Meryl into Margaret is no simple feat.


Best Costume Design:
Anonymous – Lisy Christl
The Artist – Mark Bridges
Hugo – Sandy Powell
Jane Eyre – Michael O'Connor
W.E. – Arianne Phillips

My Pick:
+ Show Spoiler +
Hugo - Sandy Powell already has some Oscars under her belt and Hugo looks phenomenal.


Best Cinematography:
The Artist – Guillaume Schiffman
The Girl With the Dragon Tattoo – Jeff Cronenweth
Hugo – Robert Richardson
The Tree of Life – Emmanuel Lubezki
War Horse – Janusz Kaminski

My Pick:
+ Show Spoiler +
The Tree of Life - amazing. The mix of styles in film, the way they captured lighting in a mix of times with this layer to each shot, was wonderful.


Best Art Direction:
The Artist – Laurence Bennett and Robert Gould
Harry Potter and the Deathly Hallows – Part 2 – Stuart Craig and Stephanie McMillan
Hugo – Dante Ferretti and Francesca Lo Schiavo
Midnight in Paris – Anne Seibel and Hélène Dubreuil
War Horse – Rick Carter and Lee Sandales

My Pick:
+ Show Spoiler +
Another hard one, but both Hugo and Midnight in Paris looked wonderful artistically. I will have to go with Midnight though on this just because of my personal preference for this film.


Best Sound Editing:
Drive – Lon Bender and Victor Ray Ennis
The Girl with the Dragon Tattoo – Ren Klyce
Hugo – Philip Stockton and Eugene Gearty
Transformers: Dark of the Moon – Ethan Van der Ryn and Erik Aadahl
War Horse – Richard Hymns and Gary Rydstrom

My Pick:
+ Show Spoiler +
Transformers - while I am not a huge fan of these movies, I am a huge fan of Transformers. That being said, I always thought they did a great job with sound effects in these films. The robot sounds and the explosions make for some fun times aurally.


Best Sound Mixing:

The Girl with the Dragon Tattoo – David Parker, Michael Semanick, Ren Klyce, and Bo Persson
Hugo – Tom Fleischman and John Midgley
Moneyball – Deb Adair, Ron Bochar, David Giammarco, and Ed Novick
Transformers: Dark of the Moon – Greg P. Russell, Gary Summers, Jeffrey J. Haboush, and Peter J. Devlin
War Horse – Gary Rydstrom, Andy Nelson, Tom Johnson, and Stuart Wilson

My Pick:
+ Show Spoiler +
Dragon Tattoo - the awesome job of mixing sounds with Reznor's music added so much to the cold and empty landscape of the film and characters.


The Big Ones:

Best Original Score:
The Adventures of Tintin – John Williams
The Artist – Ludovic Bource
Hugo – Howard Shore
Tinker Tailor Soldier Spy – Alberto Iglesias
War Horse – John Williams

My Pick:
+ Show Spoiler +
While John Williams is great and nominated twice, I am going with Howard Shore on this one. John creates great themes, but Howard captures the emotions better as a whole.


Best Original Song:
"Man or Muppet" from The Muppets – Bret McKenzie
"Real in Rio" from Rio – Sérgio Mendes, Carlinhos Brown, and Siedah Garrett

My Pick:
+ Show Spoiler +
This is the easiest choice of all. Muppets 4 Life. I laughed my ass off. The Muppets have been nominated multiple times for Song awards, but never won. This is their year!
+ Show Spoiler +


Best Live Action Short Film:
Pentecost – Peter McDonald and Eimear O'Kane
Raju – Max Zähle and Stefan Gieren
The Shore – Terry George and Oorlagh George
Time Freak – Andrew Bowler and Gigi Causey
Tuba Atlantic – Hallvar Witzø

My Pick:
+ Show Spoiler +
Well, seeing as how I have not gotten to see these as of yet, after seeing trailers and reading about them and the film makers, I will have to root for Time Freak on this one.


Best Animated Short Film:
Dimanche – Patrick Doyon
The Fantastic Flying Books of Mr. Morris Lessmore – William Joyce and Brandon Oldenburg
La Luna – Enrico Casarosa
A Morning Stroll – Grant Orchard and Sue Goffe
Wild Life – Amanda Forbis and Wendy Tilby

My Pick:
+ Show Spoiler +
Dimanche


Best Documentary - Feature:
Hell and Back Again – Danfung Dennis and Mike Lerner
If a Tree Falls: A Story of the Earth Liberation Front – Marshall Curry and Sam Cullman
Paradise Lost 3: Purgatory – Joe Berlinger and Bruce Sinofsky
Pina – Wim Wenders and Gian-Piero Ringel
Undefeated – TJ Martin, Dan Lindsay, and Richard Middlemas

My Pick:
+ Show Spoiler +
If A Tree Falls - wonderfully put together story.


