On November 12 2014 08:17 Zess wrote: The serial killer makes his first appear quite early in the work and features more prominently as the familiarity of the fabricated universe erodes from our understanding of the composition of a sitcom. One of the major themes is the embedding of realities, with the show-within-a-show and the breaking of a "4th wall" as a character breaks through the set (which is in itself a set).
This culminates in a post-structural critique of cultural identity -- the modernist model of idealized family structures of the 80s, built ultimately on the foundation of Western humanist thought, is rejected strongly by the shock value in the literally savage man.
Yeah. okay maybe, if you are as high as the writers. But why watch that, when you can watch always sunny, and figure out that dennis was written as a serial killer.
What? No, of course he's not. But that's the implication
On November 12 2014 08:17 Zess wrote: The serial killer makes his first appear quite early in the work and features more prominently as the familiarity of the fabricated universe erodes from our understanding of the composition of a sitcom. One of the major themes is the embedding of realities, with the show-within-a-show and the breaking of a "4th wall" as a character breaks through the set (which is in itself a set).
This culminates in a post-structural critique of cultural identity -- the modernist model of idealized family structures of the 80s, built ultimately on the foundation of Western humanist thought, is rejected strongly by the shock value in the literally savage man.
Yeah. okay maybe, if you are as high as the writers. But why watch that, when you can watch always sunny, and figure out that dennis was written as a serial killer.
What? No, of course he's not. But that's the implication
his eyes when he says implication are so damn deadpan an serious its perfect.
Record of a Fallen Vampire is such a great manga, recommend people to read it whenever they get the chance, it's only 44 chapters, but each chapter is around twice the length of a normal a manga.
On November 12 2014 06:04 Requizen wrote: Monty Python is still the pinnacle of absurdist humor.
Anyone remember the sketch where aliens came down and turned everyone into Scotsman so they could win Wimbledon (and also they were giant blancmange)?
So question for you req: there are a lot of people who don't find monty python funny for some similar reasons to those I talked about earlier (I'm not one of them. I fucking love them)
Where do you think the difference lies?
Some of it is cultural. British humour is somewhat representative of the British outlook of life, where it's common to be dour about things in life. Life kicks you when you're down and bullies you. You're trying to take the authority down a peg. You grow up in a society where class is still a thing, and one's accent and word pronunciation is a way to judge one's socio-economic class and upbringing.*
When watching American television, there's a change in the perspective and focus. From an outside perspective, you can see some of the lingering effects from the ideas of Manifest Destiny, American exceptionalism, and the American Dream. They more outwardly express their dreams, their hopes, their fears. There's the sense of going out there and trying to make it. Anyone can do the impossible if they try.** The American protagonist is go-getting, they're open, they're someone people want to relate to. The British protagonist is stuck in a world that doesn't make sense and doesn't like them, they're beaten down, things don't make sense. I'm cherry picking here but compare TV Shows like Ugly Betty and Big Bang Theory to, say, Yes Minister and Blackadder. ***
Now, that's not to say that the countries on either side of the pond don't display characteristics emblematic of the other or shun techniques such as irony or slapstick because good work will use good material and techniques regardless. However the perspective and outlook of one's culture does help provide that frame of the canvass upon which one's art is expressed. It is also this perspective that one uses to interpret the art of others, and if the two don't match then one isn't able to take in the full experience. And that is probably why there are people who aren't able to appreciate certain types of humour. It simply isn't something their experiences and perspectives allow them to understand.****
* Class is not as important as it once was in eras bygone but it is still something that rears its ugly head in the modern world. ** Reality TV shows about winning money or making it big and the celebrity culture are not unrelated. *** Or compare the US and the UK versions of The Office. Again, a disclaimer here that I'm blatantly cherry picking. **** This is totally okay by the way and doesn't mean they're uncultured swine or anything.
Jesus FUCKING christ thanks Riot for making me shit my pants. Turned on League just to download patch, forgot about it while watching other stuff. All of a sudden WTFBANG
On November 12 2014 10:40 WaveofShadow wrote: Jesus FUCKING christ thanks Riot for making me shit my pants. Turned on League just to download patch, forgot about it while watching other stuff. All of a sudden WTFBANG