Best Documentary - Short Subject:
The Barber of Birmingham: Foot Soldier of the Civil Rights Movement – Robin Fryday and Gail Dolgin
God Is the Bigger Elvis – Rebecca Cammisa and Julie Anderson
Incident in New Baghdad – James Spione
Saving Face – Daniel Junge and Sharmeen Obaid-Chinoy
The Tsunami and the Cherry Blossom – Lucy Walker and Kira Carstensen

My Pick:
+ Show Spoiler +
This is simple - God is Bigger than Elvis.


Best Animated Feature:
A Cat in Paris – Alain Gagnol and Jean-Loup Felicioli
Chico and Rita – Fernando Trueba and Javier Mariscal
Kung Fu Panda 2 – Jennifer Yuh Nelson
Puss in Boots – Chris Miller
Rango – Gore Verbinski

My Pick:
+ Show Spoiler +
Without a Pixar film in the running this year thanks to the stupidity of the "Cars" franchise, this award is up for grabs. I have to go with A Cat in Paris though for its interesting and beautiful visuals.


Best Foreign Language Film:
Bullhead (Belgium) in Dutch and French – Michaël R. Roskam
Footnote (Israel) in Hebrew – Joseph Cedar
In Darkness (Poland) in Polish – Agnieszka Holland
Monsieur Lazhar (Canada) in French – Philippe Falardeau
A Separation (Iran) in Persian – Asghar Farhadi

My Pick:
+ Show Spoiler +
Footnote


Best Writing - Original Screenplay:
The Artist – Michel Hazanavicius
Bridesmaids – Kristen Wiig and Annie Mumolo
Margin Call – J.C. Chandor
Midnight in Paris – Woody Allen
A Separation – Asghar Farhadi

My Pick:
+ Show Spoiler +
Being a writer, the screenplay topics are always among my favorites. This year though it should go to Woody Allen for sure. Nothing else is even close in the writing department.


Best Writing: Adapted Screenplay:
The Descendants – Alexander Payne, Nat Faxon, and Jim Rash from The Descendants by Kaui Hart Hemmings
Hugo – John Logan from The Invention of Hugo Cabret by Brian Selznick
The Ides of March – George Clooney, Grant Heslov, and Beau Willimon from Farragut North by Beau Willimon
Moneyball – Screenplay by Steven Zaillian and Aaron Sorkin; Story by Stan Chervin from Moneyball by Michael Lewis
Tinker Tailor Soldier Spy – Bridget O'Connor and Peter Straughan from Tinker, Tailor, Soldier, Spy by John le Carré

My Pick:
+ Show Spoiler +
This is almost a tie between Moneyball and Hugo. I will have to say Moneyball though because of the excellent writers who put it all together.


Best Supporting Actor:
Kenneth Branagh – My Week with Marilyn as Laurence Olivier
Jonah Hill – Moneyball as Peter Brand
Nick Nolte – Warrior as Paddy Conlon
Christopher Plummer – Beginners as Hal Fields
Max von Sydow – Extremely Loud and Incredibly Close as The Renter

My Pick:
+ Show Spoiler +
This is another hard one, as many are. I want so badly for it to go to Max von Sydow as I am such a huge fan of his work, but I think it should and will go to Kenneth Branagh for his wonderful job playing the legendary Olivier.


Best Supporting Actress:
Bérénice Bejo – The Artist as Peppy Miller
Jessica Chastain – The Help as Celia Foote
Melissa McCarthy – Bridesmaids as Megan Price
Janet McTeer – Albert Nobbs as Hubert Page
Octavia Spencer – The Help as Minny Jackson

My Pick:
+ Show Spoiler +
Jessica Chastain - but not only for this but also for Tree of Life.


Best Actor:
Demián Bichir – A Better Life as Carlos Galindo
George Clooney – The Descendants as Matt King
Jean Dujardin – The Artist as George Valentin
Gary Oldman – Tinker Tailor Soldier Spy as George Smiley
Brad Pitt – Moneyball as Billy Beane

My Picks:
+ Show Spoiler +
Oldman deserves an award and should finally win for this one.


Best Actress:
Glenn Close – Albert Nobbs as Albert Nobbs
Viola Davis – The Help as Aibileen Clark
Rooney Mara – The Girl with the Dragon Tattoo as Lisbeth Salander
Meryl Streep – The Iron Lady as Margaret Thatcher
Michelle Williams – My Week with Marilyn as Marilyn Monroe

My Pick:
+ Show Spoiler +
Again, poor Glenn Close, should not win this year. I am going with Rooney Mara because she did such an transformative job as Lisbeth.


Best Director:
Woody Allen – Midnight in Paris
Michel Hazanavicius – The Artist
Terrence Malick – The Tree of Life
Alexander Payne – The Descendants
Martin Scorsese – Hugo

My Pick:
+ Show Spoiler +
Terrence Malick - for sure - hands down. He is the man and this film is beautifully haunting and sympathetic. I am a bit hurt though that Fincher was not nominated in this category for Dragon Tattoo. He deserves a statue for his wonderful body of work as well.


Best Picture:
The Artist – Thomas Langmann
The Descendants – Jim Burke, Jim Taylor, and Alexander Payne
Extremely Loud and Incredibly Close – Scott Rudin
The Help – Brunson Green, Chris Columbus, and Michael Barnathan
Hugo – Graham King and Martin Scorsese
Midnight in Paris – Letty Aronson and Stephen Tenenbaum
Moneyball – Michael De Luca, Rachael Horovitz, and Brad Pitt
The Tree of Life – Dede Gardner, Sarah Green, Grant Hill, and Bill Pohlad
War Horse – Steven Spielberg and Kathleen Kennedy

My Pick:
+ Show Spoiler +
Well, most of the critics are picking The Artist, but I disagree. My heart wants Extremely Loud for both the book and the Director, but the art lover in my has to choose The Tree of Life.


**
We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. -Charlie Chaplin
Tal
Profile Blog Joined May 2004
United Kingdom1015 Posts
February 26 2012 10:30 GMT
#2
Wow, looking at the list shows me I haven't seen a single nominated film. Guess I've got some catching up to do...
It is what you read when you don't have to that determines what you will be when you can't help it.
Telcontar
Profile Joined May 2010
United Kingdom16710 Posts
February 26 2012 10:35 GMT
#3
Come on Commissioner Gor- I mean Gary Oldman!
Et Eärello Endorenna utúlien. Sinome maruvan ar Hildinyar tenn' Ambar-metta.
TheAmazombie
Profile Blog Joined September 2010
United States3714 Posts
February 26 2012 10:53 GMT
#4
On February 26 2012 19:35 Telcontar wrote:
Come on Commissioner Gor- I mean Gary Oldman!


I do agree that Oldman is such a phenomenal actor. I remember first noticing him as the warden in "Murder in the First." He was frighteningly mean. Then I saw him in a film where he played Beethoven, but I cannot remember the name at the moment. Since that time I will generally watch anything with him in it. Same goes for Jeremy Irons. They could be in the biggest piece of shit movies and I will still watch it for their intense skill as actors.
We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. -Charlie Chaplin
Telcontar
Profile Joined May 2010
United Kingdom16710 Posts
February 26 2012 11:07 GMT
#5
On February 26 2012 19:53 TheAmazombie wrote:
Show nested quote +
On February 26 2012 19:35 Telcontar wrote:
Come on Commissioner Gor- I mean Gary Oldman!


I do agree that Oldman is such a phenomenal actor. I remember first noticing him as the warden in "Murder in the First." He was frighteningly mean. Then I saw him in a film where he played Beethoven, but I cannot remember the name at the moment. Since that time I will generally watch anything with him in it. Same goes for Jeremy Irons. They could be in the biggest piece of shit movies and I will still watch it for their intense skill as actors.

Can't disagree. Both are amazing actors. Gary Oldman in particular has been one of my favourites for a long while. It's about time he got the recognition he deserves. To be honest I was afraid the academy members were going to overlook him because his performance in TTSS is very subtle and nuanced. I'm just glad they recognised his art for what it is. I hope he wins it, but he faces tough opposition from Dujardin. Clooney & Pitt, I don't really know why they were nominated. They were good in their roles, but nothing we haven't seen before from them. Oscar politics I guess. Then again the Academy might just give it to Bichir. They always like to seem unpredictable and his performance was pretty amazing even though he's the underdog.

As for best actress, I would be fine as long as it doesn't go to Streep. I know she's a brilliant actress and all, but her Thatcher mimicry was pretty wasted in that film. Oh and Jonah Hill's nom is the most puzzling of all. WTF? He was average in Moneyball at best. I can't believe they chose him over Albert Brooks.
Et Eärello Endorenna utúlien. Sinome maruvan ar Hildinyar tenn' Ambar-metta.
TheAmazombie
Profile Blog Joined September 2010
United States3714 Posts
February 26 2012 11:15 GMT
#6
On February 26 2012 20:07 Telcontar wrote:
Show nested quote +
On February 26 2012 19:53 TheAmazombie wrote:
On February 26 2012 19:35 Telcontar wrote:
Come on Commissioner Gor- I mean Gary Oldman!


I do agree that Oldman is such a phenomenal actor. I remember first noticing him as the warden in "Murder in the First." He was frighteningly mean. Then I saw him in a film where he played Beethoven, but I cannot remember the name at the moment. Since that time I will generally watch anything with him in it. Same goes for Jeremy Irons. They could be in the biggest piece of shit movies and I will still watch it for their intense skill as actors.

Can't disagree. Both are amazing actors. Gary Oldman in particular has been one of my favourites for a long while. It's about time he got the recognition he deserves. To be honest I was afraid the academy members were going to overlook him because his performance in TTSS is very subtle and nuanced. I'm just glad they recognised his art for what it is. I hope he wins it, but he faces tough opposition from Dujardin. Clooney & Pitt, I don't really know why they were nominated. They were good in their roles, but nothing we haven't seen before from them. Oscar politics I guess. Then again the Academy might just give it to Bichir. They always like to seem unpredictable and his performance was pretty amazing even though he's the underdog.

As for best actress, I would be fine as long as it doesn't go to Streep. I know she's a brilliant actress and all, but her Thatcher mimicry was pretty wasted in that film. Oh and Jonah Hill's nom is the most puzzling of all. WTF? He was average in Moneyball at best. I can't believe they chose him over Albert Brooks.


Exactly! I was rather puzzled by Hill as well. As for Clooney and Pitt, I would have give the nom to Pitt, but Clooney was average in this film. Nice nod to Brooks as he is always great whether in comedy or drama. He is an actor that is so strong and versatile. Even his voice acting is great.
I am rather convinced that the actor award will go to Dujardin as well because that seems to be the movie this year. I hate how sometimes the Academy seems to pick one movie, and no matter what, that one movie is going to win the bulk of the awards that year, does not matter the actual topic.

As for actress, I honestly have respect for Close, but she never blows me away at all. I think Streep has way more depth, but I still have not seen Iron Lady to judge that performance by itself. Michelle Williams will eventually get an Oscar, but I don't think this is the year. I am disappointed how she was overlooked a bit back for her role in Synechdohce, NY, but overall brilliant art-snob films are often overlooked by the Academy anymore...look at how little attention they gave The Fountain a few years back.
We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. -Charlie Chaplin
corumjhaelen
Profile Blog Joined October 2009
France6884 Posts
February 26 2012 13:17 GMT
#7
Have you seen A separation ? I haven't seen the movie you picked for best foreign language movie so I won't criticize, but its screenplay is certainly 10 times better than that awful stuff Woody Allen wrote.
Didn't really like The tree of life, but I won't really cry if he wins it over the Artist, a very average movie in my opinion.
Very interesting read nonetheless =)
‎numquam se plus agere quam nihil cum ageret, numquam minus solum esse quam cum solus esset
TheAmazombie
Profile Blog Joined September 2010
United States3714 Posts
February 26 2012 16:37 GMT
#8
On February 26 2012 22:17 corumjhaelen wrote:
Have you seen A separation ? I haven't seen the movie you picked for best foreign language movie so I won't criticize, but its screenplay is certainly 10 times better than that awful stuff Woody Allen wrote.
Didn't really like The tree of life, but I won't really cry if he wins it over the Artist, a very average movie in my opinion.
Very interesting read nonetheless =)


No, I have not had a chance to see A Separation yet. I have read good things. I only chose Footnote because it was the only one I have gotten to see so far and it was excellent.

WTF?! Wood Allen hater?! Haha. It is all good, he is not for everyone, but I absolutely love Woody and think he is an outstanding writer and film maker.

I loved Tree of Life. Overall, I love almost anything that Malick does. It is kind of an art-snob film, not for the masses at all, but I thought it was beautifully put together, acted, and shot. I do agree with your look on The Artist. I think it is bold and interesting, but not outstanding in any way. I feel that it is mostly getting the attention because of the style of film it is in today's Hollywood world, not for actually being an amazing film.
We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. -Charlie Chaplin
corumjhaelen
Profile Blog Joined October 2009
France6884 Posts
February 26 2012 18:13 GMT
#9
On February 27 2012 01:37 TheAmazombie wrote:
Show nested quote +
On February 26 2012 22:17 corumjhaelen wrote:
Have you seen A separation ? I haven't seen the movie you picked for best foreign language movie so I won't criticize, but its screenplay is certainly 10 times better than that awful stuff Woody Allen wrote.
Didn't really like The tree of life, but I won't really cry if he wins it over the Artist, a very average movie in my opinion.
Very interesting read nonetheless =)


No, I have not had a chance to see A Separation yet. I have read good things. I only chose Footnote because it was the only one I have gotten to see so far and it was excellent.

WTF?! Wood Allen hater?! Haha. It is all good, he is not for everyone, but I absolutely love Woody and think he is an outstanding writer and film maker.

I loved Tree of Life. Overall, I love almost anything that Malick does. It is kind of an art-snob film, not for the masses at all, but I thought it was beautifully put together, acted, and shot. I do agree with your look on The Artist. I think it is bold and interesting, but not outstanding in any way. I feel that it is mostly getting the attention because of the style of film it is in today's Hollywood world, not for actually being an amazing film.

Fair for a separation, I highly recommend it, for me easily the best film I've seen in theaters this year, and it's very screenplay based, has amazing actors and pretty well shot.

Ahah no, I don't hate Woody Allen, I just think that his filmography is a bit inequal, which is to be expected with one film a year... I much prefer Annie Hall and Manhattan to anything he's done in the past 10 years for instance (even though there were pretty enjoyable films too). And, yeah, Midnight in Paris was... er not his best imho, I don't really like the idea let's say^^

Tree of Life, well, it's a complicated movie with brilliant parts, but then again, I dislike a bit what it has to say.
‎numquam se plus agere quam nihil cum ageret, numquam minus solum esse quam cum solus esset
ampson
Profile Blog Joined January 2011
United States2355 Posts
February 27 2012 02:15 GMT
#10
I think that Octavia Spencer was having a heart attack or something. Weak speech.
TheAmazombie
Profile Blog Joined September 2010
United States3714 Posts
February 29 2012 08:22 GMT
#11
On February 27 2012 03:13 corumjhaelen wrote:
Show nested quote +
On February 27 2012 01:37 TheAmazombie wrote:
On February 26 2012 22:17 corumjhaelen wrote:
Have you seen A separation ? I haven't seen the movie you picked for best foreign language movie so I won't criticize, but its screenplay is certainly 10 times better than that awful stuff Woody Allen wrote.
Didn't really like The tree of life, but I won't really cry if he wins it over the Artist, a very average movie in my opinion.
Very interesting read nonetheless =)


No, I have not had a chance to see A Separation yet. I have read good things. I only chose Footnote because it was the only one I have gotten to see so far and it was excellent.

WTF?! Wood Allen hater?! Haha. It is all good, he is not for everyone, but I absolutely love Woody and think he is an outstanding writer and film maker.

I loved Tree of Life. Overall, I love almost anything that Malick does. It is kind of an art-snob film, not for the masses at all, but I thought it was beautifully put together, acted, and shot. I do agree with your look on The Artist. I think it is bold and interesting, but not outstanding in any way. I feel that it is mostly getting the attention because of the style of film it is in today's Hollywood world, not for actually being an amazing film.

Fair for a separation, I highly recommend it, for me easily the best film I've seen in theaters this year, and it's very screenplay based, has amazing actors and pretty well shot.

Ahah no, I don't hate Woody Allen, I just think that his filmography is a bit inequal, which is to be expected with one film a year... I much prefer Annie Hall and Manhattan to anything he's done in the past 10 years for instance (even though there were pretty enjoyable films too). And, yeah, Midnight in Paris was... er not his best imho, I don't really like the idea let's say^^

Tree of Life, well, it's a complicated movie with brilliant parts, but then again, I dislike a bit what it has to say.



See, I think that some of the most recent Woody is some of the best of his career, at least since the 70s/early 80s stuff. Match point was awesome, Vicky Christina Barcelona was great, Cassandra's Dream was wonderful, and Whatever Works was fun. I could not get into the 80s/90's stuff much at all with a few exceptions like Deconstructing Harry and Mighty Aphrodite.
We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. -Charlie Chaplin
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